Simeon Wade and Heather Dundas in Boom California:
Boom: How did you end up in Death Valley with Michel Foucault?
Simeon Wade: I was performing an experiment. I wanted to see [how] one of the greatest minds in history would be affected by an experience he had never had before: imbibing a suitable dose of clinical LSD in a desert setting of great magnificence, and then adding to that various kinds of entertainment. We were in Death Valley for two days and one night. And this is one of the spots we visited during this trip.
Boom: What can you say about this photograph? Were Foucault and Stoneman already tripping when it was taken? And wasn’t it incredibly hot, Death Valley in June?
Wade: Yes. We rose to the occasion, as it were, in an area called Artist’s Palette. And yes, it was very hot. But in the evening, it cooled off, and you can see Foucault in his turtleneck in the cool air. We went to Zabriskie Point to see Venus appear. Michael placed speakers all around us, as no one else was there, and we listened to Elisabeth Schwarzkopf sing Richard Strauss’s, Four Last Songs. I saw tears in Foucault’s eyes. We went into one of the hollows and laid on our backs, like James Turrell’s volcano,[1] and watched Venus come forth and the stars come out later. We stayed at Zabriskie Point for about ten hours. Michael also played Charles Ives’s, Three Places in New England, and Stockhausen’s Kontakte, along with some Chopin…. Foucault had a deep appreciation of music; one of his friends from college was Pierre Boulez.[2]
More here. [Thanks to Ruth Marshall.}