Andrew Clarkin and Simon Pittuck of the Keith Talent Gallery in London have curated a strong group show at Cynthia Broan, the tenor of which is aptly summed up by the title–an agile fusion of the sophomoric and ham-fisted with the knowingly conceptual. Although much of the work engages with visible currents in the contemporary scene, the show is an illuminating introduction to a lineup of British artists who have staked out their own wry patch of land–imagine Rabelais with a post-ironic insecurity about what’s even funny anymore.
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