by Jen Paton
“Everyone’s uniting again. It’s a good scene,” says a young man in this clip, on the day the world found out about Osama Bin Ladin’s death.
One way to understand the news value of objectivity, that grail of modern news media, is that it has the goal of establishing the greatest distance between observer and observed. Sometimes, that distance is closed not by those behind the camera, but by those in front of it. Perhaps as we become more hypermediated as individuals, we collectively become more comfortable in front of a camera. When we are so comfortable, we become like performers, and objectivity becomes more elusive.
Many images radiate out from September 2001, the media event, but the celebrating young people of a few weeks ago form a symmetry with one series of images in particular: people celebrating for a TV camera, chanting for a TV camera, jubilating at death for a TV camera. It might have felt so ugly, so hurtful to see people celebrating death on that scale, but that is what we saw, the performance of joy.
The same performance happened three weeks ago, when one man died, and some Americans came out on the streets to celebrate, or to see how others were celebrating, or reacting. Not everyone was jubilant, or rowdy, but some were. Clayton McKlesky of the Dallas Morning News wrote, describing the scene in DC:
Folks were lighting cigars and holding signs declaring “Ding, dong! Osama's dead!” and “America, F%!& yeah!” I saw couples making out. Since when is the death of a terrorist a turn on?
McKlesky added that “the crowd seemed dominated by those hoping to grab the attention of news cameras.” The images of young people look so familiar – in that eerie glow of a TV camera’s light, jubilation and chanting would erupt, just like they did on the MTV program Total Request Live, which these kids must have seen on television in the late 1990s when they were just children, or on one of the same channels’ myriad Spring Breaks, when the camera pans the crowd and everyone yells and undulates and gestures back in victory.
It’s not about our emotions: whether we feel happy or sad or ambivalent about Bin Ladin’s death: it is how we express those emotions or ideas in that most public of spaces, that cold medium of television. And plenty of Americans expressed themselves as if they were on MTV in 1999. How comfortable we are now, in performance.