Janet Malcolm at the NYRB:
In Diana and Nikon I reproduced four pictures from The Snapshot to illustrate the new aesthetic. Except that one of the pictures was not actually from the book, but from Gardner’s desk: the snapshot of the couple on the tennis court. The temptation was too great. The gates stood too wide open. When the book appeared, there on pages 70–71, illustrating the work of The Snapshot’s “sophisticated photographers,” was a spread of four pictures with the captions under them of Joel Meyerowitz, Untitled; Robert Frank, Untitled; Nancy Rexroth, Streaming Window, Washington D.C., 1972; and G. Botsford, Untitled, 1971.
The reader may be wondering how this act of mischief could have gone undetected. Didn’t anyone at David Godine, the book’s publisher, notice? Or was the estimable and amiable Godine in on the mischief? As an A.J. Liebling character once said, “memory grows furtive.” I no longer remember how it was done or whether Godine knew.