Barbara Rose in the Wall Street Journal:
Today, some of the most original contemporary Iranian artists, such as Shirín Neshat, whose work is now banned in Iran, are living and working in exile in the U.S. And an exhibition of contemporary Iranian photography, organized by the Tehran museum, is touring U.S. museums without the blessings of either government. In this ironic and unwitting cultural exchange, Iran owns historic U.S. paintings that American museums cannot afford and the works of gifted Iranian artists are celebrated by American museums as the cutting edge of the avant-garde. No one knows what will happen to the masterpieces of modern Western art in Tehran. They are said to be worth billions of dollars now and are too expensive to be destroyed. Will they be sold or traded?