David Foster Wallace on Roger Federer

From the New York Times:

Beauty is not the goal of competitive sports, but high-level sports are a prime venue for the expression of human beauty. The relation is roughly that of courage to war.

The human beauty we’re talking about here is beauty of a particular type; it might be called kinetic beauty. Its power and appeal are universal. It has nothing to do with sex or cultural norms. What it seems to have to do with, really, is human beings’ reconciliation with the fact of having a body.

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Of course, in men’s sports no one ever talks about beauty or grace or the body. Men may profess their “love” of sports, but that love must always be cast and enacted in the symbology of war: elimination vs. advance, hierarchy of rank and standing, obsessive statistics, technical analysis, tribal and/or nationalist fervor, uniforms, mass noise, banners, chest-thumping, face-painting, etc. For reasons that are not well understood, war’s codes are safer for most of us than love’s. You too may find them so, in which case Spain’s mesomorphic and totally martial Rafael Nadal is the man’s man for you — he of the unsleeved biceps and Kabuki self-exhortations. Plus Nadal is also Federer’s nemesis and the big surprise of this year’s Wimbledon, since he’s a clay-court specialist and no one expected him to make it past the first few rounds here. Whereas Federer, through the semifinals, has provided no surprise or competitive drama at all. He’s outplayed each opponent so completely that the TV and print press are worried his matches are dull and can’t compete effectively with the nationalist fervor of the World Cup.

More here.  [Thanks, of course, to Asad Raza.]