Celebrating the overdue arrival of this summer's unrepentantly vapid icon.
James Hamblin in The Atlantic:
I have actually not yet met this summer's international pop sensation-in-the-making. I requested an interview but am still waiting. Maybe it's all part of the mystique.
Taher Shah's digital tail is short, almost eating itself. The most credible Twitter account in his name (Or is it this one? There are impostors) was just opened at the end of April, and it is little more than an exaltation of the human eye.
The one thing we know for sure about the self-described singer/lyricist/writer/model/actor/producer/director/businessman is that he has a super-hot single. Despite YouTube being banned in his home country, his recently released debut “classic epic song and video” has already been viewed half a million times around the world.
If you haven't seen it, here it is. I don't think there's really anything I can say to prepare you.
The single is entitled “Eye to Eye” (“Ankhon he Ankhon Mei” in Urdu). Yes, a good amount of it is him looking pretty longingly at another incarnation of himself. He also lays claim to your heart without regard for your perspective on the matter. (“Your heart is mine because I love you.”) But let's not get on him about syntax; any effort at working multilingually is a noble one.
The Internet adores it. Or adores hating on it, or ironically adoring it. However the Internet feels about things it makes popular; that new emotionless amalgamation of emotions. It's doing that.