Tolokonnikova and Žižek in The Guardian:
2 January 2013
Dear Nadezhda,
I hope you have been able to organise your life in prison around small rituals that make it tolerable, and that you have time to read. Here are my thoughts on your predicament.
John Jay Chapman, an American political essayist, wrote this about radicals in 1900: “They are really always saying the same thing. They don't change; everybody else changes. They are accused of the most incompatible crimes, of egoism and a mania for power, indifference to the fate of their cause, fanaticism, triviality, lack of humour, buffoonery and irreverence. But they sound a certain note. Hence the great practical power of persistent radicals. To all appearance, nobody follows them, yet everyone believes them. They hold a tuning-fork and sound A, and everybody knows it really is A, though the time-honoured pitch is G flat.” Isn't this a good description of the effect of Pussy Riot performances? In spite of all accusations, you sound a certain note. It may appear that people do not follow you, but secretly, they believe you, they know you are telling the truth, or, even more, you are standing for truth.
But what is this truth? Why are the reactions to Pussy Riot performances so violent, not only in Russia? All hearts were beating for you as long as you were perceived as just another version of the liberal-democraticprotest against the authoritarian state. The moment it became clear that you rejected global capitalism, reporting on Pussy Riot became much more ambiguous. What is so disturbing about Pussy Riot to the liberal gaze is that you make visible the hidden continuity between Stalinism and contemporary global capitalism.
More here.