Lorna Simpson and Osman Can Yerebakan at The Brooklyn Rail:
Simpson’s benevolent yet piercing approach to life is not far from how her art grasps us under the guise of beautiful images of models from magazine spreads. Her unassuming warmth and determination to always look into my eyes during our conversation melts the breeze emanating from her paintings of mountainous ice chunks gloriously standing at remote corners of the world. She blows up images culled from science publications and prints them onto gessoed fiberglass, after adding occasional cutouts of text. Then, the surface is hers to paint into blue, horizontally or on the floor, letting the blues build serpentine paths on the surface. In the far corner of her spacious studio, blown up images of women pulled from Ebony and Jet magazine ads stare in convincing perfection. Arguably her most extensively know works, her collages of women from vintage magazine ads have over the decades evolved into bridges between America’s past and present histories of race and visibility.