Gidi Weitz in Ha'aretz:
More recently, television series have become perhaps the most significant of all forms of creativity. Do you think there is a qualitative difference between them and novels? Did you see “The Sopranos” or “The Wire”?
“Everybody loves 'The Wire' and I think it's okay, but in the end it's just a police series. I love 'The Sopranos.' 'Deadwood,' which didn't last long, was a series I liked a lot; it had more filthy language than I've ever heard on television anywhere in my life, but it was brilliantly written. I like some of what is on now, like 'Breaking Bad' and 'Dexter.'
“I mean, there is always a lot of junk; most novels published are bad novels, most plays put on are bad plays, most movies that come out are bad movies and that is also true of TV. Nineteen times out of 20 you fall asleep. There was a series called 'Game of Thrones' which was very popular here in the United States, a post-Tolkien kind of thing. It was garbage, yet very addictive garbage – because there's lots of violence, all the women take their clothes off all the time, and it's kind of fun. In the end, it's well-produced trash, but there's room for that, too.
“I watched all that because if I am going to work in this field, I need to know what it is going on. I have been making myself have whole-series marathons to get the point of how it goes. I will soon start writing my little series.”