“Though the Norwegian artist is known for a single image, he was one of the most prolific, innovative and influential figures in modern art.”
Arthur Lubow in Smithsonian Magazine:
Edvard Munch, who never married, called his paintings his children and hated to be separated from them. Living alone on his estate outside Oslo for the last 27 years of his life, increasingly revered and increasingly isolated, he surrounded himself with work that dated to the start of his long career. Upon his death in 1944, at the age of 80, the authorities discovered—behind locked doors on the second floor of his house—a collection of 1,008 paintings, 4,443 drawings and 15,391 prints, as well as woodcuts, etchings, lithographs, lithographic stones, woodcut blocks, copperplates and photographs. Yet in a final irony of his difficult life, Munch is famous today as the creator of a single image, which has obscured his overall achievement as a pioneering and influential painter and printmaker.