Artist Man Ray mischievously scribbled his name in a famous photograph, but it took decades for the gesture to be discovered.
Abby Callard in Smithsonian Magazine:
In 1935, the avant-garde photographer Man Ray opened his shutter, sat down in front of his camera and used a penlight to create a series of swirls and loops. Because of his movements with the penlight, his face was blurred in the resulting photograph. As a self-portrait—titled Space Writings—it seemed fairly abstract.
But now Ellen Carey, a photographer whose working method is similar to Man Ray’s, has discovered something that has been hidden in plain sight in Space Writings for the past 74 years: the artist’s signature, signed with the penlight amid the swirls and loops.
“I knew instantly when I saw it—it’s a very famous self-portrait—that his signature was in it,” says Carey, a photography professor at the University of Hartford. “I just got this flash of intuition.” Her intuition was to look at the penlight writing from Man Ray’s point of view—which is to say, the reverse of how it appears to anyone looking at the photograph. “I knew that if I held it up to a mirror, it would be there,” Carey says. She did, and it was.
“This makes perfect sense if you understand that throughout his career, Man Ray did many artworks based off his signature,” says Merry Foresta, who curated a 1988 exhibition of his work at the National Museum of American Art (now the Smithsonian American Art Museum) and decorates her Washington, D.C. office with a poster of his iconic Tears image.
Man Ray’s mischievous gesture is typical of his work. He was born Emmanuel Radnitsky in Philadelphia in 1890, but he spent most of his youth in the Williamsburg section of Brooklyn. In 1915, he met Marcel Duchamp, who introduced him to the modern art scene; the pair were involved with the Dadaists, who rejected traditional aesthetics (Duchamp, for example, displayed a urinal titled Fountain as part of his readymades series), and, later, the Surrealists.