“Marina Abramovic’s Count On Us – a work replete with spooky, haunted house imagery of skeletons, blackness, and the United Nations – is straight-up Abramovic. A dark, multi-paneled room at the 2004 Whitney Biennial displays a series of unnerving and sardonic videos that evoke the kind of weird chuckle one discharges when simultaneously being in on a joke and made fun of. On one wall, an unenthusiastic and black-clad children’s choir sings the praises of United Nations aid (directed with gusto by the artist in a skeleton costume). The choir sounds more like a mechanical hum than anything else. Another wall shows a close-up of a young girl and boy gazing upwards with stolid pride, or perhaps longing. And there is a human Soviet star comprised of (yep) children, in black, as the artist (still in her skeleton get-up) stands in the mush-pot. What is going on here?”
More in this short essay by Stefany Anne Golberg in The Old Town Review.