The erudite classicist, Daniel Mendelsohn, examines Oliver Stone’s Alexander in the New York Review of Books:
This was, obviously, not the reaction Stone was hoping for —nor indeed the reaction that Alexander’s life and career deserve, whether you think he was an enlightened Greek gentleman carrying the torch of Hellenism to the East or a savage, paranoid tyrant who left rivers of blood in his wake. The controversy about his personality derives from the fact that our sources are famously inadequate, all eyewitness accounts having perished: what remains is, at best, secondhand (one history, for instance, is based largely on the now-lost memoirs of Alexander’s general and alleged half-brother, Ptolemy, who went on to become the founder of the Egyptian dynasty that ended with Cleopatra), and at worst highly unreliable. A rather florid account by the first-century-AD Roman rhetorician Quintus Curtius often reflects its author’s professional interests —his Alexander is given to extended bursts of eloquence even when gravely wounded—far more than it does the known facts. But Alexander’s story, even stripped of romanticizing or rhetorical elaboration, still has the power to amaze.
Continue reading here.