Ian Volner at Architect Magazine:
The chilling sublimity of the site was undeniable—and discomfiting. Mirroring the debate about anti-wall resistance art, there emerged in the wake of the prototypes’ unveiling a new round of arguments about whether critiquing them risked validating them. “Is it inspired or irresponsible to call Donald Trump’s wall prototypes ‘art’?” That was the headline of a Los Angeles Timesarticle written by the critic Carolina Miranda, who quoted local architect René Peralta: “It would be irresponsible, easy and lazy to consider it as an aesthetic object.” No one had lavished this much attention on the fences that had been built in the mid-2000s; why the sudden interest now? To grant so much exposure to the prototypes—which were never likely to lead to a real wall—was to carry the administration’s water, perpetuating the illusion of progress by raising their visibility.