Sue Hubbard in Artlyst:
My favourite thing is to go where I’ve never been’ wrote the photographer Diane Arbus, the poor little rich Jewish girl who walked on the wild side. Though the journeys she took were not just physical adventures along the boardwalks of Coney Island or to gender-bending night clubs but those in which she explored the rocky terrain of self-definition. From the start of her career she saw the street as a place full of secrets and reflected her subjects – whether children, the rich or poor, it didn’t matter – as isolated and adrift, remote from society and the world around them, caught up in their own reveries and physical space. Her caste of characters appear like metaphors for themselves; each striving to make him or herself the starring role in their own private psychodrama.
Born Diane Nemerov to a Jewish couple who lived in New York City and owned Russek’s, a famous Fifth Avenue department store, she was insulated during the 1930s Depression by their wealth. Raised by maids and governesses, with a mother who suffered from depression, while her father was mostly absent with work, her early years coloured her emotional landscape. At the age of 18, in 1941, she received her first camera from her husband, Allan Arbus, and started making photographs, which she continued to do sporadically for well over a decade. During the early years the couple were engaged in a moderately successful career in fashion photography—she as the art director/stylist, he as the photographer/technician—using the credit line “Diane & Allan Arbus.” In 1956, she left the business partnership and committed herself full-time to her own work.