Dry ice billowed across the main stage at the Knitting Factory on Tuesday night, bathing the audience in a pale, sepulchral mist. Stacks of amplifiers groaned like lungs caked in black fuzz. Short, choppy guitar shards spat furiously, while thick bass chords oozed beneath the seismic shudder of the drums. Few bands alive make the walls sweat like Boris.
The Japanese trio, which has been gigging in one form or another since 1992, has become more prevalent on the American rock club circuit since the breakthrough success of its 2005 album “Pink” (Southern Lord). The recording sold about 15,000 copies to the kinds of fans who would not likely be seen at Ozzfest, the annual tour that serves as a summit for everything heavy metal. Indeed, the crowd that jammed into the Knitting Factory this week qualified as more nerdy than diabolical, despite its excess of facial hair.
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