Mark Vanhoenacker in Slate:
Classical music has been circling the drain for years, of course. There’s little doubt as to the causes: the fingernail grip of old music in a culture that venerates the new; new classical music that, in the words of Kingsley Amis, has about as much chance of public acceptance as pedophilia; formats like opera that are extraordinarily expensive to stage; and an audience that remains overwhelmingly old and white in an America that’s increasingly neither. Don’t forget the attacks on arts education, the Internet-driven democratization of cultural opinion, and the classical trappings—fancy clothes, incomprehensible program notes, an omerta-caliber code of audience silence—that never sit quite right in the homeland of popular culture.
The holiday season typically provides a much-needed transfusion. But the most recent holidays came after an autumn that The New Yorker called the art form’s “most significant crisis” since the Great Recession. Looking at the trend lines, it’s hard to hear anything other than a Requiem.
Let’s start by following the money. In 2013, total classical album sales actually rose by 5 percent, according to Nielsen. But that's hardly a robust recovery from the 21 percent decline the previous year. And consider the relative standing of classical music. Just 2.8 percent of albums sold in 2013 were categorized as classical. By comparison, rock took 35 percent; R&B 18 percent; soundtracks 4 percent. Only jazz, at 2.3 percent, is more incidental to the business of American music.