The Joys of Business Ownership, Research, and Fatherhood

From Science:

Fathersonshoes_160_jpg Mohammed Homman is in no hurry to defend his dissertation. It’s not because the Karolinska Institute doctoral candidate needs more time to write or perform a few more experiments. Nor is it because he needs to be home most days by 5 p.m. to help his wife, Maria Homman, who heads her own research and development lab at Akzo Nobel, care for their two daughters. Homman is taking his time to finish his degree because he’s busy wooing investors, hiring researchers–some of them with their own doctorates–and establishing business partnerships. Finishing his degree just isn’t his highest priority right now.

There’s also the pesky matter of patents. Announcing his results publicly in the form of a dissertation might interfere with the two pending patents his company, Vironova, needs to grow. Homman started the bioinformatics company in 2005 to commercialize technology he developed that automates virus detection using digital images from electron microscopes. Homman, who is 33 years old, is CEO of the company, which has 11 employees and has raised more than $5 million in capital so far. The target in the current fundraising round is $50 million.

How does he get it all done? “I do not get much sleep,” he says cheerfully.

More here.



Bowling Alone

Joseph O’Neill in The Atlantic Monthly:

Book Beyond a Boundary by C.L.R. James.

The general American mystification with cricket is not merely anomalous but a tad perverse — you might even say it’s the stuff of a national blind spot (“a region of understanding in which one’s intuition and judgment always fail,” according to my dictionary). Well, what of it? Why not turn a blind eye to a complicated, time-consuming, weird-looking sport? And don’t we have our own game involving sticks and balls and hot summer days?

A possibly eccentric but, I would suggest, far-reaching response to this line of argument would be as follows: To be deprived of knowledge of cricket is to be deprived, at the very least, of a full appreciation of C. L. R. James’s strange and wonderful Beyond a Boundary, the American publication of which occurred almost a quarter century ago. The original, British publication came in 1963, and ever since, the book has gone down pretty well with the critics. “To say ‘the best cricket book ever written’ is pifflingly inadequate praise,” blurbs the most current U.K. paperback edition, which quotes this further encomium:

Great claims have been made for [Beyond a Boundary]: that it is the greatest sports book ever written; that it brings the outsider a privileged insight into West Indian culture; that it is a severe examination of the colonial condition. All are true.

Such praise cannot be dismissed as self-serving hyperbole: Derek Walcott has written of “a noble book,” and V. S. Naipaul, in the days before his glorious unpleasantness had fully manifested itself (needless to say, he eventually turned on James), rejoiced at “one of the finest and most finished books to come out of the West Indies.”

More here.

Mearsheimer, Walt and the Erudite Hysteria of David Remnick

Tony Karon in Rootless Cosmopolitan:

_41630968_children416_afpFirst, an illustrative anecdote: A little over a year ago, Iraq’s prime minister Nuri al-Maliki arrived in Washington and addressed Congress. The event was supposed to be a booster for the elected Iraqi leadership, showing U.S. support for the new government. But at the time, Israel was pummeling Beirut in response to Hizballah’s capture of two Israeli soldiers, so U.S. legislators naively tried — and failed — to get Maliki to condemn Hizballah. And, revealing the extent to which Washington is encased in a bubble when it comes to matters involving Israel in the Middle East, Senators Chuck Schumer, Harry Reid and Dick Durbin wrote Maliki a letter saying the following: “Your failure to condemn Hezbollah’s aggression and recognize Israel’s right to defend itself raise serious questions about whether Iraq under your leadership can play a constructive role in resolving the current crisis and bringing stability to the Middle East.”

To cut bluntly to the chase, there is scarcely a single politician in the Arab world willing to endorse Washington’s definitions of the problems or the solutions when it comes to Israel’s impact on the region — and that even among the autocrats with whom the U.S. prefers to work, much less that rare breed that Maliki represents, i.e. a democratically elected leader. It is the U.S. leadership that is in denial about what is needed to create security in the region.

More here.

The Rules of Infidelity from Tokyo to Tennessee

Robert Scott Stewart in Metapsychology:

Screenhunter_04_sep_12_0027Despite what we have all heard, married folks in America are actually wildly monogamous. In 2004, only 3.9 % of married men and 3.1% of married women engaged in extramarital sex in the past year (62). The figure that is often heard – that more than half of married men, and a quarter of married women will cheat on their spouses over their lifetime – turns out to be both highly problematic and overestimated. These later figures come from Alfred Kinsey’s studies in the 1950’s, and they are based upon badly unrepresentative samples (46). This was exacerbated by later studies by Shere Hite and Cosmopolitan magazine which placed adultery figures as high as 70% for both men and women. It turns out that in the U.S. only about 20% of men and 10% of women have extramarital sex over their lifetimes (50), although, as Druckerman notes, statistical evidence in this area is strangely hard to come by.

Why there should be such a dramatic difference between reality and perception is interesting. Part of it clearly has to do with the fact that some segments within our society who receive a disproportionate amount of media coverage – such as sports and movie stars, famous politicians and, one wants to add, but probably shouldn’t, evangelical ministers like Jim Bakker, Jimmy Swaggart, and Ted Haggard — do commit adultery in numbers much higher than the norm.

More here.

Send: The Essential Guide to Email

Janet Malcolm in the New York Review of Books:

EmailHow many of us have—among other self-immolations—badmouthed someone in an email, only to make the fatal mis-click that sends the email to the very person we have betrayed? And what can we do to repair the damage? Anything?

“The email era has made necessary a special type of apology,” Shipley and Schwalbe write,

the kind you have to make when you are the bonehead who fired off a ridiculously intemperate email or who accidentally sent an email to the person you were covertly trashing. In situations like these, our first inclination is to apologize via the medium that got us into so much trouble in the first place. Resist this inclination.

Instead, go see the person or telephone him, for “the graver the email sin, the more the email apology trivializes it.” “Just because we have email we shouldn’t use it for everything,” Shipley and Schwalbe write, introducing a notion that younger readers may find too radical to take seriously.

More here.

Tuesday, September 11, 2007

America’s selective memory and massacres long since forgotten

Howard Zinn in the Utne Reader:

HowardzinnI was recently invited to participate in a symposium on the Boston Massacre. I said I would speak, but only if I could also speak about other massacres in American history.

The Boston Massacre, which took place on March 5, 1770, when British troops killed five colonists, is a much-remembered–indeed, overremembered–event. Even the word massacre is a bit of an exaggeration; Merriam-Webster’s Collegiate Dictionary says the word denotes “wholesale slaughter.”

Still, there is no denying the ugliness of a militia firing into a crowd, using as its rationale the traditional claim of trigger-happy police–that the crowd was “unruly” (as it undoubtedly was). John Adams, who was a defense lawyer for the nine accused British soldiers and secured acquittals for seven of them, described the crowd as “a motley rabble of saucy boys, Negroes and mulattos, Irish teagues, and outlandish jack tarrs.”

Adams could hardly have expressed more clearly the fact that the race and class of the victims made their lives less precious. This was one of many instances in which the Founding Fathers registered their desire to keep revolutionary fervor under the control of the more prosperous classes.

Ten thousand Bostonians (out of a total population of 16,000) marched in the funeral procession for the massacre victims. And the British, hoping not to provoke more anger, pulled their troops out of Boston. Undoubtedly, the incident helped build sentiment for independence.

Still, I wanted to discuss other massacres because concentrating attention on the Boston Massacre would be a painless exercise in patriotic fervor.

More here.

Poem by Tolu Ogunlesi

Masks and Madness
for 9/11

She leaned on her brother’s lego towers,
Being at that age when everything becomes
An aid to the miracle of mobility. Hers was
To sow disassembly on the industrious fields
Of a sibling’s imagination. Innocently.

Far out in the world, men learn
The miracle of walking planes on leashes,
Testicles burning with artificial fire,
Striding into gangling towers
Innocent as placard-carrying activists.

Far out in another world, Hitler and Mao
Compare notes, ruing the slow evolution
Of human imagination. “I’d have built airports,
Not Auschwitz; sent Israel to Canaan
On Economy,” Hitler says, in a rare interview.

Mao nods absentmindedly, he spends his days
Building Boeings from the pages of the red
Book. In New York, men settled for suicide,
Hurtled down burning towers, voices willed
To answering machines that reproduce

Every nuance of terror, and leak the smells
Of burning words, burning goodbyes, burning
Skins, burning everything. The journey
Of a thousand stories ends with one step
Into dust, into ash, into the salt from many eyes,

Civilisation toppling at the sound of God’s name.
And as for you who wear masks and madness, and chant
God’s name in vain: Pack all the fear you can, into
The aisles of a million jets, and watch them explode
Prematurely with a heroism that is not yours — and never will be.

(Originally appeared in The Vocabula Review)

Tolu Ogunlesi’s blog is here.

‘Clearest’ images taken of space

Pallab Ghosh at the BBC:

Screenhunter_03_sep_11_1936A team of astronomers from the US and the UK has obtained some of the clearest pictures of space ever taken.

They were acquired using a new “adaptive optics” system which sharpens pictures taken from the Mount Palomar Observatory in California.

The images are twice as sharp as those from Hubble Space Telescope.

The new system, dubbed “Lucky”, is the result of work by a team from Cambridge University and the California Institute of Technology (Caltech).

More here.

What’s In Your Garage?

Ruchira Paul in Accidental Blogger:

Lotus_eliteIf a car measures up to my mundane criteria, I don’t much care about make or model … and I reserve the sole veto power after a test drive.) So when I came across this Time magazine compilation, I browsed through it with some interest only because it is the “worst cars of all time” list.  That made it a more engrossing read than the fawning, over the top showroom jargon of sensuality, grace, power, elegance and status enhancing qualities associated with the “best” automobiles. The “worst” list is perhaps also more interesting and its colorful language more convincing because nobody is trying to sell us anything. In fact its whole point is to alert us to automotive follies, past and present, foreign and domestic. Here for example is the withering put down of the Renault Dauphine, the worst car of 1956.

The most ineffective bit of French engineering since the Maginot Line, the Renault Dauphine was originally to be named the Corvette, tres ironie. It was, in fact, a rickety, paper-thin scandal of a car that, if you stood beside it, you could actually hear rusting. Its most salient feature was its slowness, a rate of acceleration you could measure with a calendar. It took the drivers at Road and Track 32 seconds to reach 60 mph, which would put the Dauphine at a severe disadvantage in any drag race involving farm equipment. The fact that the ultra-cheap, super-sketchy Dauphine sold over 2 million copies around the world is an index of how desperately people wanted cars. Any cars.

More here.

Reality and Justice in a Single Thought, Heaney’s “Horace and The Thunder”

Also for this 9/11, Seamus Heaney’s reading and commentary on “Horace and the Thunder” (approximately 16 minutes and 15 seconds into the audio file of the reading). From the transcript:

After that day [9/11/2001], a poem which I had cherished for different reasons took on new strengths and new strangeness – Horace, a poem by Quintus Horatius Flaccus, a Latin poet, of the Augustan age. If anybody’s interested, it’s in Carminum Liber Primus. That’s the first Book of Odes, Number 34. Horace, in this poem, gets a shock. He says, I’m a pretty cool kind of guy. I’m not really gospel greedy. I go with the crowd. But, something happened that really put the wind up me. Oops! And the terms of the poem…it’s really about poetry’s covenant with the irrational, I thought first of all. It’s about thunder in the clear, blue sky. Shock, Jupiter, the thunder god, ba-boom. But some of the terms used were so resonant in a new world of the twenty first century. He talked about (Latin), god certainly has power, he said. (Latin) He can change the highest for the lowest. He can (Latin)…He can bring the unknown forward. And this moment of great danger, great grief, great dread, promised a re-tilting of the world in all kinds of ways. Both the hammer coming down, and, something else, perhaps we’re being shown new…..It required what the poet, W.B. Yeats, said that was required of every kind of mature intellect; it required us to ‘hold in a single thought reality and justice.’ Beautiful to formulate; extremely difficult to manage. But, the danger and menace of this was in the poem for me. So this is called ‘Horace and the Thunder’. Three stanzas of Horace, one stanza of Heaney, but I’ll not tell you which is which. [laughter]

Anything can happen. You know how Jupiter
Will mostly wait for clouds to gather head
Before he hurls the lightning? Well, just now,
He galloped his thunder-cart and his horses

Across a clear blue sky. It shook the earth
And the clogged underneath, the River Styx,
The winding streams, the Atlantic shore itself.
Anything can happen, the tallest things

Be overturned, those in high places daunted,
Those overlooked esteemed. Hooked-beak Fortune
Swoops, making the air gasp, tearing off
Crests for sport, letting them drop wherever.

Ground gives. The heaven’s weight
Lifts up off Atlas like a kettle-lid,
Capstones shift, nothing resettles right.
Smoke furl and boiling ashes darken day.

the 8th wonder

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The most outlandish claim about Qin Shi Huangdi – that he declared war on death itself – has now been proved true, so long after his demise. Sima Qian wrote in great detail about the subterranean mausoleum, recounting how the emperor’s tomb, with its rivers of mercury and its jewel-encrusted ceiling, was protected by great underground ramparts. According to the historian, the fortifications, built way below the water table, were sealed watertight, and the tomb candles, made from whale oil, were designed to burn for eternity. He even described elaborate booby traps: artisans constructed crossbows that would be triggered mechanically, firing a volley of arrows at any unsuspecting grave-robber.

In recent years, geological surveys have proved his seemingly fanciful descriptions to be accurate. The subterranean chambers, protected by huge protective walls, really exist. Even more astonishing is the revelation that the subsoil of the tomb mound contains unnaturally high quantities of mercury, concentrated in a series of apparent channels – indicating that the silvery streams representing the Yangtze and the Yellow River are still flowing around a gold coffin.

more from The New Statesman here.

savage detectives

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The pathos of The Savage Detectives lies in that single contrast—the pathos of the ardent young poets who cavort like satyrs and nymphs in the sacred wood of high poetry and, then again, have to drag their way around the hardscrabble streets of Mexico City, and sometimes die all too soon, as Rubén Darío did at age 49, and Roberto Bolaño did at age 50, in both cases of liver failure.

But I don’t mean to bring my drum-banging on Bolaño’s behalf to a gloomy thud of a conclusion. The Savage Detectives sings a love song to the grandeur of Latin American literature and to the passions it inspires, and there is no reason to suppose that, in spite of every prediction, these particular grandeurs and passions have reached their appointed end. Bolaño’s friend Carmen Boullosa in The Nation and Francisco Goldman in the New York Review of Books have both insisted lately that Bolaño wrote a further novel, not yet translated into English, that is stronger, or at least more prodigious, even, than The Savage Detectives.

more from Slate here.

american tan

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If this makes him sound like some Nabokovian pervert obsessed with young Lolitas flashing their thighs, it is worth remembering that Willem de Kooning was just as taken with these twirling, gesticulating nymphs in their parades of ritualised motion. And that is precisely what these sacrificial lambs – prizes for returning warriors, the artist calls them – have become in Hume’s latest paintings, displayed in American Tan, at London’s White Cube MAson’s YArd.

Balletic, athletic, slender limbs outflung, cartwheeling, jack-knifing, landing in splits, these are bodies put through extraordinary contortions. Caught in freeze-frame, they scarcely look like nubile teenagers at all. They are, in short, ideal subject matter for this painter of radically denatured images.

more from The Observer Review here.

How We Became Important

From 3quarksdaily.com:

(I still think that these two short paragraphs by Abbas are the most poignant and moving account of our feelings on 9/11. I urge you to read his entire article from last year. Azra).

Liberty_2That night, we slept fitfully, gripped by the confusion of sadness, fear, anger. The next day, I managed to collect myself enough to send an email to friends and family expressing some of what I felt. I reproduce that message here:

Hello,

As time elapses, I am more clearly able to identify and articulate what it is that has been making me so sad about this attack. It is this: some cities do not belong to any particular country but are treasures for all people; cosmopolitan and international by nature, they are the repositories of our shared world culture and artistic production, testaments to what is common and binding among diverse peoples, and sources of creative energy. They come to stand for our notions of community and brotherhood. New York has been by far the most magnificent of these world treasures, and it still is today. Here, on every block you will meet people from forty different countries. Here you can speak Urdu with the cab drivers, and Korean at the grocery store. Here, bhangra rhythms and classical sitar mix with calypso and Finnish ambient chants. Here is where mosques and synagogues are separated by no green-lines. Here is where Rodney King’s wish has mostly come true: we do get along. This city is the least provincial; no nationalism flourishes here. It is the most potent fountainhead of intellectual and artistic endeavor. What this mindless attack has done is desecrate and damage the ideals of international community that this city not only symbolizes, but instantiates as fact and lovely example. And it is this desecration which is so devastatingly heart-breaking.

I recall two things: one, the pleasure and awe with which my mother took in the incomparably stunning view from the 110th floor observation deck of the World Trade Center on a visit from Pakistan in 1974. And two, her reading in Urdu, the words of welcome inscribed in the lobby of that building in over one hundred languages, to all people of the world. Alas, no one shall ever do either again.

Abbas

More here. 

Nine-one-one

From Southcoast Today:

911 I see the souls all rising,
Through smoke and fire — first one,
Then tens, and finally hundreds —
All heading toward the sun.
It is a sight unseen before
By anyone on Earth —
So many kinds of people,
Each different at their birth.
Yet all now are joined in death and love
To one God — undefined.
Their shock will pass as they’re held so dear
By the ones they left behind.
Their message to all of us is one:
“Let this be the end of hate!”
If only this one thing is done,
Theirs was a worthy fate.

MARY CONWAY, ONSET

More here.

Monday, September 10, 2007

Fragments on Paterson

I like to take the train from Penn Station out to Paterson. It stops in Secaucus Junction, a new and gleaming place that never seems to have anyone in it, just cavernous halls of light marble and a lonely bar tucked in one corner, the woodwork of which seems laughable and out of place and therefore sympathetic. The barkeep told me it would be a great place to work if a few hundred more customers came through every day.

I always ride in the space between train cars from Penn to Secaucus. It is loud and feels like what I imagine train travel to have been like in the olden days; jarring, big, transformative. The train smells more like itself between the cars, especially when it is raining in the evening. As you bumble your way out of the big city and into the tunnels under the Hudson you can watch the rivulets of water splashing down into the lonely puddles that pockmark the railway trenches of the far West Side. The last few streams of light make their way through the clouds and glimmer in the raindrops and the dirt like a faded painting.

I don’t object to the changes in all things. I don’t object to the fact that all experiences are washed away in time. But I like the way that the little metal platform between train cars is protecting a feeling that has barely changed for generations.

The train pulls out of Secaucus Junction and then putters along through the marshy fields that make up the Jersey wilds just outside of Manhattan. There is tantalizingly little to see until the industrial ruins of Paterson begin to show themselves with not much fanfare. The train ride doesn’t get somewhere so much as end.

*

No one knows exactly why William Carlos Williams chose Paterson as the subject and location for a new poetry. He was working on his variable triadic foot. It was a new meter, so he said. It has never been entirely clear how it’s supposed to scan. Maybe Williams himself never really understood it. But he was messing around, trying to capture the American idiom and thereby the American experience. He stayed in New Jersey while all the other Americans went to Paris or wherever chasing something they thought was going to turn out big. For some it did. For some it didn’t. Williams stayed and stayed some more. He wasn’t having fun, he was working. He was listening to the Paterson Falls and he was crafting in his forge. “No ideas but in things”: a new poetic empiricism.

*

These days Paterson is broken, let’s be honest. She has her honor, like an old hooker, but she’s broken. It is probably impossible to know what finally breaks a city, what makes it give up and fall apart into petty fiefdoms and the inability to live. All the factors, of course, play their roles: economics, politics, the ongoing terrible American abyss of race. But something else happens when a city breaks, something nobody has a handle on exactly. In that way a city can be like a person. And no one can say precisely what happens to a person when they walk outside and look at the bricks around them, the houses and buildings, and suddenly see nothing at all. What seemed to be a world of meaning around them, the context for living a life, turns into something empty and irrelevant. When that happens you’re not living in the world anymore, you’re simply existing alongside it.

*

There’s a statue of Alexander Hamilton standing at the Paterson Falls, just looking. The Paterson Falls ought to be a marvel of the East Coast. They are nature in its aspect of the sublime. To one’s consistent amazement, they sit there in the midst of a neighborhood, right there in the lap of a city that suddenly shifts gears and gives way to a torrent of rushing water and black rocks.

Hamilton stands there and watches the falls decade after decade. Not many people remember it anymore but a battle took place here long ago. It was a struggle between competing dreams. To simplify, one was Jeffersonian and one was Hamiltonian. Jefferson dreamed of something agrarian, something manageable. He wanted a small democracy built up of autonomous men. It was a decent dream so far as it went. Hamilton dreamed of something else, of the wheels of industry churning out goods and wealth within an urban milieu that the world hadn’t seen yet.

One wonders what Hamilton would have thought about the actual history of Paterson. The way that Paterson ended up being intertwined with the American imagination, the American tragicomedy, the American story, is hundreds of times more complicated than he could have dreamed. But he dreamed it all up nonetheless. Now he stands at the Falls with his back to the city and watches, just looking.

Pin the Tail on the Yankee

by Ruth Crossman

“I don’t know how things work in America, but I’m sorry, you’re not going to find a single bank in London open on a Saturday.”

I was standing in front of the Willesden Green Tube Station with all of my earthly possessions in a pile in front of me, on the phone with the manager of London Accomodation. Five minutes earlier, her Australian secretary had assured me that there was an HSBC in Tottenham Court which was open on Saturday, and so if I was willing to make the schlep I could go there and deposit my meager severance packet. But Lady Posh had a point to prove and I was in no mood to argue. I had just been sacked from my job at an EFL summer camp after an unfortunate incident involving a bomb scare at a national monument, and I was desperate for a room. I just sighed and said that in that case, I would be paying half the deposit in cash and putting the other half on my nearly-maxed American Visa card. I had gotten used to acquiescing to the Brits, especially when I heard the phrase “I don’t know how things work in America, but here in England…”

I had been the token American at the summer camp, and had begun to wonder if “take the piss out of the Yankee” was some kind of national sport. The string of questions and comments was endless-“why do you smile so much?” “why do you say like all the time?” “why did Bush get re-elected if so many of you voted for Kerry?” At first, I had tried to play the role of the cultural translator. But after a while I just started staring my tormentors down and fixing them with a grim smirk. That usually shut them up. At least in Westonbirt, I had been gainfully employed and given free room and board. London, as I was soon to find out, would be a whole different story.

Camus once compared the concentric canals of Amsterdam to the circles of hell, and I began to feel much the same way about the Tube zones in the Big Smoke. A city full of immigrants rubbing against horrified locals, each group of foreigners occupied their own level. The Desis ran the off-licenses and sold the cell phones. The Poles unclogged the toilets. The French waited tables and ran the kitchens. But the most ironic level was reserved for the native speakers-the Aussies, the Kiwis, and the Yankees. The others were there either out of dire economic need or a desire to learn the language. Our reason for coming could usually be summed up in two words-“pound sterling.” We were the paper pushers, the petty bureaucrats, or, in my case, the substitute teachers. English culture has a strong streak of xenophobia to it, but the English seemed to reserve a special brand of contempt for the Americans. I remember explaining to a Polish friend of mine that while the Londoners seemed to resent the foreign influx, my case was rather special. They might feel guilty for the misery their empire had brought to India and Pakistan. They might pity the Poles because of the history of their country. They might look down on the Aussies and Kiwis, but they saw them as brothers in the commonwealth, bastard children of the Queen Mum. For the Americans, they had not a shred of sympathy. I saw a definite glitter in the eyes of my landlords and employers when they realized I needed something from them. So, Yankee, the tables have turned. If you want my money, if you want my flat, be prepared to get on your knees and beg for it. And I did.

I spent a miserable four weeks fighting for survival in London before I gave up. I had a free apartment and a cushy teaching job waiting for me in Slovakia in mid-September, so in the last week of August I scraped together all the money I had left, bought a one way ticket to Bratislava, and made a call to my new boss. I fell in love with Slovakia the minute the plane touched down. The people were warm hearted, they were loud and flashy, and they were emotionally demonstrative, like the Americans. Despite the language barrier, I felt a hundred times more comfortable with the Slovaks than I had with the English.

But Britannia gave me one last parting shot. I was in a hostel, preparing to move into my new apartment, when two English girls with the kind of posh London accent that sets my teeth on edge walked into the room.

“So how long have you been here?”

I could have pretended I didn’t speak English, but I decided to be civil.

“About a week.”

“It’s a bit of a dive, don’t you think?”

“You mean the hostel?”

“No, the city. It’s really a mess, isn’t it? So dirty and ugly. Not like Vienna.”

My gut reaction was to slap them across the face and tell them to home if they hated it so much, but I bit my tongue and chose my words carefully.

“You know, the thing about Bratislava is that the people are nice. The same cannot be said for London.”

And with that, I grabbed my backpack and walked out of the room, slamming the door behind me like an uncouth Yankee.

Ruth Crossman is a free lance writer and English teacher currently based out of Bratislava, Slovakia. Her interests include language acquisition, travel, and international politics.

The Prince of Poets: Arab Poetry’s Answer to American Idol

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Imagine an American TV network deciding to take the American Idol format and apply it to poetry; lining up poets to read their poems in front of temperamental judges while the nation gets out its mobile phones to vote for its favorite poet. One can be sure the show would not survive the first commercial break before the chastened executives pull the plug on it and replace it with yet another series on the Life and Times of Nicole Ritchie. Yet, that was exactly the formula for the latest TV sensation to take Arab countries by storm.

Perhaps the only thing that is as hard as translating Arab poetry to other languages is trying to explain to non-Arabs the extent of poetry’s popularity, importance and Arabs’ strong attachment to it. Whereas poetry in America has been largely reduced to a ceremonial eccentricity that survives thanks to grants and subsidies from fanatics who care about it too much, in the Arab world it remains amongst the most popular forms of both literature and entertainment. Whereas America’s top poets may struggle to fill a small Barnes & Noble store for a reading, Palestine’s Mahmoud Darwish has filled football stadiums with thousands of fans eager to hear his unique recital of his powerful poems. And while in America a good poetry collection can expect to sell some 2,000 copies, in the Arab world the poems of pre-Islamic era poets are still widely read today in their original words, as are those from the different Islamic eras leading to the present. The late Syrian poet Nizar Qabbani had a cult following across the Arab world, and his romantic poems have for decades constituted standard covert currency between lovers.

The Arab World has had its own enormously successful pop music answer to American Idol in Superstar which has concluded its fourth season with resounding success, unearthing some real stars of today’s thriving Arabic cheesy pop scene. But a few months ago, the governors of the Emirate of Abu Dhabi took a bold move by organizing a similar contest for poets. This comes as another step in Abu Dhabi’s ambitious attempts to use its petro-dollars to transform itself into the capital of Arab culture, and one of the world’s leading cultural centers; a Florence to Dubai’s London.

The show, named Prince of Poets, was an enormous success. Some 4,000 poets from across the Arab world sent in submissions to be considered. 35 were chosen for the show, and millions of viewers from across the Arab world tuned in to watch them recite their poetry, get criticized by Arab poetry’s answer to Simon Cowell, Paula Abdul and Randy Jackson (5 older poets and professors), improvise verses on the spot, and address wide-ranging issues from women’s rights, Iraq, love, democratization, Palestine and the old staple of Arab poetry: self-aggrandization. The winner would not only gain fame, but also a grand prize of 1,000,000 UAE Dirhams ($270,000).

The success of the show was wilder than anyone could’ve expected. The Arab press has had reports about how it has achieved the highest ratings in its spot, overtaking football matches and reality-TV; and millions have paid for text messages to vote for their favorite poet.

The turning point in the show’s popularity, many have speculated, came when young Palestinian poet, Tamim Al-Barghouti, read his poem “In Jerusalem“. Tamim, who is a distant cousin and close friend of mine, is the son of famous Palestinian poet and writer Mourid Al-Barghouti (author of the excellent I Saw Ramallah) and Egyptian novelist Radwa Ashour. Tamim’s charisma, poetry, personality and politics captured the imagination of the Arab world. A veteran of years of student political activism in Palestine and Egypt, Tamim was once deported from Egypt by the authorities after engaging in one too many anti-Iraq War protests for the liking of Egypt’s regime. He then moved to America where he completed a Ph.D. in Political Science at Boston University in only three years, before working for the United Nations in Sudan. Through all of this, he has managed to publish four collections of poetry that have received critical acclaim and is expanding his Ph.D. thesis into a book on political identity in the Middle East to be published in 2008. He is now headed to Germany to become a fellow at the Berlin Institute for Advanced Study.

While many contestants opted away from talking about politics in their poems, hoping to not cause any grievance to the generous leaders of the United Arab Emirates who are hosting this show, or to any of the other Arab leaders, Tamim’s poetry was almost entirely political. Whether it was about Palestine, Iraq, or Arab dictatorships, Tamim was as courageous as he was eloquent, raising a few eyebrows in the quiet Emirate where discussing regional politics is not considered the wisest choice of discussion topic.

In Jerusalem” is a poetic diary of Tamim’s last visit to his land’s occupied capital; a sad traverse through its occupied streets defiled by the occupation soldiers and the illegal settlers living on stolen Palestinian land, and around the apartheid walls choking the city with their racist denial of Palestinians’ basic freedoms and rights. Nonetheless, the poem ends on a cheery and optimistic tone, leading to the jubilant excitement with which the Arab world enjoyed the poem.

Palestinian newspapers have dubbed Tamim The Poet of Al-Aqsa; his posters hang on the streets of Jerusalem and other Palestinian cities, where key-chains are being sold with his picture on them. Sections of the poem have even become ring-tones blaring out from mobile phones across the Arab World, and 10-year-old kids compete in memorizing and reciting it. Hundreds of thousands of people have seen Tamim’s poems on Youtube and other video websites.

But perhaps Tamim’s most amazing feat was how he has galvanized all Palestinians into following him and supporting him. After all of the troubles that Palestine has been through recently, and all the divisions that have been spawned within the Palestinian people, it was very refreshing to finally find something that unequivocally unites all Palestinians, and rouses millions of Arabs behind the cause that was tarred recently by the actions of some Palestinians.

This unifying effect was most glaringly captured when the TV stations of both Hamas and Fatah threw their support behind the unsuspecting Tamim, broadcasting his poems repeatedly, and urging people to vote for him, catapulting him from a little known young poet into a symbol of national resistance and unity. Finally, after months of divisions amongst Palestinians, there was something uniting them: a reminder of the true essence of the cause of the Palestinians, of the real problem, the real enemies and the real need for unity to face these challenges for the sake of Palestinian people and their just cause.

All of which made the final result of the contest most surprising. After having consistently received the highest ranking from the viewers’ votes and the unanimous flattery of the judges, and after a barn-storming flawless last poem that had the judges gushing, Tamim ended up in fifth place out of the five finalists. The poetess that was expected to most strongly challenge Tamim, the Sudanese Rawda Al-Hajj, who had focused her poems on women’s empowerment, finished fourth. The winner, perhaps unsurprisingly, was Abdulkareem Maatouk, a poet from the host country, the United Arab Emirates, whose poems had steered clear of anything political or controversial.

Though Tamim refused to comment, speculation was rife that the results were rigged. That Tamim and Rawda, widely viewed as the two best poets, would finish bottom of the finalists was certainly implausible, and one could not help but imagine that politics came into play. Abu Dhabi may want to fashion itself as the capital of culture, but it probably values its political stability more than any cultural pretenses. Arab regimes may have behaved like warring tribes with narrow self-interest over the past century, but there is one thing in which their cooperation was always exemplary: the effective suppression of all voices of dissent. As the contest became more popular, and the crown of the Prince of Poets more prestigious, it may have become too hard for the organizers to accept giving the trophy to a Palestinian rabble-rouser who in one of his poems bemoaned the times that have “degraded the free amongst us, and made scoundrels into our rulers.”

Nonetheless, there is no doubt who the real winner was; it was not just Tamim and his poetry which will now rival Mahmoud Darwish’s as the voice of the Palestinians, but also the Palestinian people who were reminded of the meaning of their unity, and their cause, which has found its best advertisement that has strengthened the mutual affection, dedication and support of millions of Arabs in the midst of one of its darkest hours.

For more of my writings, see my blog The Saif House