What do these two little epiphanies add up to? Only this: The different ends of this or that aspect of modernism or modernity that many of us proclaimed, rightly or wrongly, over the last three decades might have blinded us, at least in part, to one narrative, perhaps the grandest of all, that continues unabated, even unabashed: the narrative of modernization. What might count as a dialectical engagement, critical yet non-nostalgic, resistant yet utopian, with its most important manifestations today? Neither a new “new vision,” I imagine, nor old-school practices that pretend nothing has changed. In the new year I hope some artists will point a way forward.
more in Artforum here.