Bill Morris interviews Dominique Morisseau at The Millions:
TM: All three of these plays spring from very specific moments in Detroit’s history. Detroit ’67, of course, was the bloody summer of 1967. Skeleton Crew was in 2008, when General Motors and the city were about to go bankrupt. And now Paradise Blue is set in 1949. When we talked before, you told me you’re not writing history, even though the city’s history is very much a part of your plays. What exactly are you writing?
DM: I think I’m writing about community, and about family, and about home. I would say maybe it’s taken me a while to embrace history, but that’s not what I started out to do. I was just interested in particular moments, but for me it wasn’t about trying to have a historical agenda. What I’m really writing about is people, and those people transcend the time period they’re in; they even transcend region. I’m writing about humanity, and that’s everybody’s entry point into the plays.