Jim Holt in the New Yorker:
A decade after arriving in Princeton, Einstein acquired a walking companion, a much younger man who, next to the rumpled Einstein, cut a dapper figure in a white linen suit and matching fedora. The two would talk animatedly in German on their morning amble to the institute and again, later in the day, on their way homeward. The man in the suit may not have been recognized by many townspeople, but Einstein addressed him as a peer, someone who, like him, had single-handedly launched a conceptual revolution. If Einstein had upended our everyday notions about the physical world with his theory of relativity, the younger man, Kurt Gödel, had had a similarly subversive effect on our understanding of the abstract world of mathematics.
Gödel, who has often been called the greatest logician since Aristotle, was a strange and ultimately tragic man. Whereas Einstein was gregarious and full of laughter, Gödel was solemn, solitary, and pessimistic. Einstein, a passionate amateur violinist, loved Beethoven and Mozart. Gödel’s taste ran in another direction: his favorite movie was Walt Disney’s “Snow White and the Seven Dwarfs,” and when his wife put a pink flamingo in their front yard he pronounced it furchtbar herzig—“awfully charming.” Einstein freely indulged his appetite for heavy German cooking; Gödel subsisted on a valetudinarian’s diet of butter, baby food, and laxatives. Although Einstein’s private life was not without its complications, outwardly he was jolly and at home in the world. Gödel, by contrast, had a tendency toward paranoia. He believed in ghosts; he had a morbid dread of being poisoned by refrigerator gases; he refused to go out when certain distinguished mathematicians were in town, apparently out of concern that they might try to kill him.