Musical Travelling Theory

I’ve been doing a lot of driving lately and this has provided an occasion to reappreciate the Avalanches’ 2002 record, Since I Left You. It is a modern classic, and one of the few pieces of music I’ve heard that uses the potential of sampling technology as the basis for a new formal art. As with most formally brilliant aesthetic output, repeat auditions reward the listener with previously unnoticed features. Their sound has tremendous density and a symphonic tendency for elements to fade in and out of conscious hearing: the horse’s whinny that has structurally replaced the hip-hop horn, the sunken counterpoint to a haunting piano riff, the celebrated use of the bassline from Madonna’s “Holiday.” Additionally, I love the Avalanches’ internationalism: they’re Australian djs who happily circumnavigate in search of cool sounds. They also invent a space in which the listener (temporarily) becomes a global citizen, travelling the world and thinking contrapuntally. In short, a work of genius. If you want an accurate review try here.