From The New Yorker:

Just about every biography—and this includes the two latest entries—begins with a description of Clinton’s formative years: her middle-class childhood in Park Ridge, Illinois; her stint as a Goldwater Girl in high school; her arrival, in thick glasses and bell-bottoms, at Wellesley College. Most then rush through her years at Yale Law School, a romantic interlude whose unromantic climax is seventeen years in Arkansas. There follows a discussion of the 1992 campaign, Hillary’s critical role in saving Bill from Gennifer Flowers, and the requisite reflection on the complex nature of their marriage. Sympathetic and unsympathetic biographers alike tend to tell Clinton’s more recent history as a sequence of spectacular humiliations—first Gennifer, then health care, then Monica—followed by even more spectacular recoveries: an office in the West Wing, a seat in the United States Senate, a shot at the Presidency. Along the way, they offer some never before disclosed documents or factoids. As the end approaches, they try to come up with an account of what matters to Hillary and what doesn’t—an explanation of who she truly is. Then, in the very last pages, they acknowledge that the effort probably hasn’t quite succeeded and that the reader is still feeling at sea. As the historian Gil Troy observes in his 2006 biography, “Hillary Rodham Clinton: Polarizing First Lady,” the “literature regarding Hillary Rodham Clinton is vast but unsatisfying.” Or, as Gerth and Van Natta put it at the close of their book, “So, who is the real Hillary?” So many pages, so little progress.

More here.

Thousands of apocryphal tales about Sgt. Pepper’s Lonely Hearts Club Band have been told and retold in the 40 years since the record’s release, but the loveliest is a true one. Immediately following the completion of Sgt. Pepper’s in the wee hours of April 21, 1967, the Beatles decamped from Abbey Road Studios to Mama Cass’ apartment in Chelsea, where they flung open the windows and blasted an acetate of the album into the London morning at top volume. In the surrounding buildings, windows slowly rose in reply, and neighbors leaned out to listen to the Beatles’ newest songs. It’s a delightful image, a metaphor for the flood of joy and wonderment that the four Liverpudlians loosed on the world, and on England in particular—the windows, the minds, that were nudged open by the Beatles’ sonically questing, love-affirming, sad, funny, irrepressibly tuneful music.

more from Slate here.

From MSNBC:

Chimpanzees readily learn and share techniques on how to fiddle with gadgets, new research shows, the best evidence yet that our closest living relatives pass on customs and culture just as humans do. In the wild, chimpanzee troops often are distinct from one another, possessing collections of up to 20 traditions or customary behaviors that altogether seem to form unique cultures. While observing chimpanzees, evolutionary psychologist Antoine Spiteri at the University of St. Andrews in Scotland wanted to help settle the question of whether or not the apes learned such practices by watching others like humans do, as opposed to simply knowing how to perform such behaviors innately.

Spiteri and his colleagues investigated six groups of chimpanzees, each with eight to 11 apes, living in captivity in Bastrop, Texas. The researchers taught a lone chimpanzee from one group one technique for obtaining food from a complex gadget, such as stabbing food with a tool. They next taught one chimp from another group a different technique for extracting food from the same gadget, such as pushing it out down a ramp. Over time, the researchers found each technique for tool use and food extraction spread within each group. In essence, these groups displayed their own unique culture and local traditions.

More here.

A good deal of truth is contained in Richard Rorty’s comment that, in the Middle Ages, God was god; that in the Age of Enlightenment and modernity, reason became god; and that today, in the postmodern age, there is no God. The idol or the god of reason has been shattered. Today, the beloved notion of “rationality”, once one of the most lofty and sacred of terms, conveys little more than a suspect, ambiguous, and modest meaning. Aristotelian reason, Cartesian reason, Kantian reason, Hegelian reason, religious reason, historical reason, dialectical reason, theoretical reason, practical reason, and all the other varieties of reason, have smashed the mirror into a thousand pieces, so as to make it impossible to see any whole and undistorted image reflected in it.

Today when someone speaks of reason, they are referring either to the logical methods of deductive and inductive reasoning, proof and refutation, and so on, or to the products of reason, including philosophy, language, morality, science, and the like. Since these products are all fluid and mutable, it is considered axiomatic in our times that reason changes (or evolves and is infinitely perfectible).

more from Eurozine here.

Larky, fitfully brilliant, as profane as they are aphoristic, Leonard Michaels’s stories stand alongside those of his best Jewish contemporaries — Grace Paley and Philip Roth. Like theirs, Michaels’s vernacular achieves the level of song. And yet, though much celebrated during his lifetime — Michaels died at 70 in 2003 — his sexually kinetic work is little read today. But perhaps now it will be, with the republication of his work in two new volumes that should bring Michaels to a new generation of readers and remind us of his lasting achievement. “The Collected Stories” includes the full contents of his acclaimed first two volumes, “Going Places” (1969) and “I Would Have Saved Them if I Could” (1975), as well as selections from his later writing, including all the existing Nachman stories. “Sylvia” is a fictionalized memoir, first published in 1992, about Michaels’s first wife, Sylvia Bloch, who committed suicide.

more from the NY Times Book Review here.

From wbur.org:

The body of a dancer is celebrated as physical perfection on stage. Long, muscular limbs, executing an almost super-human range of motion help define this form of expression.

Lisa Bufano, a performance artist from Allston (Mass), is challenging that preconception. Bufano is a bilateral below knee and finger amputee, is winning rave reviews in the dance world …

More here.

Sophie Ratcliffe at TLS:

Haruki Murakami: AFTER DARK
Translated by Jay Rubin

We meet the heroine of After Dark in a late-night diner, somewhere in a large Japanese city. The diner is described first. The “unremarkable but adequate lighting”, the “expressionless decor and tableware”, the “innocuous background music at low volume”:
“Everything about the restaurant is anonymous and interchangeable. And almost every seat is filled.
      After a quick survey of the interior, our eyes come to rest on a girl sitting by the front window. Why her? Why not someone else? Hard to say. But, for some reason, she attracts our attention – very naturally. She sits at a four-person table, reading a book. Hooded gray parka, blue jeans, yellow sneakers faded from repeated washing . . . . Little makeup, no jewellery, small, slender face . . . . Every now and then, an earnest wrinkle forms between her brows.”

Gradually, more details about the girl’s late-night vigil are revealed. Her name is Mari, she is in her first year at college specializing in Chinese, and there is trouble at home. With no warning, her elder sister has dropped out of normal existence. Two months earlier, the beautiful Eri declared that she was “going to go to sleep for a while”, and has not woken up.

More here.

An interview with Murakami here.

Larissa MacFarquhar at The Dubliner:

Noam Chomsky has spent no more than a month in Ireland, but he is one of the most influential thinkers in this country. An articulate critic of American Foreign Policy, Chomsky is regularly described – by sources as disparate as the Irish Times and the Socialist Workers Party – as a modern-day saint. Indeed, such is the blanket reverence for Chomsky that you will never read a bad word about him in Ireland. But Noam Chomsky is unique for other reasons too. Some of them aren’t so cute.

On Thursday evenings, Noam Chomsky, one of the greatest minds of the twentieth century and one of the most reviled, teaches a class about politics. There are nearly two hundred students and not enough chairs, so latecomers sit or lie down on the floor. On a recent evening, the students came to hear Chomsky speak about Iraq. He sat with his arms folded, a little hunched over on his stool, and began to talk into a microphone. He was wearing what he usually wears: shirt, sweater, jeans, trainers. His hair curled toward the middle of his neck and looked as though he didn’t pay it much attention. He spoke in a quiet monotone.

“When I look at the arguments for this war, I don’t see anything I could even laugh at,” he said. “You don’t undertake violence on the grounds that maybe by some miracle something good will come out of it. Yes, sometimes violence does lead to good things. The Japanese bombing of Pearl Harbor led to many very good things. If you follow the trail, it led to kicking Europeans out of Asia – that saved tens of millions of lives in India alone. Do we celebrate that every year?”

More here.

Janet Tassel in Harvard Magazine:

Here is an image calculated to ruffle the feathers of all red-blooded Americans:

Consuming on credit, reluctant to go to the front line, inclined to lose interest in protracted undertakings: if all this conjures up an image of America as a sedentary Colossus—to put it bluntly, a kind of strategic couch potato—then the image may be worth pondering.

This charge of unfitness for duty has been laid at our doorstep by the lively young Scottish historian Niall Ferguson, Harvard’s (relatively) new Tisch professor of history and Ziegler professor of business administration. And he is far from done with us: “Consider…the question of peacekeeping. It has become abundantly clear that the United States is not capable of effective peacekeeping—that is to say, constabulary duties.” He clarifies his position:

Unlike most European critics of the United States…I believe the world needs an effective liberal empire and that the United States is the best candidate for the job.…The United States has good reasons to play the role of liberal empire, both from the point of view of its own security and out of straightforward altruism. In many ways too it is uniquely well equipped to play it. Yet for all its colossal economic, military and cultural power, the United States still looks unlikely to be an effective liberal empire without some profound changes in its economic structure, its social makeup and its political culture.

“All I mean,” continues Ferguson in his controversial book Colossus: The Price of America’s Empire (2004), “is that whatever they choose to call their position in the world—hegemony, primacy, predominance or leadership—Americans should recognize the functional resemblance between Anglophone power present and past and should try to do a better rather than worse job of policing an unruly world than their British predecessors.”

More here.

From Harvard Magazine:

From their freshman year in college they were inseparable pals, once called “the Mutt and Jeff of post-Kantian idealism.” That epithet somehow failed to catch on, even though both were philosophy concentrators and Tom Cathcart ’61 and Daniel Klein ’61 do stand six-foot-five and five-foot-eight, respectively. Both studied with Paul Tillich and Willard van Orman Quine, and took a junior tutorial with classmate and current U.S. Supreme Court Justice David Souter. Together they bucked the fashion of Harvard’s philosophy department, which considered existentialism softheaded, and got onto a jag of existential ethics for a time. “We were going around being obnoxious about what was an ‘authentic’ life versus an ‘inauthentic’ life,” says Klein.

Nearly half a century later, those epistemological theories, truth tables, and falsifiable propositions have borne fruit in Cathcart and Klein’s new book, Plato and a Platypus Walk into a Bar…: Understanding Philosophy through Jokes (Abrams). Consider it Philosophy 101 as taught by Jackie Mason. A philosophical fallacy like post hoc ergo propter hoc—assigning a causal role to something simply because it preceded something else—becomes more engaging when illustrated:

A New York boy is being led through the swamps of Louisiana by his cousin. “Is it true that an alligator won’t attack you if you carry a flashlight?” asks the city boy.

His cousin replies, “Depends on how fast you carry the flashlight.”

More here.

Edward Wolff at the Levy Institute:

I find here that the early 2000s witnessed both exploding debt and the middle-class squeeze. While median wealth grew briskly in the late 1990s, it fell slightly between 2001 and 2004, while the inequality of net worth increased slightly. Indebtedness, which fell substantially during the late 1990s, skyrocketed in the early 2000s. Among the middle class, the debt-toincome ratio reached its highest level in 20 years. The concentration of investment-type assets generally remained as high in 2004 as during the previous two decades. The racial and ethnic disparity in wealth holdings, after stabilizing during most of the 1990s, widened in the years between 1998 and 2001, but then narrowed during the early 2000s. Wealth also shifted in relative terms, away from young households (particularly those under age 35) and toward those in the 55–64 age group.

You know something is wrong when you find yourself longing to be lying on a wooden plank in a Gulag barracks. The “residents” of Nazino Island could only wish for the stark comforts and liminal order of a labour camp over the ghastly scenario that played out before them in the early spring of 1933 in Western Siberia. In the middle of the night, they were dumped on a small, barren island in the midst of an icy, roaring river hundreds of miles from civilization. With no food, no shelter, not much for clothing, 6,000 people, plucked from the streets of Moscow a few weeks before, found themselves wondering how their lives had taken this ghoulish and, for most, fatal turn. Nicolas Werth’s Cannibal Island: Death in a Siberian Gulag recounts a chapter in a horribly train-wrecked experiment in penal reform. Werth sifts the story of Nazino or “Cannibal” Island, from an assortment of Soviet archives to illustrate arguably the worst nightmare of the whole fiendish Gulag enterprise.

more from the TLS here.

Simenon has traditionally been classed with the serial manufacturers of mysteries, who assign their detectives one problem after another in an endlessly self-renewing process, a glorification not of crime but of drudgery: the novelist as omnipotent employer. He is closer, though, to Balzac’s encyclopedic ambitions, to the positivist notion that all of life can be pinned and mounted in a continuous series of fictional display cases. Simenon, in part on account of his background—the Belgian pessimism and fatalism and guilt and schadenfreude and morbid curiosity—became an encyclopedist of temptation and pain. Every one of his books is a lit window across the air shaft, through which a few people can be observed engaging in the business of everyday life, except that there’s something wrong. You the reader are pulled into the situation, maybe against your better judgment, by an irresistible wish to figure out what exactly is wrong with the picture. And then, helplessly, you witness spiraling chaos. The process is addictive, but it is neither banal nor complacent. Simenon’s genius—his native inheritance, refined into art—was for locating the criminal within every human being. At the very least, it is impossible to read him and remain convinced that you are incapable of violence. Every one of his books is a dark mirror.

more from Bookforum here.

IN 1996, the year Felix Gonzalez-Torres died, I made a version of his “Untitled” (Perfect Lovers), 1987–90, by hanging two identical battery-operated clocks side by side on my living-room wall. I had always admired his work, and, like friends who had foil-wrapped candies sitting on their bookshelves or a sheet of paper from one his stacks pinned to their walls, I too wanted to live with a Felix. A decade later, I still have my Felix. It’s hanging in my studio, and when I look up at it, I’m reminded of the economy, toughness, and beauty of his multifaceted practice, its wit and generosity, its impact on us all. Now, I didn’t know Felix Gonzalez-Torres. Felix Gonzalez-Torres wasn’t a friend of mine. And I’m no Felix Gonzalez-Torres. But Felix is the artist that artists of my generation feel on a first-name basis with. It is his interviews and writings that we pass along to students; his work that we make pilgrimages to see; his passing that we most deeply mourn.

more from artforum here.

From BBC:

A Tyrannosaurus rex would have had great difficulty getting its jaws on fast, agile prey, a study confirms.

A US team has used detailed computer models to work out the weight of a typical “king of the dinosaurs”, and determine how it ran and turned.

The results indicate a 6 to 8-tonne T. rex was unlikely to have topped 40km/h (25mph) and would take a couple of seconds to swivel 45 degrees.

Slowcoach dino

The team’s computer modelling system estimated the centre of mass position and the inertia (resistance to turning), which have ramifications for how T. rex would have stood and moved and what it would have looked like.

As well as predicting the dinosaur’s likely body mass and top speed (25-40km/h or 15-25mph), the computer calculations gave the team an idea of the turning ability of a T. rex. This has never been done before.

More here.

Alex Kirby at BBC:

Researchers from the wildlife conservation group Fauna and Flora International (FFI) say that more than 70 tree species used to make popular musical instruments are globally threatened.
The species include rosewoods, cedars, ebonies and mahoganies, and FFI has launched a special programme, SoundWood, to try to save them.
It is concentrating on two species:

• the African blackwood, known in Swahili as mpingo, which is used for making clarinets and oboes;
• the pau brasil, used to make violin bows.

FFI is also working to save other species widely sought for use in guitars, notably mahoganies and Brazilian and Indian rosewoods.
It says supplies of all these species are now in extremely short supply, because of logging and other forms of commercial exploitation.

More here.

From The National Geographic:

Sporting a flashy pattern of lavender on black, this newfound species of toad is among two-dozen animals that scientists discovered recently in the highlands of the northern Amazon.

Among the new creatures are four frogs, six species of fish, a dozen kinds of dung beetles, and a type of ant never before seen by scientists.

More here.

From The Washington Post:

In the summer of 1962, Edward Mayhew and Florence Ponting are married in the English university city of Oxford. The wedding “had gone well; the service was decorous, the reception jolly, the send-off from school and college friends raucous and uplifting.” Now they are alone, dining “in a tiny sitting room on the first floor of a Georgian inn” at Chesil Beach, on the English Channel. They are happy, yet almost indescribably nervous: “They were young, educated, and both virgins on this, their wedding night, and they lived in a time when conversation about sexual difficulties was plainly impossible.”

This breathtaking novel, Ian McEwan’s 11th, tells the story of that night. Like a number of his previous books — among them The Cement Garden, The Comfort of Strangers, Black Dogs and Amsterdam — On Chesil Beach is more a novella than a novel, weighing in at around 40,000 words, but like those other books it is in no important sense a miniature. Instead, it takes on subjects of universal interest — innocence and naiveté, self-delusion, desire and repression, opportunity lost or rejected — and creates a small but complete universe around them. McEwan’s prose is as masterly as ever, here striking a remarkably subtle balance between detachment and sympathy, dry wit and deep compassion. It reaffirms my conviction that no one now writing in English surpasses or even matches McEwan’s accomplishment.

More here.

Dianne Cardwell in the New York Times:

Frank Gehry, the architect known for buildings adorned with undulating banners of titanium, is set to make his first foray into the world of monkey bars and swings with a new playground at Battery Park, Mayor Michael R. Bloomberg said yesterday.

The playground’s design, which will transform an aging, underused expanse of gray-pebbled concrete, is to be unveiled this year, city officials said, and will include an environmentally friendly restroom building with a planted roof and walls.

“Everything Frank Gehry touches is unique, and I’m sure it will be a great park,” Mr. Bloomberg said at a news conference yesterday.

The playground is part of a larger redevelopment of the Battery, which includes a bikeway connecting the East and West sides of Manhattan, gardens and the restoration of Castle Clinton, a fort that later became an opera house and an immigration station. The city has set aside $4 million to build the playground, with the Battery Conservancy, a nonprofit group, planning to raise whatever additional funds are needed.

More here.