Top curators and critics make their picks in the December issue of Artforum.
“ACCUMULATED VISION, BARRY LE VA” (INSTITUTE OF CONTEMPORARY ART, PHILADELPHIA) For me, the past year’s most awaited, most revealing, and most beautifully executed exhibition was this miniretrospective organized by Ingrid Schaffner (who deserves her own high ranking on some roster for the string of exhibitions she has curated over the years). . . .
Alison M. Gingeras
PAUL MCCARTHY, “LALA LAND PARODY PARADISE” (HAUS DER KUNST, MUNICH) After years of intensive toil in his Pasadena studio, McCarthy delivered an epoch-making exhibition based on his two pet obsessions: pirates and cowboys. . . .
“ROBERT RAUSHCENBERG: HOARFROSTS” (GUILD HALL, EAST HAMPTON, NY) The saddest summer show ever? Given that institutions tend to roll out holiday favorites or crowd pleasers for the summer season, the Guild Hall’s decision to exhibit Rauschenberg’s little known, rarely seen, and profoundly melancholic “Hoarfrost” series was a bold gesture. . . .
THE AUDIENCE AT “BASQUIAT” (BROOKLYN MUSEUM) I had an irrepressible desire to channel the enthusiasm of a Borscht Belt emcee as I walked through the Jean-Michel Basquiat retrospective. The audience embodied all of the clichés inherent to any conversation about “attracting a wider cross section of the public.” . . .