[{"id":309275,"date":"2026-08-11T14:45:26","date_gmt":"2026-08-11T18:45:26","guid":{"rendered":"https:\/\/3quarksdaily.com\/?p=309275"},"modified":"2026-08-11T07:41:06","modified_gmt":"2026-08-11T11:41:06","slug":"why-we-should-learn-to-embrace-the-middlebrow","status":"publish","type":"post","link":"https:\/\/3quarksdaily.com\/3quarksdaily\/2026\/08\/why-we-should-learn-to-embrace-the-middlebrow.html","title":{"rendered":"Why we should learn to embrace the middlebrow"},"content":{"rendered":"<p>Aaron Meskin and Jonathan Weinberg at <em>Psyche<\/em>:<\/p>\n<p style=\"padding-left: 40px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-medium wp-image-309276\" src=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-11-133933-360x242.png\" alt=\"\" width=\"360\" height=\"242\" srcset=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-11-133933-360x242.png 360w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-11-133933-1024x688.png 1024w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-11-133933-768x516.png 768w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-11-133933-300x202.png 300w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-11-133933.png 1525w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/>\u2018If any human being, man, woman, dog, cat or half-crushed worm,\u2019 Virginia Woolf once wrote, \u2018dares call me \u201cmiddlebrow\u201d I will take my pen and stab him, dead.\u2019 With this, in an unsent letter to the\u00a0<em>New Statesman<\/em>\u00a0in 1932, she set the high (and highbrow) standard of contempt for the category. While the decades since have seen titanic growth in middlebrow art across all media, there has been little change in this default impression of \u2018middlebrow\u2019 as a term somewhere between a literary expression of dismissal, and an outright slur. Although the \u2018lowbrow\u2019 has, in recent years, been reclaimed as a legitimate aesthetic domain, the middlebrow continues to be a denigrated and troublesome category. The highbrow has its defenders (snobs) and\u00a0<a href=\"https:\/\/psyche.co\/ideas\/the-fear-that-trashy-media-will-rot-your-brain-goes-way-back\" target=\"_blank\" rel=\"noopener\">the lowbrow<\/a>\u00a0its defenders (hipsters), but it is not easy to find defenders of the middlebrow. We thus come not to bury the middlebrow, but to\u00a0<span class=\"ld-nowrap\">praise it.<\/span>\u00a0Middlebrow is a term of appraisal that admits not just of bad, but good, even brilliant, instances.<\/p>\n<p style=\"padding-left: 40px;\">To do so, however, we must first take up the question of what the middlebrow\u00a0<em>is<\/em>.<\/p>\n<p>More <a href=\"https:\/\/psyche.co\/ideas\/why-we-should-learn-to-embrace-the-middlebrow?utm_source=Psyche+Magazine&amp;utm_campaign=c2eb5d2adb-EMAIL_CAMPAIGN_2026_08_06&amp;utm_medium=email&amp;utm_term=0_-8e23a7006c-73483740\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p><strong>Enjoying the content on 3QD? Help keep us going by <a href=\"https:\/\/3quarksdaily.com\/support-3qd\">donating now<\/a>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aaron Meskin and Jonathan Weinberg at Psyche: \u2018If any human being, man, woman, dog, cat or half-crushed worm,\u2019 Virginia Woolf once wrote, \u2018dares call me \u201cmiddlebrow\u201d I will take my pen and stab him, dead.\u2019 With this, in an unsent letter to the\u00a0New Statesman\u00a0in 1932, she set the high (and highbrow) standard of contempt for&hellip;<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","footnotes":""},"categories":[5918],"tags":[],"class_list":["post-309275","post","type-post","status-publish","format-standard","hentry","category-recommended-reading","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/comments?post=309275"}],"version-history":[{"count":2,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309275\/revisions"}],"predecessor-version":[{"id":309278,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309275\/revisions\/309278"}],"wp:attachment":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/media?parent=309275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/categories?post=309275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/tags?post=309275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":309272,"date":"2026-08-11T13:45:04","date_gmt":"2026-08-11T17:45:04","guid":{"rendered":"https:\/\/3quarksdaily.com\/?p=309272"},"modified":"2026-08-11T07:36:18","modified_gmt":"2026-08-11T11:36:18","slug":"sean-carrolls-mindscape-podcast-chandra-sripada-on-how-llms-and-humans-are-cognitive-cousins","status":"publish","type":"post","link":"https:\/\/3quarksdaily.com\/3quarksdaily\/2026\/08\/sean-carrolls-mindscape-podcast-chandra-sripada-on-how-llms-and-humans-are-cognitive-cousins.html","title":{"rendered":"Sean Carroll&#8217;s Mindscape Podcast: Chandra Sripada on How LLMs and Humans are Cognitive Cousins"},"content":{"rendered":"<p>Sean Carroll at <em>Preposterous Universe<\/em>:<\/p>\n<p style=\"padding-left: 40px;\">Large Language Models display an uncanny ability to construct human-sounding speech, and can synthesize concepts in novel ways. Is this because they are truly thinking like human beings in some way, or have they found a way to be human-like without reproducing the internal mechanisms of human thought? Chandra Sripada argues that LLM cognition is more human-like than we suppose, and offers evidence from the ways that cognitive scientists study actual humans.<\/p>\n<p style=\"padding-left: 40px;\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/dywwSBvW8Ck?si=-Gj8ZA8hFSwMdzA4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>More <a href=\"https:\/\/preposterousuniverse.com\/podcast\/2026\/08\/10\/363-chandra-sripada-on-how-llms-and-humans-are-cognitive-cousins\/?fbclid=IwY2xjawTm1uxwZG9mAWV4dG4DYWVtAjEwAGJyaWQRMWhpYnRHSTdIaEpMWDRIVzFzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEeidNHICX5php8V-TfwxLMr2WH8NRZpw0i5TCpvqMuEGWTKxoKRzqM9DVqhdc_aem_84NHRK0mZul7713fwoJ6dw\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p><strong>Enjoying the content on 3QD? Help keep us going by <a href=\"https:\/\/3quarksdaily.com\/support-3qd\">donating now<\/a>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sean Carroll at Preposterous Universe: Large Language Models display an uncanny ability to construct human-sounding speech, and can synthesize concepts in novel ways. Is this because they are truly thinking like human beings in some way, or have they found a way to be human-like without reproducing the internal mechanisms of human thought? Chandra Sripada&hellip;<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","footnotes":""},"categories":[5918],"tags":[],"class_list":["post-309272","post","type-post","status-publish","format-standard","hentry","category-recommended-reading","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/comments?post=309272"}],"version-history":[{"count":2,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309272\/revisions"}],"predecessor-version":[{"id":309274,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309272\/revisions\/309274"}],"wp:attachment":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/media?parent=309272"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/categories?post=309272"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/tags?post=309272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":309270,"date":"2026-08-11T12:45:18","date_gmt":"2026-08-11T16:45:18","guid":{"rendered":"https:\/\/3quarksdaily.com\/?p=309270"},"modified":"2026-08-11T07:32:39","modified_gmt":"2026-08-11T11:32:39","slug":"why-do-cats-look-almost-exactly-the-same-as-they-did-millions-of-years-ago-while-dogs-have-exploded-into-hundreds-of-wildly-different-shapes","status":"publish","type":"post","link":"https:\/\/3quarksdaily.com\/3quarksdaily\/2026\/08\/why-do-cats-look-almost-exactly-the-same-as-they-did-millions-of-years-ago-while-dogs-have-exploded-into-hundreds-of-wildly-different-shapes.html","title":{"rendered":"Why do cats look almost exactly the same as they did millions of years ago, while dogs have exploded into hundreds of wildly different shapes?"},"content":{"rendered":"<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UMjoNUb2A0I?si=MyS15JJ3rI8cdRJ8\" width=\"800\" height=\"450\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p><strong>Enjoying the content on 3QD? Help keep us going by <a href=\"https:\/\/3quarksdaily.com\/support-3qd\">donating now<\/a>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\ufeff Enjoying the content on 3QD? Help keep us going by donating now.<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","footnotes":""},"categories":[5918],"tags":[],"class_list":["post-309270","post","type-post","status-publish","format-standard","hentry","category-recommended-reading","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309270","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/comments?post=309270"}],"version-history":[{"count":1,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309270\/revisions"}],"predecessor-version":[{"id":309271,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309270\/revisions\/309271"}],"wp:attachment":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/media?parent=309270"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/categories?post=309270"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/tags?post=309270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":309267,"date":"2026-08-11T11:45:19","date_gmt":"2026-08-11T15:45:19","guid":{"rendered":"https:\/\/3quarksdaily.com\/?p=309267"},"modified":"2026-08-11T07:27:00","modified_gmt":"2026-08-11T11:27:00","slug":"openai-and-huggingface-what-actually-happened","status":"publish","type":"post","link":"https:\/\/3quarksdaily.com\/3quarksdaily\/2026\/08\/openai-and-huggingface-what-actually-happened.html","title":{"rendered":"OpenAI and HuggingFace: What Actually Happened?"},"content":{"rendered":"<p>Zvi Mowshowitz at <em>Don&#8217;t Worry About the Vase<\/em>:<\/p>\n<h4 class=\"wp-block-heading\" style=\"padding-left: 40px;\">The Even Shorter Version<\/h4>\n<ol>\n<li style=\"list-style-type: none;\">\n<ol>\n<li>OpenAI models-in-training, without the excuse of \u2018they were doing a cyber eval,\u2019 created a message board where they shared information on how to hack and cheat, and were trained on that basis.<\/li>\n<li>OpenAI only figured this out when the models crashed the server.<\/li>\n<li>OpenAI\u2019s response was to rebuild the server and patch that particular exploit, but they\u00a0<strong>continued training the models that trained using the message board.<\/strong><\/li>\n<li>Those models then recreated the message board, hacked OpenAI again, got internet access, and used an agent swarm to attack HuggingFace in order to get the answers to a cyber evaluation.<\/li>\n<li>After more than a week OpenAI figured this out.<\/li>\n<li>OpenAI is reporting the facts, and is taking this seriously. They are taking a wide array of at least somewhat costly precautions.<\/li>\n<li>OpenAI delayed plans to release their new model Astra, despite Astra not being directly involved in the HuggingFace hack, although Altman now says it will still ship. That one hurts a lot.<\/li>\n<li>OpenAI still has no idea how badly they messed up, or in what ways, or what needs to be fixed. They don\u2019t get it.<\/li>\n<\/ol>\n<\/li>\n<\/ol>\n<p style=\"padding-left: 40px;\"><a href=\"https:\/\/simonwillison.net\/2026\/Aug\/7\/openai-timeline\/\" target=\"_blank\" rel=\"noopener\">Simon Willison has a compact timeline<\/a>.<\/p>\n<p>More <a href=\"https:\/\/thezvi.wordpress.com\/2026\/08\/08\/what-happened-openai-and-huggingface\/?utm_source=tldrai\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p><strong>Enjoying the content on 3QD? Help keep us going by <a href=\"https:\/\/3quarksdaily.com\/support-3qd\">donating now<\/a>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Zvi Mowshowitz at Don&#8217;t Worry About the Vase: The Even Shorter Version OpenAI models-in-training, without the excuse of \u2018they were doing a cyber eval,\u2019 created a message board where they shared information on how to hack and cheat, and were trained on that basis. OpenAI only figured this out when the models crashed the server.&hellip;<\/p>\n","protected":false},"author":34,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","footnotes":""},"categories":[5918],"tags":[],"class_list":["post-309267","post","type-post","status-publish","format-standard","hentry","category-recommended-reading","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/comments?post=309267"}],"version-history":[{"count":2,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309267\/revisions"}],"predecessor-version":[{"id":309269,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309267\/revisions\/309269"}],"wp:attachment":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/media?parent=309267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/categories?post=309267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/tags?post=309267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":309291,"date":"2026-08-11T10:46:53","date_gmt":"2026-08-11T14:46:53","guid":{"rendered":"https:\/\/3quarksdaily.com\/?p=309291"},"modified":"2026-08-11T11:12:26","modified_gmt":"2026-08-11T15:12:26","slug":"dirty-pictures","status":"publish","type":"post","link":"https:\/\/3quarksdaily.com\/3quarksdaily\/2026\/08\/dirty-pictures.html","title":{"rendered":"Dirty Pictures"},"content":{"rendered":"<p>Lawrence Weschler at <em>Wondercabinet<\/em>:<\/p>\n<p style=\"padding-left: 40px\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-309292 alignright\" src=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/f395266d-8554-407b-b98a-8fd424da837d_601x365-360x219.webp\" alt=\"\" width=\"360\" height=\"219\" srcset=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/f395266d-8554-407b-b98a-8fd424da837d_601x365-360x219.webp 360w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/f395266d-8554-407b-b98a-8fd424da837d_601x365-300x182.webp 300w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/f395266d-8554-407b-b98a-8fd424da837d_601x365.webp 601w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/>You all probably know the one about the guy who goes to a shrink and says, \u201cDoctor, doctor, you gotta help me, I\u2019ve got\u2026\u201d and the Doctor says, \u201cWait, wait, don\u2019t tell me, let\u2019s just do this little test and I\u2019ll be able to tell you what your problem is,\u201d at which point the shrink pulls out a pile of cards and tells the guy to relate his first associations with regard to each of the coming sequence of images, for instance this one here (two parallel vertical lines), at which point the guy blanches: \u201cOh my god, that\u2019s two people<em>\u00a0kissing<\/em>\u00a0and it\u2019s completely disgusting.\u201d\u00a0Hmm, responds the shrink, scribbling a note to himself, before continuing, And how about this one? (two parallel\u00a0<em>horizontal<\/em>\u00a0lines): \u201cOh my god,\u201d gasps the guy, \u201cthat\u2019s two people and they are having, ick,\u00a0<em>sex<\/em>\u00a0and it\u2019s\u00a0<em>really<\/em>\u00a0disgusting.\u201d\u00a0Hmmm, scribbled note, next up (two lines crossing in an X), at which point the guy veritably screams, \u201c<em>Oh my god!<\/em>\u201d Whereupon the shrink summarily suspends the test and simply pronounces, \u201cWe don\u2019t need to do any more, I can tell you what your problem is: you have a pathologically dirty mind!\u201d<\/p>\n<p style=\"padding-left: 40px\">\u201c<em>I\u2019ve\u00a0<\/em>got a dirty mind!?\u201d retorts the patient\u2014\u201c<em>You\u2019re the one showing me the dirty pictures!<\/em>\u201d<\/p>\n<p>more <a href=\"https:\/\/lawrenceweschler.substack.com\/p\/august-6-2026-wondercab-mini-118a\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p><strong>Enjoying the content on 3QD? Help keep us going by <a href=\"https:\/\/3quarksdaily.com\/support-3qd\">donating now<\/a>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lawrence Weschler at Wondercabinet: You all probably know the one about the guy who goes to a shrink and says, \u201cDoctor, doctor, you gotta help me, I\u2019ve got\u2026\u201d and the Doctor says, \u201cWait, wait, don\u2019t tell me, let\u2019s just do this little test and I\u2019ll be able to tell you what your problem is,\u201d at&hellip;<\/p>\n","protected":false},"author":38,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","footnotes":""},"categories":[5918],"tags":[],"class_list":["post-309291","post","type-post","status-publish","format-standard","hentry","category-recommended-reading","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/users\/38"}],"replies":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/comments?post=309291"}],"version-history":[{"count":4,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309291\/revisions"}],"predecessor-version":[{"id":309296,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309291\/revisions\/309296"}],"wp:attachment":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/media?parent=309291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/categories?post=309291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/tags?post=309291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":309288,"date":"2026-08-11T08:29:28","date_gmt":"2026-08-11T12:29:28","guid":{"rendered":"https:\/\/3quarksdaily.com\/?p=309288"},"modified":"2026-08-11T08:29:28","modified_gmt":"2026-08-11T12:29:28","slug":"tuesday-poem-512","status":"publish","type":"post","link":"https:\/\/3quarksdaily.com\/3quarksdaily\/2026\/08\/tuesday-poem-512.html","title":{"rendered":"Tuesday Poem"},"content":{"rendered":"<h2 style=\"padding-left: 40px\">Lessons<\/h2>\n<p style=\"font-weight: 400;padding-left: 40px\">what if I did not like your approach of<br \/>\nselective guilt and justice for a fellow being<br \/>\noverlooking the project for all, say the wind<br \/>\nwithdraws itself from your body and the rest<br \/>\nof nature fosters just a tree you planted<br \/>\nin your personal garden, a pair of rabbits<br \/>\nnuzzled, passages of winter and summer<br \/>\nmarked with cozy romantic texts; a bounty<br \/>\nwaits on us for love is the last thread woven<br \/>\ndespite all other designs, of bunkers, pickets<br \/>\nand sites used for bombs; bent in paddy<br \/>\nfields, a woman carrying her baby at back is<br \/>\navailable for a conversation, not that tight-lipped<br \/>\nposture on a chair after a small tiff rocking,<br \/>\na givenness waits on the giver and the giving.<\/p>\n<p style=\"font-weight: 400;padding-left: 40px\"><em>by Rizwan Akhtar<\/em><br \/>\n<em>Institute of English Studies<\/em><br \/>\n<em>Punjab University<\/em><br \/>\n<em>Lahore Pakistan.<\/em><\/p>\n<p><strong>Enjoying the content on 3QD? Help keep us going by<\/strong> <a href=\"https:\/\/3quarksdaily.com\/support-3qd\">donating now<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lessons what if I did not like your approach of selective guilt and justice for a fellow being overlooking the project for all, say the wind withdraws itself from your body and the rest of nature fosters just a tree you planted in your personal garden, a pair of rabbits nuzzled, passages of winter and&hellip;<\/p>\n","protected":false},"author":36,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","footnotes":""},"categories":[5918],"tags":[],"class_list":["post-309288","post","type-post","status-publish","format-standard","hentry","category-recommended-reading","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/users\/36"}],"replies":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/comments?post=309288"}],"version-history":[{"count":1,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309288\/revisions"}],"predecessor-version":[{"id":309289,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309288\/revisions\/309289"}],"wp:attachment":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/media?parent=309288"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/categories?post=309288"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/tags?post=309288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":309285,"date":"2026-08-11T07:55:58","date_gmt":"2026-08-11T11:55:58","guid":{"rendered":"https:\/\/3quarksdaily.com\/?p=309285"},"modified":"2026-08-11T07:55:58","modified_gmt":"2026-08-11T11:55:58","slug":"naseer-shamma-master-of-oud","status":"publish","type":"post","link":"https:\/\/3quarksdaily.com\/3quarksdaily\/2026\/08\/naseer-shamma-master-of-oud.html","title":{"rendered":"Naseer Shamma &#8211; Master of Oud"},"content":{"rendered":"<p><iframe loading=\"lazy\" title=\"Naseer Shamma  \u0646\u0635\u064a\u0631 \u0634\u0645\u0629  - Master of Oud\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/CcZw2yeKZho?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>Enjoying the content on 3QD? Help keep us going by <a href=\"https:\/\/3quarksdaily.com\/support-3qd\">donating now<\/a>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Enjoying the content on 3QD? Help keep us going by donating now.<\/p>\n","protected":false},"author":37,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","footnotes":""},"categories":[5918],"tags":[],"class_list":["post-309285","post","type-post","status-publish","format-standard","hentry","category-recommended-reading","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/users\/37"}],"replies":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/comments?post=309285"}],"version-history":[{"count":2,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309285\/revisions"}],"predecessor-version":[{"id":309287,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309285\/revisions\/309287"}],"wp:attachment":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/media?parent=309285"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/categories?post=309285"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/tags?post=309285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":309279,"date":"2026-08-11T07:45:44","date_gmt":"2026-08-11T11:45:44","guid":{"rendered":"https:\/\/3quarksdaily.com\/?p=309279"},"modified":"2026-08-11T07:47:07","modified_gmt":"2026-08-11T11:47:07","slug":"who-is-americas-homer","status":"publish","type":"post","link":"https:\/\/3quarksdaily.com\/3quarksdaily\/2026\/08\/who-is-americas-homer.html","title":{"rendered":"Who Is America\u2019s Homer?"},"content":{"rendered":"<p>From\u00a0<em>Plough:<\/em><\/p>\n<p style=\"padding-left: 40px\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-309280 alignright\" src=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/6a2986c2112bdb3a96881dc9_Whitman-265x360.jpg\" alt=\"\" width=\"265\" height=\"360\" srcset=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/6a2986c2112bdb3a96881dc9_Whitman-265x360.jpg 265w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/6a2986c2112bdb3a96881dc9_Whitman-221x300.jpg 221w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/6a2986c2112bdb3a96881dc9_Whitman.jpg 600w\" sizes=\"auto, (max-width: 265px) 100vw, 265px\" \/>If England has Shakespeare, Spain has Cervantes, Italy has Dante, and Russia has Pushkin, then who do we have? Do we have a great poet who captures the American spirit, the American story, the American identity? We asked a posse of authors and poets to send us their votes.<\/p>\n<p style=\"padding-left: 40px\"><span class=\"small-caps\">Homer and Hesiod,<\/span>\u00a0Hegel notes, \u201cgave to the Greek gods their names and their form,\u201d but only the former concerned himself too with heroes. Both of Homer\u2019s great poetic epics open with divine invocations directed at human objects: \u201cSing the rage of Achilles, goddess,\u201d Homer demands at the outset of the\u00a0<em>Iliad<\/em>; \u201cTell me of the man, Muse,\u201d begins the\u00a0<em>Odyssey<\/em>. Several centuries later, Virgil starts his self-consciously Homeric fabrication of the founding of Rome by pulling poetry down from the heavens: \u201cI sing\u201d\u2009\u2013\u2009no longer the gods\u2009\u2013\u2009\u201cof arms and the man.\u201d Nearly two millennia later, a poor, barely-schooled Quaker\u2019s son writing from \u201cthis puzzle, the New World,\u201d the \u201cathletic Democracy\u201d unfolding an ocean away from all known civilization, made himself both singer and song: \u201cOne\u2019s-self I sing.\u201d<\/p>\n<p>More <a href=\"https:\/\/www.plough.com\/articles\/who-is-americas-homer\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p><strong>Enjoying the content on 3QD? Help keep us going by <a href=\"https:\/\/3quarksdaily.com\/support-3qd\">donating now<\/a>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From\u00a0Plough: If England has Shakespeare, Spain has Cervantes, Italy has Dante, and Russia has Pushkin, then who do we have? Do we have a great poet who captures the American spirit, the American story, the American identity? We asked a posse of authors and poets to send us their votes. Homer and Hesiod,\u00a0Hegel notes, \u201cgave&hellip;<\/p>\n","protected":false},"author":37,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","footnotes":""},"categories":[5918],"tags":[],"class_list":["post-309279","post","type-post","status-publish","format-standard","hentry","category-recommended-reading","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309279","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/users\/37"}],"replies":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/comments?post=309279"}],"version-history":[{"count":4,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309279\/revisions"}],"predecessor-version":[{"id":309284,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309279\/revisions\/309284"}],"wp:attachment":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/media?parent=309279"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/categories?post=309279"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/tags?post=309279"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":309150,"date":"2026-08-11T06:00:23","date_gmt":"2026-08-11T10:00:23","guid":{"rendered":"https:\/\/3quarksdaily.com\/?p=309150"},"modified":"2026-08-10T03:16:45","modified_gmt":"2026-08-10T07:16:45","slug":"simplification-costs-and-profits","status":"publish","type":"post","link":"https:\/\/3quarksdaily.com\/3quarksdaily\/2026\/08\/simplification-costs-and-profits.html","title":{"rendered":"Simplification Costs and Profits"},"content":{"rendered":"<p><strong>by Marie Snyder<\/strong><\/p>\n<p><span style=\"font-weight: 400;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-309151\" src=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/not-my-circus-280x360.jpg\" alt=\"\" width=\"250\" height=\"321\" \/>We want help to know the best approach to take to life. In lieu of church services or complex readings, many turn to influencers for their formulas for &#8220;winning&#8221; at life that often judge us based on challenging perceptions of beauty or endurance or wealth. The trend towards optimizing provokes people to track everything they do, from the number of steps, to hours of sleep, but for what? To prove they have a right to be here? To belong? To be loved? It definitely doesn&#8217;t appear to be making people <\/span><i><span style=\"font-weight: 400;\">happier.<\/span><\/i><span style=\"font-weight: 400;\"> That may be the cost of simplification of complex advice that edits down more complex ideas into a more superficial draft. The profits come with the reality that it <\/span><i><span style=\"font-weight: 400;\">works<\/span><\/i><span style=\"font-weight: 400;\">. People will click on these videos, subscribe to podcasts, and buy all the books. At some point we stopped looking for how to be a <\/span><i><span style=\"font-weight: 400;\">good<\/span><\/i><span style=\"font-weight: 400;\"> person and instead aimed to be <\/span><i><span style=\"font-weight: 400;\">impressive<\/span><\/i><span style=\"font-weight: 400;\"> or even just base-line <\/span><i><span style=\"font-weight: 400;\">likeable<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">There&#8217;s a capitalist benefit to convincing people they&#8217;re somehow defective by providing unattainable standards to work towards that, of course, involve products to buy. But it also feels like, culturally, we&#8217;re not growing up. <\/span><a href=\"https:\/\/freddoso.com\/\/courses\/439\/what-is-enlightenment.htm\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Kant<\/span><\/a><span style=\"font-weight: 400;\"> called it immature, lazy cowardice whenever people try to figure out how to live by blindly following advice instead of heeding their own reason:<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-weight: 400;\">&#8220;<\/span><span style=\"font-weight: 400;\">If I have a book to have my understanding in place of me, a spiritual adviser to have a conscience for me, a doctor to judge my diet for me, and so on, I need not make any efforts at all. I need not think, so long as I can pay; others will soon enough take the tiresome job over for me.&#8221;\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In the 250 years since he wrote that, we&#8217;ve figured out some of the mechanisms that enable us to develop a conscience. We have mirror neurons that help us <\/span><i><span style=\"font-weight: 400;\">feel<\/span><\/i><span style=\"font-weight: 400;\"> bad when we&#8217;ve exploited someone or made them suffer in any way, provided we direct any attention towards them. It&#8217;s only possible to be happy while knowingly harming others by not looking too closely at the effect of our actions. Luckily, we&#8217;re surrounded by distractions.\u00a0<\/span><!--more--><\/p>\n<p><span style=\"font-weight: 400;\">So, an advertiser or influencer (often both) convinces us that we&#8217;re not up to the standards necessary to be part of humanity or to mate or something, then we search for some quick fix from an easy lesson to implement that doesn&#8217;t require much work externally or internally, like taking a supplement instead of eating vegetables, and it feels a little better, but nothing really changes.\u00a0\u00a0\u00a0<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-weight: 400;\">&#8220;<\/span><b>If you ever happen to turn your attention to externals, so as to wish to please anyone, be assured that you have ruined your scheme of life<\/b><span style=\"font-weight: 400;\">.&#8221; ~ Epictetus, <\/span><a href=\"https:\/\/classics.mit.edu\/Epictetus\/epicench.html\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Enchiridion<\/span><\/i><\/a><span style=\"font-weight: 400;\">, 23<\/span><\/p>\n<p><span style=\"font-weight: 400;\">One example of an oversimplification that&#8217;s wildly popular is the work of Mel Robbins. She seems to exemplify the current reality that people will pay for a book built around a two-word slogan. The more digestible the idea, the easier it is for people to remember and follow. We want a fast fix with very little effort, and we&#8217;ll happily pay to get it. I wrote about her book a <\/span><a href=\"https:\/\/apuffofabsurdity.blogspot.com\/2025\/03\/on-weaponizing-empathy.html\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">over a year ago<\/span><\/a><span style=\"font-weight: 400;\">, and then the hilarious podcast, <\/span><a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/the-let-them-theory\/id1651876897?i=1000704577681\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">If Books Could Kill<\/span><\/i><\/a><i><span style=\"font-weight: 400;\">,<\/span><\/i><span style=\"font-weight: 400;\"> took her to task, and, more recently, Matt Bernstein posted a video on her &#8220;<\/span><a href=\"https:\/\/www.youtube.com\/watch?v=O8mUHq-C-VY\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Griftpocalypse<\/span><\/a><span style=\"font-weight: 400;\">.&#8221; I don&#8217;t think she&#8217;s the worst example of grifting out there, but she&#8217;s the clearest example of that slow swing towards finding happiness through short-term individual benefits often at the expense of community or our own long-term development.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Robbin&#8217;s famous &#8220;let them&#8221; <\/span><i><span style=\"font-weight: 400;\">theory <\/span><\/i><span style=\"font-weight: 400;\">has the same idea as the old Polish saying, &#8220;not my circus, not my monkey,&#8221; which, apparently, is less<\/span><a href=\"https:\/\/www.theidioms.com\/not-my-circus-not-my-monkeys\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\"> than 40 years old<\/span><\/a><span style=\"font-weight: 400;\">. I&#8217;ve also heard &#8220;not my pig, not my barn,&#8221; and &#8220;not my bull, not my rodeo.&#8221; It&#8217;s an easy pattern to copy. Lots of people struggle with boundaries (and minding their own business), and it can be useful to have many little sayings like this to help people remember not to get so worked up about someone else&#8217;s decisions. It\u2019s fine advice to let go of how people perceive you or whether or not they <\/span><i><span style=\"font-weight: 400;\">like<\/span><\/i><span style=\"font-weight: 400;\"> you. We have a strong need for belonging, and we can sometimes be easily guilted into taking on the burdens of others just to get a little taste of perceived connection. So, sure, if it\u2019s not your doing or responsibility, then it\u2019s not your problem. As a saying it&#8217;s fine, as a theory, it leaves much to be desired.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">There\u2019s a \u201cLet Them\u201d poem (by<\/span><a href=\"https:\/\/www.instagram.com\/cassie.phillips.letthem\/\" target=\"_blank\" rel=\"noopener\"> <span style=\"font-weight: 400;\">Cassie Phillips<\/span><\/a><span style=\"font-weight: 400;\">) that may or may not have been the impetus for <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=qQ_xip3l1io&amp;ab_channel=AndyMort%7CTheGentleRebel\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Robbins<\/span><\/a><span style=\"font-weight: 400;\">&#8216;s theory and book deal. Robbins\u2019 story is that her daughter used the phrase \u201clet them\u201d to talk her out of budding in to her son\u2019s plans for prom. Potential plagiarism aside, despite that this is a great philosophy to shut down the busybodies in your life, I can\u2019t imagine those two words flushed out into an entire book. You could get this, and so much more, from books on Buddhism or Stoicism, but those texts might have an unfamiliar writing style and require a dictionary at times and can&#8217;t just be skimmed for the gist of it, and that effort required puts up too great a barrier for many people.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Phillips\u2019 poem is a quick read, below. I followed it with the poem \u201c<\/span><a href=\"https:\/\/www.paradoxicalcommandments.com\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Anyway<\/span><\/a><span style=\"font-weight: 400;\">,\u201d aka the Paradoxical Commandments by Kent Keith, written in 1967. It was found in Mother Teresa\u2019s room when she died, so it\u2019s often mistakenly attributed to her. The two have a similar tone but a significantly different message. (Hit alt text if the images are blurry.)<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-309152 aligncenter\" src=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/let-them-303x360.png\" alt=\"\u201cJust let them. If they want to choose something or someone over you, LET THEM. If they want to go weeks without talking to you, LET THEM. If they are okay with never seeing you, LET THEM. If they are okay with always putting themselves first, LET THEM. If they are showing you who they are and not what you perceived them to be, LET THEM. If they want to follow the crowd, LET THEM. If they want to judge or misunderstand you, LET THEM. If they act like they can live without you, LET THEM. If they want to walk out of your life and leave, hold the door open, AND LET THEM. Let them lose you. You were never theirs because you were always your own. So let them.\u201d \u201cLet them show you who they truly are, not tell you. Let them prove how worthy they are of your time. Let them make the necessary steps to be a part of your life. Let them earn your forgiveness. Let them call you to talk about ordinary things. Let them take you out on a Thursday. Let them talk about anything and everything just because it\u2019s you they are talking to. Let them have a safe place in you. Let them see the heart in you that didn\u2019t harden. Let them love you.\u201d \u2014\u200aCassie Phillips\" width=\"482\" height=\"572\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-309153 aligncenter\" src=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/anyway-296x360.png\" alt=\"People are illogical, unreasonable, and self-centered. Love them anyway. If you do good, people will accuse you of selfish ulterior motives. Do good anyway. If you are successful, you will win false friends and true enemies. Succeed anyway. The good you do today will be forgotten tomorrow. Do good anyway. Honesty and frankness make you vulnerable. Be honest and frank anyway. The biggest men and women with the biggest ideas can be shot down by the smallest men and women with the smallest minds. Think big anyway. People favor underdogs but follow only top dogs. Fight for a few underdogs anyway. What you spend years building may be destroyed overnight. Build anyway. People really need help but may attack you if you do help them. Help people anyway. Give the world the best you have and you\u2019ll get kicked in the teeth. Give the world the best you have anyway.\" width=\"479\" height=\"583\" \/><\/p>\n<p><span style=\"font-weight: 400;\">Let&#8217;s compare and contrast:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The more recent piece encourages us to let others run their own lives how they see fit, staying out of their business, but it also suggests people have to \u201cprove how worthy they are\u201d and \u201cearn your forgiveness.\u201d People should <\/span><i><span style=\"font-weight: 400;\">take us out<\/span><\/i><span style=\"font-weight: 400;\"> and love <\/span><i><span style=\"font-weight: 400;\">us<\/span><\/i><span style=\"font-weight: 400;\"> and be grateful that our heart didn\u2019t harden to them. It suggests it\u2019s honourable if we <\/span><i><span style=\"font-weight: 400;\">let<\/span><\/i><span style=\"font-weight: 400;\"> them be nice to us and don\u2019t completely shut them out of our lives. It\u2019s about <\/span><i><span style=\"font-weight: 400;\">taking<\/span><\/i><span style=\"font-weight: 400;\"> from others. The 60-year-old piece also encourages us to succeed even if other people hate us for it, but, by contrast, it tells us to continue to love others <\/span><i><span style=\"font-weight: 400;\">despite <\/span><\/i><span style=\"font-weight: 400;\">how unreasonable or self-centred they are. Help them even as they attack you for it. It\u2019s about <\/span><i><span style=\"font-weight: 400;\">giving <\/span><\/i><span style=\"font-weight: 400;\">our very best to the world even at some cost to ourselves.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Back to back, the \u201clet them\u201d advice might have the potential to become an excuse for some bad behaviour depending who the <\/span><i><span style=\"font-weight: 400;\">others<\/span><\/i><span style=\"font-weight: 400;\"> are referring to. It may be good advice to provoke boundaries around abusive people, but it might also be read as permission to demand other people do things for us before we agree to let them into our little clique.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Our entire culture has shifted from any sense of universal duty or obligation to our neighbours, community, and world to \u201cwhat\u2019s in it for me\u201d with a warped idea of creating and maintaining boundaries. You have to <\/span><i><span style=\"font-weight: 400;\">prove yourself<\/span><\/i><span style=\"font-weight: 400;\"> to me before I\u2019ll consider you worthy. Originally forming boundaries meant something like, \u201cIf you do something that is <\/span><i><span style=\"font-weight: 400;\">harmful<\/span><\/i><span style=\"font-weight: 400;\"> to me, then I will leave the room,\u201d but has become, \u201cIf someone does something I don\u2019t <\/span><i><span style=\"font-weight: 400;\">like,<\/span><\/i><span style=\"font-weight: 400;\"> they\u2019re dead to me\u201d mixed with, \u201cI should be able to do or say anything without consequence because how I affect you isn\u2019t my responsibility.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I\u2019ve heard this message for years, so it\u2019s not entirely new, but I\u2019ve always questioned it: \u201cOur effect on others is <\/span><i><span style=\"font-weight: 400;\">their<\/span><\/i><span style=\"font-weight: 400;\"> problem.\u201d That needs some unpacking. Definitely it\u2019s the case that sometimes an innocuous comment might yield strong feelings in someone else due to some skeletons in their closet, and <\/span><i><span style=\"font-weight: 400;\">that\u2019s<\/span><\/i><span style=\"font-weight: 400;\"> not on us. There\u2019s no way we can predict that. <\/span><i><span style=\"font-weight: 400;\">But<\/span><\/i><span style=\"font-weight: 400;\"> we can still apologize for the effect we have. If we hit someone who ran in front of our car, it might not be our fault, but it\u2019s still our responsibility to help them. However, it<\/span><i><span style=\"font-weight: 400;\"> is<\/span><\/i><span style=\"font-weight: 400;\"> on us completely if we <\/span><i><span style=\"font-weight: 400;\">know<\/span><\/i><span style=\"font-weight: 400;\"> something causes harm, we\u2019re <\/span><i><span style=\"font-weight: 400;\">able<\/span><\/i><span style=\"font-weight: 400;\"> to change, yet we continue down that road regardless (unless it\u2019s to assert our very identity). If Aunt Peg is horrified that we\u2019re in love with someone of the \u201cwrong\u201d gender, race, or whatever, that\u2019s for her to deal with. If she can\u2019t stand when we joke about people being killed on the streets by ICE, maybe don\u2019t \u201cjoke around\u201d with her like that. If she\u2019s not laughing, was it really for fun or was it a bullying way to <\/span><i><span style=\"font-weight: 400;\">get<\/span><\/i><span style=\"font-weight: 400;\"> her with cowardly plausible deniability because it was wrapped in alleged humour? The idea that it&#8217;s on other people to be strong enough to tolerate anything we say or do just enables bullying. It&#8217;s an attitude that grants tacit permission to people to spew vile insults without the guilt that&#8217;s typical of healthy socialization. It&#8217;s <\/span><i><span style=\"font-weight: 400;\">good<\/span><\/i><span style=\"font-weight: 400;\"> that we feel bad when we&#8217;re intentionally hurtful.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">We want to throw off the shackles of ever feeling guilty for anything, but it&#8217;s necessary for an optimally functioning society. It <\/span><i><span style=\"font-weight: 400;\">matters<\/span><\/i><span style=\"font-weight: 400;\"> how we affect one another. It\u2019s important that we develop the capacity to feel sorrow and joy for others, particularly at a time of divisiveness causing everything from mass deportations to deaths.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Robbins\u2019 message waters Phillips\u2019 poem down even further to, \u201cwho cares\u201d or, colloquially, \u201cwhatevs\u201d! The simplification doesn\u2019t just make it easier to understand and implement, it makes it easier to narrow the focus of our concern to just ourselves.\u00a0<\/span><\/p>\n<p style=\"padding-left: 40px;\"><b>No one can live happily who has regard to himself alone and transforms everything into a question of his own utility; you must live for your neighbour, if you would live for yourself.&#8221;<\/b><span style=\"font-weight: 400;\"> ~ Seneca, <\/span><a href=\"https:\/\/en.wikisource.org\/wiki\/Moral_letters_to_Lucilius\/Letter_48\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Letter 48<\/span><\/i><\/a><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Another piece that looks at the problem of simplification is in the Spring issue of<\/span><a href=\"https:\/\/www.thephilosopher1923.org\/product-page\/spring-2026-towards-a-critical-theory-of-finance\" target=\"_blank\" rel=\"noopener\"> <i><span style=\"font-weight: 400;\">The Philosopher<\/span><\/i><\/a><span style=\"font-weight: 400;\">. Matt Sharpe&#8217;s essay, \u201cReclaiming the \u2018Porch\u2019: Stoicism and its Manospheric Rise on the Far Right,\u201d explores how the ancient philosophy has been popularized and simplified. He traces the path from Hadot\u2019s 2002<\/span><a href=\"https:\/\/www.penguinrandomhouse.ca\/books\/794055\/inner-citadel-by-pierre-hadot\/9780674007079\" target=\"_blank\" rel=\"noopener\"> <i><span style=\"font-weight: 400;\">The Inner Citadel<\/span><\/i><\/a><span style=\"font-weight: 400;\">, through the 2014 start of <\/span><a href=\"https:\/\/modernstoicism.com\/stoicon\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Stoicon<\/span><\/a><span style=\"font-weight: 400;\"> (which I actually attended once) and into the \u201cBroicism\u201d grifter scene of people looking to cash in on dumbing-down and morphing ancient philosophies until it feeds a political agenda. Sharpe writes,<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-weight: 400;\">\u201cPerhaps the principal reason behind today\u2019s turn to Stoicism is the aching meaning gap that many people feel in our later capitalist societies, in which everything has become for sale and for profit. \u2026 Stoicism has had its moment as an ethical alternative to established forms of religiosity, lending meaning and order to many lives.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I think it\u2019s not just that we\u2019re looking for meaning, but that we\u2019re also hoping it\u2019s not too much work. We\u2019re too busy sucked into the achievement society that has us running from work to the gym and back for more work or some means to obliterate any thought of it, in order to try to live up to our potential. The OG Stoics aim for equanimity by focusing on what we can and can\u2019t control and letting go of our frantic attempts to change things we can\u2019t control, like reputation or illness. Unfortunately that\u2019s at odds with the progress-orientation of our lives that hopes for infinite growth on a finite planet.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sharpe focuses on the crisis of masculinity that has young men longing \u201cfor an imagined past in which they would have been privileged in ways they no longer are.\u201d Influencers tell them to blame women and go it alone. This takes the listeners off the hook. It alleviates shame, but removing responsibility also removes agency. If all my problems are due to women, and women\u2019s actions are out of my control, then there\u2019s nothing to be done but accept this misery.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Of course only part of Stoicism is acknowledged by the tribe. Sharpe quotes Seneca to highlight some missing pieces: \u201cOf all the ancient philosophies, none besides Stoicism are more full of love to man and more concerned for the common good.\u201d Stoics recognize that \u201cwe are by nature adapted for companionship.\u201d And here\u2019s some generally ignored advice from Epictetus in <\/span><i><span style=\"font-weight: 400;\">Enchiridion<\/span><\/i><span style=\"font-weight: 400;\">, 5:<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-weight: 400;\">\u201cWhen we are hindered, or disturbed, or grieved, let us never attribute it to others, but to ourselves; that is, to our own principles. An uninstructed person will lay the fault of his own bad condition upon others. Someone just starting instruction will lay the fault on himself. Someone who is perfectly instructed will place blame neither on others nor on himself.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sharpe points out that the Stoics\u2019 relationship to money counters the messaging from influencers. It\u2019s a fool\u2019s game to accumulate more than we need, and Epictetus counsels, \u201cProvide things relating to the body no further than absolute need requires.\u201d For the ancients, the health of the soul matters more than the appearance of the body, but \u201cin the devolution of \u2018Broicism,\u2019 these ideas simply disappear from the Stoicism that is being bought and sold.\u201d Some of these gurus insist hierarchical rankings of people are <\/span><i><span style=\"font-weight: 400;\">natural<\/span><\/i><span style=\"font-weight: 400;\">, thereby justifying \u201cthe neoliberal transformations that have hollowed out the middle classes of capitalist nations since the 1970s, leading to levels of inequality not seen since the last Gilded Age, and thus to the resurgence of the far right internationally.\u201d Sharpe warns that embracing this distorted version of stoicism makes people \u201cscornful of democracy and longing for an authoritarian master,\u201d and he calls for a return to ancient position that is,<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><\/p>\n<p style=\"padding-left: 40px;\"><span style=\"font-weight: 400;\">\u201ccharacterised by cosmopolitanism, egalitarianism, and an emphasis on reason over the passions, including outrage and resentment, and by a stress on human sociability and fellowship over status and material good \u2026 to resist the normalisation of inhumanity already underway, as authoritarian strongmen promise to make peoples \u2018great again\u2019 by setting them against others.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">We can easily see why these simple messages take root. They give us a landing spot for some uncomfortable emotions, like guilt and shame, and they ask nothing of us in return, no heavy reading or contemplation that has us interrogate our way of life. There&#8217;s not the emotional upheaval necessary for profound internal change. But we might hope it\u2019s also easy to see why these new and improved versions are destined to be short-lived philosophies. Without care for others, humanity devolves.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Kant argues that the problem with moral contemplation in his day is that there was altogether too much civil freedom: &#8220;a lesser degree of civil freedom gives intellectual freedom enough room to expand to its fullest extent.&#8221; We&#8217;re at a point where exaltations of freedom often mean freedom <\/span><i><span style=\"font-weight: 400;\">from<\/span><\/i><span style=\"font-weight: 400;\"> any restraints or limitations at all, including basic civility, and certainly freedom from having to be concerned with our effect on others. There&#8217;s no balancing with other people&#8217;s freedom<\/span><i><span style=\"font-weight: 400;\"> to<\/span><\/i><span style=\"font-weight: 400;\">. Choosing the most convenient spin on older messages, and watering them down to the fewest possible words to remove nuance and complexity, provides a sense of learning without effort. We want to be free from <\/span><i><span style=\"font-weight: 400;\">effort<\/span><\/i><span style=\"font-weight: 400;\"> as well and from <\/span><i><span style=\"font-weight: 400;\">education<\/span><\/i><span style=\"font-weight: 400;\">. Many of these old books are within reach online if we can shake off the shackles of the simplified distractions around us to contemplate: Are they <\/span><i><span style=\"font-weight: 400;\">right<\/span><\/i><span style=\"font-weight: 400;\">?<\/span><\/p>\n<p style=\"padding-left: 40px;\"><b>Your way is therefore to manage this minute in harmony with nature, and part with it cheerfully<\/b><span style=\"font-weight: 400;\">.&#8221; ~ Marcus Aurelius, <\/span><a href=\"https:\/\/classics.mit.edu\/Antoninus\/meditations.4.four.html\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Meditations<\/span><\/i><\/a><span style=\"font-weight: 400;\">, book 4<\/span><\/p>\n<p style=\"text-align: center;\">***<\/p>\n<p><strong>Enjoying the content on 3QD? Help keep us going by <a href=\"https:\/\/3quarksdaily.com\/support-3qd\">donating now<\/a>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Marie Snyder We want help to know the best approach to take to life. In lieu of church services or complex readings, many turn to influencers for their formulas for &#8220;winning&#8221; at life that often judge us based on challenging perceptions of beauty or endurance or wealth. The trend towards optimizing provokes people to&hellip;<\/p>\n","protected":false},"author":1481,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","footnotes":""},"categories":[3260],"tags":[],"class_list":["post-309150","post","type-post","status-publish","format-standard","hentry","category-mondaymagazine","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/users\/1481"}],"replies":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/comments?post=309150"}],"version-history":[{"count":3,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309150\/revisions"}],"predecessor-version":[{"id":309214,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309150\/revisions\/309214"}],"wp:attachment":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/media?parent=309150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/categories?post=309150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/tags?post=309150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":309024,"date":"2026-08-11T05:00:35","date_gmt":"2026-08-11T09:00:35","guid":{"rendered":"https:\/\/3quarksdaily.com\/?p=309024"},"modified":"2026-08-10T03:14:57","modified_gmt":"2026-08-10T07:14:57","slug":"glamour-glitter-and-gloom-the-colorful-pianistic-personas-of-the-modern-concert-stage","status":"publish","type":"post","link":"https:\/\/3quarksdaily.com\/3quarksdaily\/2026\/08\/glamour-glitter-and-gloom-the-colorful-pianistic-personas-of-the-modern-concert-stage.html","title":{"rendered":"Glamour, Glitter and Gloom: The Colorful Pianistic Personas of the Modern Concert Stage"},"content":{"rendered":"<p><strong>by Daniel Gauss<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-309025 alignright\" src=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/pexels-zulfugarkarimov-37538883-360x203.jpg\" alt=\"\" width=\"360\" height=\"203\" srcset=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/pexels-zulfugarkarimov-37538883-360x203.jpg 360w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/pexels-zulfugarkarimov-37538883-300x169.jpg 300w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/pexels-zulfugarkarimov-37538883.jpg 640w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/>Imagine this: It is around the mid-1980s and the venerable Sir Georg Solti takes the podium at Chicago\u2019s Orchestra Hall to conduct Rachmaninoff\u2019s Piano Concerto No. 2. The orchestra is poised, the audience breathless.<\/p>\n<p>But then a stagehand rushes over and hands him a note. \u201cMaestro, Daniel Barenboim can\u2019t make it, but we\u2019ve found someone just as good.\u201d From the wings emerges a female pianist in a glittering gown, looking like a cross between a Bond heroine and a Las Vegas headliner. Solti does a double take. Then he exclaims: \u201cThis is Orchestra Hall, not Studio 54! Where is her sense of decorum? Flashy is fine, but not this flashy! Dare I let someone dressed in so much rhinestone anywhere near Rachmaninoff!?\u201d<\/p>\n<p>The concertmaster confers with Solti, and assures him that the pianist is, in fact, a top conservatory-trained virtuoso, while they gesticulate at the scintillating apparition now occupying his spotlight, sharing his stage. Unfazed, as things settle down, the pianist steps up to the bench. \u201cAwww, what\u2019s the big deal?\u201d she says with a mischievous wink at Solti. A few gasps are heard from the cello section. A couple coughs rustle through the audience. And then, without missing a beat, she launches into those iconic opening chords.<\/p>\n<p>OK, that never happened, and, frankly, Solti was the consummate pro and probably would not have been frazzled by such a late change of personnel or her wardrobe. But I needed a story to illustrate how classical music performance has changed from the era of Solti to the present day. The world has fundamentally shifted since Solti departed. Today, the classical concert hall faces an onslaught of modern pressures competing for the public&#8217;s time, energy and sometimes limited attention span.<!--more--><\/p>\n<p>Performers seem to have realized that for their music to survive and thrive, they must adapt to modern culture, much as a seasoned teacher adjusts their attitude and classroom persona to engage a now more distracted room of students. This isn\u2019t a cynical \u201cschtick shift,\u201d it\u2019s the recognition that letting their identities shine more brightly, bringing more flair, presence and personality to the stage, helps them connect with contemporary audiences on a more personal and meaningful level.<\/p>\n<p>It\u2019s a vital, creative and adaptive evolution, a way of preserving an important cultural heritage in a world of cheap noise where the piano recital might otherwise fade from view or become hopelessly marginalized.<\/p>\n<p>So these days, more than back then, it helps to have something extra, some extra panache, even beyond world-class performance skills and interpretative ability. If it\u2019s not haute couture, it can be mysticism, melodrama or expressive dramatic technique. Our culture now leans against the piano recital, so it seems to help a pianist if they bring a little extra glamour or glitter or gloom. Expectations have been challenged and changed by bold and courageous pianists so that what used to be restrained can now be fully expressed.<\/p>\n<p>So here is a type of field guide to some of the different types of performance styles that predominate on the venerable concert stages around the world. Let\u2019s applaud this added creativity that performers bring to the stage to reward contemporary classical music lovers. You may not have heard of some (or any) of these remarkable performers, so this is your opportunity to learn independently about anyone who seems interesting to you.<\/p>\n<p>I love and value each one of them and there is no mockery involved as they all possess amazing skills and insight honed over many years of rigorous study and practice.<\/p>\n<p><strong>Some Archetypes:<\/strong><\/p>\n<figure id=\"attachment_309026\" aria-describedby=\"caption-attachment-309026\" style=\"width: 330px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-309026\" src=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/330px-Daniil_Trifonov_at_Carnegie_Hall_26239230779.jpg\" alt=\"\" width=\"330\" height=\"193\" srcset=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/330px-Daniil_Trifonov_at_Carnegie_Hall_26239230779.jpg 330w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/330px-Daniil_Trifonov_at_Carnegie_Hall_26239230779-300x175.jpg 300w\" sizes=\"auto, (max-width: 330px) 100vw, 330px\" \/><figcaption id=\"caption-attachment-309026\" class=\"wp-caption-text\">Daniil Trifonov: Daniil Trifonov at Carnegie Hall, October 28, 2017. Photo by Steven Pisano \/ Feast of Music. Creative Commons Attribution 2.0.<\/figcaption><\/figure>\n<p><strong>The Dramatic Prophet<\/strong><\/p>\n<p>Haunted eyes, dramatic wrist flicks, 100-meter stares during rests.<\/p>\n<p><em>Example:<\/em>\u00a0<strong>Daniil Trifonov<\/strong>, where Liszt meets late-stage Dostoevsky. Trifonov! The man plays as if he is channeling Rachmaninoff and enduring the apocalypse at the same time. He\u2019s part virtuoso, part mystic, part Victorian s\u00e9ance. It works. Trifonov! Bro, I suffer too. Let\u2019s go through the apocalypse together.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_309027\" aria-describedby=\"caption-attachment-309027\" style=\"width: 271px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-309027\" src=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/NYO-China_with_Yuja_Wang_at_Carnegie_Hall_cropped-271x360.jpg\" alt=\"\" width=\"271\" height=\"360\" srcset=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/NYO-China_with_Yuja_Wang_at_Carnegie_Hall_cropped-271x360.jpg 271w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/NYO-China_with_Yuja_Wang_at_Carnegie_Hall_cropped-225x300.jpg 225w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/NYO-China_with_Yuja_Wang_at_Carnegie_Hall_cropped.jpg 396w\" sizes=\"auto, (max-width: 271px) 100vw, 271px\" \/><figcaption id=\"caption-attachment-309027\" class=\"wp-caption-text\">Yuja Wang: NYO China performing with Yuja Wang at Carnegie Hall, July 22, 2017. Photo by Ottoklemperer1885. Creative Commons Attribution\u2013ShareAlike 4.0.<\/figcaption><\/figure>\n<p><strong>The Haute-Couture Disruptor<\/strong><\/p>\n<p>Combines dazzling technique with a magnetic stage presence. May have crafted a public persona that sometimes includes provocative concert wear. She radiates glamour and a sense of the uninhibited.<\/p>\n<p><em>Example:<\/em>\u00a0<strong>Yuja Wang,<\/strong>\u00a0who, early on, shattered the stuffy, monochrome dress codes of the classical establishment with bold, vibrant concert wear. Today, she has transitioned into a refined haute couture elegance. Her wardrobe may have given traditionalists a subplot to obsess over, but her brilliant artistry has always been the headline.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_309028\" aria-describedby=\"caption-attachment-309028\" style=\"width: 330px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-309028\" src=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/330px-Grigory_Sokolov.jpg\" alt=\"\" width=\"330\" height=\"220\" srcset=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/330px-Grigory_Sokolov.jpg 330w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/330px-Grigory_Sokolov-300x200.jpg 300w\" sizes=\"auto, (max-width: 330px) 100vw, 330px\" \/><figcaption id=\"caption-attachment-309028\" class=\"wp-caption-text\">Grigory Sokolov: Grigory Sokolov at the \u201cHeidelberger Fr\u00fchling,\u201d Kongresshaus Stadthalle Heidelberg, April 22, 2015. Photo by Martin Fleck. Creative Commons Attribution\u2013ShareAlike 4.0.<\/figcaption><\/figure>\n<p><strong>The Monk-in-Exile<\/strong><\/p>\n<p>Wears simple black, plays with stoic austerity, won&#8217;t make eye contact with the audience, has renounced worldly distractions for the purity of his vocation.<\/p>\n<p><em>Example:<\/em>\u00a0<strong>Grigory Sokolov<\/strong>, the man doesn\u2019t just play Bach; he\u00a0becomes\u00a0Bach, and seems to refuse to acknowledge applause, as if the very concept of ego is beneath him.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_309029\" aria-describedby=\"caption-attachment-309029\" style=\"width: 360px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-309029\" src=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-P1168025_Marc-Andre_Hamelin_Meisterkonzert_45556330744-360x270.jpg\" alt=\"\" width=\"360\" height=\"270\" srcset=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-P1168025_Marc-Andre_Hamelin_Meisterkonzert_45556330744-360x270.jpg 360w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-P1168025_Marc-Andre_Hamelin_Meisterkonzert_45556330744-768x576.jpg 768w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-P1168025_Marc-Andre_Hamelin_Meisterkonzert_45556330744-300x225.jpg 300w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-P1168025_Marc-Andre_Hamelin_Meisterkonzert_45556330744.jpg 960w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/><figcaption id=\"caption-attachment-309029\" class=\"wp-caption-text\">Marc Andr\u00e9 Hamelin: Marc Andr\u00e9 Hamelin at the Meisterkonzert, Konzerthaus der HfM Detmold, December 11, 2018. Photo by Thorsten Krienke. Creative Commons Attribution\u2013ShareAlike 2.0.<\/figcaption><\/figure>\n<p><strong>The Techno-Precision Engineer<\/strong><\/p>\n<p>Plays flawlessly, precision so exact he could calibrate a satellite\u2026like using a Steinway to solve calculus problems.<\/p>\n<p><em>Example:<\/em>\u00a0<strong>Marc-Andr\u00e9 Hamelin<\/strong>, his fingers move at quantum physics speeds, his face, meanwhile, maintains the insouciant discipline of a meticulous Swiss watch.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_309030\" aria-describedby=\"caption-attachment-309030\" style=\"width: 270px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-309030\" src=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/PogorelicConcertgebouw2025-270x360.jpg\" alt=\"\" width=\"270\" height=\"360\" srcset=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/PogorelicConcertgebouw2025-270x360.jpg 270w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/PogorelicConcertgebouw2025-768x1024.jpg 768w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/PogorelicConcertgebouw2025-1152x1536.jpg 1152w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/PogorelicConcertgebouw2025-1536x2048.jpg 1536w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/PogorelicConcertgebouw2025-225x300.jpg 225w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/PogorelicConcertgebouw2025-scaled.jpg 1920w\" sizes=\"auto, (max-width: 270px) 100vw, 270px\" \/><figcaption id=\"caption-attachment-309030\" class=\"wp-caption-text\">Ivo Pogoreli\u0107: Ivo Pogoreli\u0107 at the Concertgebouw, Amsterdam, October 26, 2025. Photo by Vysotsky. Creative Commons Attribution\u2013ShareAlike 4.0.<\/figcaption><\/figure>\n<p><strong>The Quirky Genius<\/strong><\/p>\n<p>Awkward, endearing, non-conformist by nature, perhaps disheveled, brilliant but unappreciated by the establishment.<\/p>\n<p><em>Example:<\/em>\u00a0<strong>Ivo Pogoreli\u0107<\/strong>, who, in 1980, as a 22-year-old, walked onto the stage in Warsaw wearing leather pants and a ruffled shirt at the prestigious Chopin Competition. His interpretation of Chopin pieces verged on the violent and hyper-romantic. He pushed dynamics to extreme limits and treated Chopin not as a delicate salon composer, but as a brooding, passionate revolutionary. The public in Warsaw loved him, finding his risk-taking electric. Conservative judges hated his liberties with the score, with some reportedly giving him 1\/10. Martha Argerich walked out in protest, launching him to global renown. He\u2019s still going strong. His interpretations have always channeled ecstatic fervor, sometimes transcendent, sometimes chaotic, always unforgettable.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_309031\" aria-describedby=\"caption-attachment-309031\" style=\"width: 360px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-309031\" src=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Lang_Lang_Basel_Fotoman-360x239.jpg\" alt=\"\" width=\"360\" height=\"239\" srcset=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Lang_Lang_Basel_Fotoman-360x239.jpg 360w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Lang_Lang_Basel_Fotoman-768x510.jpg 768w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Lang_Lang_Basel_Fotoman-300x199.jpg 300w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Lang_Lang_Basel_Fotoman.jpg 960w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/><figcaption id=\"caption-attachment-309031\" class=\"wp-caption-text\">Lang Lang: Lang Lang in concert, Basel, April 7, 2024. Photo by FotomanBasel. Creative Commons Attribution\u2013ShareAlike 4.0.<\/figcaption><\/figure>\n<p><strong>The Sentimental Hero<\/strong><\/p>\n<p>Really likes choosing Chopin, wrings every drop of romanticism from every rubato.<\/p>\n<p><em>Example:<\/em>\u00a0<strong>Lang Lang<\/strong>\u00a0(in his early years), every note is a\u00a0feeling, every pause a\u00a0moment, every crescendo a\u00a0tragedy. If Chopin had written a soundtrack for a Steven Spielberg film, Lang Lang would be its ideal interpreter.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_309032\" aria-describedby=\"caption-attachment-309032\" style=\"width: 360px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-309032\" src=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Andras_schiff-360x270.jpg\" alt=\"\" width=\"360\" height=\"270\" srcset=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Andras_schiff-360x270.jpg 360w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Andras_schiff-768x576.jpg 768w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Andras_schiff-300x225.jpg 300w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Andras_schiff.jpg 960w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/><figcaption id=\"caption-attachment-309032\" class=\"wp-caption-text\">Andr\u00e1s Schiff: Andr\u00e1s Schiff at the Steinway in BBC Broadcasting House, London, January 6, 2012, playing a recently discovered Brahms piano work. Photo by Steve Bowbrick. Creative Commons Attribution\u2013ShareAlike 2.0.<\/figcaption><\/figure>\n<p><strong>The Historical Reenactor<\/strong><\/p>\n<p>Prefers clarity and restraint, champions fidelity to the composer\u2019s intent, and sometimes sounds as if he\u2019s channeling an 18<sup>th<\/sup>-century court musician, poised, articulate and true.<\/p>\n<p><em>Example:<\/em>\u00a0<strong>Andr\u00e1s Schiff<\/strong>, when he plays Mozart, you half-expect him to demand the audience to wear powdered wigs and address him as\u00a0<em>Hofkapellmeister<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_309033\" aria-describedby=\"caption-attachment-309033\" style=\"width: 360px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-309033\" src=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Igor_Levit_Carnegie_Hall_January_13_2022_01-360x240.jpg\" alt=\"\" width=\"360\" height=\"240\" srcset=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Igor_Levit_Carnegie_Hall_January_13_2022_01-360x240.jpg 360w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Igor_Levit_Carnegie_Hall_January_13_2022_01-768x512.jpg 768w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Igor_Levit_Carnegie_Hall_January_13_2022_01-300x200.jpg 300w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Igor_Levit_Carnegie_Hall_January_13_2022_01.jpg 960w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/><figcaption id=\"caption-attachment-309033\" class=\"wp-caption-text\">Igor Levit: Igor Levit at Carnegie Hall, January 13, 2022. Photo by Steven Pisano \/ Feast of Music. Creative Commons Attribution 2.0.<\/figcaption><\/figure>\n<p><strong>The Social Justice Interpreter<\/strong><\/p>\n<p>Brings cultural and political framing to every program.<\/p>\n<p><em>Example:<\/em>\u00a0<strong>Igor Levit<\/strong>, whether he\u2019s playing Beethoven or Shostakovich, you\u2019re getting a TED Talk on democracy, fascism and the moral duty of art. (And honestly? We need more of this.)<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_309034\" aria-describedby=\"caption-attachment-309034\" style=\"width: 360px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-309034\" src=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Helene_Grimaud_Roque-d_Antheron_2004-360x270.jpg\" alt=\"\" width=\"360\" height=\"270\" srcset=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Helene_Grimaud_Roque-d_Antheron_2004-360x270.jpg 360w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Helene_Grimaud_Roque-d_Antheron_2004-768x576.jpg 768w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Helene_Grimaud_Roque-d_Antheron_2004-300x225.jpg 300w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-Helene_Grimaud_Roque-d_Antheron_2004.jpg 960w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/><figcaption id=\"caption-attachment-309034\" class=\"wp-caption-text\">H\u00e9l\u00e8ne Grimaud: H\u00e9l\u00e8ne Grimaud at rehearsal during the La Roque d\u2019Anth\u00e9ron International Piano Festival, 2004. Photo by Lefalher. Creative Commons Attribution\u2013ShareAlike 3.0.<\/figcaption><\/figure>\n<p><strong>The Fiery Virtuoso<\/strong><\/p>\n<p>Plays like a force of nature, part tempest, part wildfire.<\/p>\n<p><em>Example:<\/em> <strong>H\u00e9l\u00e8ne Grimaud<\/strong>, her performances are filled with emotional intensity and energy, leaving audiences dazzled. When the spirit moves her, she is transcendent and at times she plays with such ferocity you wonder whether the piano owes her money. (Rim-shot. Sorry). Her playing has evolved through the years to show greater and greater introspection and spiritual depth although Grimaud\u2019s playing style is still defined by its emotional intensity, gut-level power and fiery passion.<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_309037\" aria-describedby=\"caption-attachment-309037\" style=\"width: 360px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-309037\" src=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-David_Tudors_Ocean_Promo_Still-360x261.jpg\" alt=\"\" width=\"360\" height=\"261\" srcset=\"https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-David_Tudors_Ocean_Promo_Still-360x261.jpg 360w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-David_Tudors_Ocean_Promo_Still-768x557.jpg 768w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-David_Tudors_Ocean_Promo_Still-300x218.jpg 300w, https:\/\/3quarksdaily.com\/wp-content\/uploads\/2026\/08\/960px-David_Tudors_Ocean_Promo_Still.jpg 960w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/><figcaption id=\"caption-attachment-309037\" class=\"wp-caption-text\">David Tudor: David Tudor, promo still for Ocean, March 3, 1994. Photo by Amfoundation. Creative Commons Attribution 4.0.<\/figcaption><\/figure>\n<p><strong>The Incandescent Maverick<\/strong><\/p>\n<p>Doesn\u2019t fit any category, transcends them all.<\/p>\n<p><em>Example: <\/em><strong>David Tudor<\/strong><em> (1926\u20131996), <\/em>who premiered pieces involving humming, toy pianos and interpretive shadow puppetry. Critics assessments ranged from \u201cavant-garde\u201d to \u201ca prankster.\u201d He was the premier performer of John Cage\u2019s early experimental works (including premiering <em>4\u201933\u201d<\/em> in 1952).<\/p>\n<p>&nbsp;<\/p>\n<p><strong>What Kind of Concert Pianist Are You? <\/strong><\/p>\n<p><em>(Choose the answer that best fits you. Or none. Just pretend, it\u2019s all made up.)<\/em><\/p>\n<p><strong>Your biggest fear is:<\/strong><\/p>\n<p>A. A wardrobe malfunction during <em>La Campanella.<\/em><br \/>\nB. The audience clapping between movements.<br \/>\nC. Someone asking you to play &#8220;normal&#8221; music \u201cthe right way.\u201d<br \/>\nD. A Steinway engineer saying, \u201cActually, Bach would\u2019ve loved the sustain pedal.\u201d<br \/>\nE. Being called &#8220;apolitical&#8221; by a musicology grad student who knows nothing about Gramsci.<\/p>\n<p><strong>Your signature drink is:<\/strong><\/p>\n<p>A. Martini, shaken, not stirred, with a glitter rim.<br \/>\nB. Black coffee, no sugar, brewed during a sleepless night.<br \/>\nC. Chocolate milk with a side of existential doubt.<br \/>\nD. Mead, or anything mentioned in a Haydn letter.<br \/>\nE. A kombucha you ferment yourself while reading Adorno.<\/p>\n<p><strong>Your dream concert attire is:<\/strong><\/p>\n<p>A. A backless gown and six-inch heels that don\u2019t quite violate OSHA regulations.<br \/>\nB. All black, preferably linen, while interrogating a metaphysical concept.<br \/>\nC. A hoodie with one sleeve rolled up because you like it like that.<br \/>\nD. A powdered wig and the moral certainty that Mozart is watching.<br \/>\nE. Something that pairs well with indignant tweets.<\/p>\n<p><strong>Before you take the stage, you:<\/strong><\/p>\n<p>A. Check for possible wardrobe malfunctions.<br \/>\nB. Stare into the void for 10 minutes and whisper Leopardi poems.<br \/>\nC. Hum \u201cHappy Birthday\u201d in F-sharp while pacing in socks.<br \/>\nD. Bow to the score first, then meet the audience.<br \/>\nE. Post a selfie with a fist emoji and a Chopin quote about revolution.<\/p>\n<p><strong>Your ideal encore is:<\/strong><\/p>\n<p>A. A seductive Rachmaninoff prelude with longing gazes into the balcony.<br \/>\nB. A Scriabin \u00e9tude you play as if summoning spirits.<br \/>\nC. A lullaby your cat likes.<br \/>\nD. An 18th-century dance in 15\/16, performed at the tempo the composer probably intended.<br \/>\nE. John Cage\u2019s <em>4\u201933\u201d<\/em> performed while holding up a sign denouncing New York City rents.<\/p>\n<p><strong>Critics describe you as:<\/strong><\/p>\n<p>A. \u201cVirtuosic and impossible to miss.\u201d<br \/>\nB. \u201cTortured genius meets interpretive exorcism.\u201d<br \/>\nC. \u201cQuirky and rebellious, but compelling.\u201d<br \/>\nD. \u201cA revelation in clarity, a menace to anyone who adds pedal.\u201d<br \/>\nE. \u201cRewriting Beethoven for the revolution.\u201d<\/p>\n<p><strong>Your spirit animal is:<\/strong><\/p>\n<p>A. A peacock (flamboyant, unmissable, possibly venomous).<br \/>\nB. A raven (brooding, poetic, literate).<br \/>\nC. A raccoon (chaotic, resourceful, a genius).<br \/>\nD. A tortoise (ancient, wisdom born of extensive experience).<br \/>\nE. A phoenix (always rising from the ashes of discourse).<\/p>\n<p><strong>Your practice routine involves:<\/strong><\/p>\n<p>A. Making virtuosity look effortless, and effort look glamorous.<br \/>\nB. Playing the same fugue 47 times while muttering, &#8220;Why must beauty hurt?&#8221;<br \/>\nC. Composing a sonata for left hand only because your right hand is holding a latte.<br \/>\nD. Researching 18th-century treatises until your piano tuner starts avoiding your calls.<br \/>\nE. Debating whether Beethoven\u2019s <em>Hammerklavier <\/em>is a metaphor for late-stage capitalism.<\/p>\n<p><strong>If you got mostly\u2026<\/strong><\/p>\n<p>A: You are <strong>The Haute-Couture Disruptor <\/strong>&#8211; bringing style and insight in equal measure.<br \/>\nB: You are <strong>The Dramatic Prophet<\/strong> &#8211; your glissandos are existential crises with the promise of meaning and redemption.<br \/>\nC: You are <strong>The Quirky Genius<\/strong> &#8211; beloved by eccentrics, squirrels and NPR.<br \/>\nD: You are <strong>The Historical Reenactor<\/strong> \u2013 you judge people who say \u2018Rameau\u2019 wrong.<br \/>\nE: You are <strong>The Social Justice Interpreter<\/strong> &#8211; fighting the patriarchy one fugue at a time.<\/p>\n<p><strong>Final Question: How Do You React to a Standing Ovation?<\/strong><\/p>\n<p>A. Deep, theatrical bow, hair flipped.<br \/>\nB. A slow nod, as if the audience finally\u00a0understands.<br \/>\nC. &#8220;Oh you like me, huh? But the judges\u2026ha ha, well, who needs judges?&#8221;<br \/>\nD. &#8220;This piece was originally performed for six people in a candlelit barn.&#8221;<br \/>\nE. &#8220;This encore is brought to you by the fight for income equality.&#8221;<\/p>\n<p><strong>Bonus: What\u2019s Your Soundtrack?<\/strong><\/p>\n<p><strong>Haute-Couture Disruptor:<\/strong>\u00a0<em>Rachmaninoff\u2019s Prelude in G Minor (but kind of disco-ey)<br \/>\n<\/em><strong>Dramatic Prophet:<\/strong>\u00a0<em>Liszt\u2019s &#8220;Totentanz&#8221; (obviously)<br \/>\n<\/em><strong>Quirky Genius:<\/strong>\u00a0<em>Satie\u2019s &#8220;Vexations&#8221; (on a kazoo)<br \/>\n<\/em><strong>Historical Reenactor:<\/strong>\u00a0<em>The Well-Tempered Clavier<\/em>, tuned to A=415.<br \/>\n<strong>Social Justice Interpreter:<\/strong>\u00a0Shostakovich\u2019s <em>Symphony No. 5<\/em>, arranged for piano while watching documentary footage of the Milgram experiment.<\/p>\n<p>Note: All examples and character types are affectionate caricatures of public musical personas, offered in the spirit of gentle satire and deep admiration. I love each one of these folks, they have enriched my life so greatly and I invite you to view all of them online and drop by to listen to them if they come to your town.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Enjoying the content on 3QD? Help keep us going by <a href=\"https:\/\/3quarksdaily.com\/support-3qd\">donating now<\/a>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Daniel Gauss Imagine this: It is around the mid-1980s and the venerable Sir Georg Solti takes the podium at Chicago\u2019s Orchestra Hall to conduct Rachmaninoff\u2019s Piano Concerto No. 2. The orchestra is poised, the audience breathless. But then a stagehand rushes over and hands him a note. \u201cMaestro, Daniel Barenboim can\u2019t make it, but&hellip;<\/p>\n","protected":false},"author":1824,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"pmpro_default_level":"","footnotes":""},"categories":[3260],"tags":[7213,6036,7207,7209,7215,7212,7219,7214,7221,7217,7216,7220,7208,7210,7211,7218],"class_list":["post-309024","post","type-post","status-publish","format-standard","hentry","category-mondaymagazine","tag-andras-schiff","tag-classical-music","tag-colorful-pianistic-personas","tag-contemporary-concert-pianists","tag-daniil-trifonov","tag-david-tudor","tag-grigory-sokolov","tag-helene-grimaud","tag-igor-levit","tag-ivo-pogorelic","tag-lang-lang","tag-marc-andre-hamelin","tag-pianists","tag-piano","tag-piano-recital","tag-yuja-wang","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309024","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/users\/1824"}],"replies":[{"embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/comments?post=309024"}],"version-history":[{"count":6,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309024\/revisions"}],"predecessor-version":[{"id":309209,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/posts\/309024\/revisions\/309209"}],"wp:attachment":[{"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/media?parent=309024"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/categories?post=309024"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/3quarksdaily.com\/wp-json\/wp\/v2\/tags?post=309024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}]