Nick Ripatrazone at The Millions:
Gerard Manley Hopkins burned all of his poems before becoming a priest. He called his act the “slaughter of the innocents.” Jesuits begin their study with a two-year novitiate period, during which Hopkins did not write a single line of verse — in fact, he would only write fragments for the next seven years.
Hopkins struggled with the divergent pulls of poetry and prayer. That tension coaxed his best and most unique material. A sensitive ascetic with a wild soul and progressive syntax, he praised God by finding the divine in all things. The burning of his verse was not the end of his poetic life, but a cleansing and rebirth by fire: the start of a long, imperfect struggle.
We burn old love letters and photographs to be reborn. The action of burning is often a process. Find a match or a lighter. Put the papers in a container or can or shove them in a fireplace. There are so many moments along the way when we can have second thoughts, when we can decide to put memories in a drawer rather than reduce them to ash, but it is so tempting and comforting to watch the flames swallow our pain.
Hopkins is not the only writer to set fire to his creations. According to his biographers, Franz Kafka burned nearly 90 percent of his life’s work—and requested that more be burned upon his death (it wasn’t).