A small story about how porn found computers

by R. Passov

After Steve Jobs hit his VP of development on the forehead, called him a stupid fuck, then stormed out of a meeting that had been set up to see George’s invention, everything changed.

The invention, George said, was on the motherboard. Dell and HP were buying 40 million so that no matter where you were in the world you could grab the local, over-the-air broadcast signal and with a little software, read the signal by the hardware, turning your computer into a TV.

By 2005, Jobs didn’t want anyone reaching out over the air. He wanted everyone to come through the Apple store. Apparently, neither his VP of development or George knew that. On its way toward bankruptcy, CrestaTech ate a fortune.

*        *        *

Back in the early 1990’s, before one of Sun Microsystems frequent purges forced me out, I shared an office with George and a fellow named Hung Gee. I came to understand something of what George labored on; learning the arc of his career from Daisy Systems – an innovator in microchip design tools – through to Sun where he managed a small corner of the Scalable Processor Architecture or SPARC Chip. As the geometry of microprocessors shrank, electrons traveled shorter distances. The non-intuitive result was to ask less of the hardware (the microprocessor) and more of the software.

Hung Gee was harder to pierce. George believes he can trace Hong Gee’s path to the parking lot of MIPS, another architectural innovator, and to the day in that parking lot when a man with the same name as Hong Gee shot his boss.

Read more »

Tell me about the blues

by Bill Benzon

John Faddis in the Bluezone

What is the blues? It is a mood, a feeling, a sensibility. Feeling blue. Feeling blue?

It is a musical form, existing in its own tradition, but also as a form within the jazz tradition. The latter is what this series article is about, the blues as it functions within the evolving context of jazz.

The blues is also an object of wonder, fascination, and mystery. Back in the middle of the 20th century some curious and well-meaning white folks went looking for the blues. Marybeth Hamilton wrote a book about their quest, In Search of the Blues:

Leadbelly, Robert Johnson, Charley Patton-we are all familiar with the story of the Delta blues. Fierce, raw voices; tormented drifters; deals with the devil at the crossroads at midnight.

In this extraordinary reconstruction of the origins of the Delta blues, historian Marybeth Hamilton demonstrates that the story as we know it is largely a myth. The idea of something called Delta blues only emerged in the mid-twentieth century, the culmination of a longstanding white fascination with the exotic mysteries of black music.

Hamilton shows that the Delta blues was effectively invented by white pilgrims, seekers, and propagandists who headed deep into America’s south in search of an authentic black voice of rage and redemption. In their quest, and in the immense popularity of the music they championed, we confront America’s ongoing love affair with racial difference.

That’s from the publisher’s blurb. It sounds about right, though I’ve not read the book. I’ve read other books. I know a thing or two. In 1966 a man named Charlie Keil published Urban Blues. It blew the doors off that myth. Read more »

Charaiveti: Journey From India To The Two Cambridges And Berkeley And Beyond, Part 41

by Pranab Bardhan

All of the articles in this series can be found here.

Gérard Roland came to Berkeley only around the turn of this century. He grew up in Belgium, was a radical student, and after the student movements of Europe subsided, he supported himself for a time by operating trams in the city. When he was wooing his girlfriend (later wife), Heddy, she used to get a free ride in his trams. (A few years back when I visited them one summer in their villa in the Italian countryside near Lucca, Heddy told me in jest that those days she was content with a free tram ride, but now she needed a house in Tuscany to be placated). Gérard is also a good cook.

As with Andreu, my special link with Gérard was based on our shared interests in history, politics and culture. In addition, his research involves analyzing institutional rules in the economic development process and issues of comparative economic systems, which have also been part of my own research themes. He comes to this set of issues from his long-run interest in Russia in its process of economic transition after the fall of Berlin wall, and later in China.

At this point I might as well give some perspective for my interest in institutional and comparative-systemic issues in the context of the subsequent developments in the discipline of Economics. By institutions economists do not necessarily mean an establishment or organization. They apply the term to imply general rules and practice and custom in economic arrangements.  I have earlier talked about my interest in and detailed empirical work on agrarian relations in Indian villages—these relations are often examples of small-scale economic institutions at the micro-level. Thus sharecropping, that my early work was concerned with, is a prime example of an age-old economic institutional arrangement. Read more »

Nobel Prize winner Olga Tokarczuk on ‘The Books of Jacob,’ her magnum opus, newly translated into English

Emma Levy in The Seattle Times:

The Seattle Times chatted with Nobel Prize winner Olga Tokarczuk about her immersive, visionary 1,000-page novel that follows the extraordinary life of Jacob Frank, a Polish Jew who believed himself to be the Messiah and commanded a large religious movement in the 18th century.

What did you see in the story of Jacob Frank? What do Jacob’s followers see in him?

Jacob Frank is a complicated character who escapes univocal judgment. His supporters remembered him as a handsome man while the opponents recalled an ugly hunchback. Nobody knows for certain what he was like, we can only guess. The controversy that surrounded him, and the enormous influence he held over people from all social classes has provoked me to fill in the blanks in his biography. His followers saw him not only as an inspired mentor but also as a chance to improve their social standing: most of the Frankists hailed from the small-time bourgeoisie of Podolia. Jacob might have been admired for his ascension above rules of society. This is a character in a state of perpetual transformation, especially after the trauma he endured in the Częstochowa prison. From an influential guide and leader to the masses, he turned into a cynical political player, driven by his own ambitions. He descended into hubris, became an emperor’s favorite and even an adviser to Maria Therese [ruler of the Habsburg Empire]. He stood above the law and his direct connection to divinity guaranteed that he would be obeyed.

More here.

I Helped Pen the UN Climate Report, Here’s Why It Gives Me Hope

Sarah Burch in Undark:

On April 4, the United Nations Intergovernmental Panel on Climate Change released the final installment of its Sixth Assessment Report, an epic synthesis of science exploring the causes and consequences of climate change. This latest document focused on the causes — chiefly, the rampant emission of greenhouse gases — and how to reduce them, fast.

As one of the lead authors of the new report, I and more than 230 scientists from around the world collectively reviewed over 18,000 scientific articles and responded to around 60,000 reviewer comments over the course of more than three years. Our goal was to compile the most accurate and nuanced picture of current climate science and social science, and to use this to inform international climate change treaty-making and policy design. The result was a nearly 3,000 page document that details a stark, urgent threat — but that also gives us reason for optimism.

First, the grim news: Average annual greenhouse gas emissions were the highest during the past decade than they have been in human history.

More here.

Swimming in It: Art and (Im)Morality

Jen Silverman at MacDowell:

I think we’re laboring under a moment in which many believe that the sole function of art is to provide moral guidance.

I understand how we got here. Our politicians and leaders have for the most part abdicated responsibility on this front – not in what they say (there’s always moralizing) but in what they’re caught doing later. An entire parade of celebrities has been similarly revealed to be mouthy, handsy monsters of hypocrisy. The arts, though underfunded, have a history of being a fallback battleground for American morality. And also, always, America is obsessed with the idea of virtue. Ours is a country founded on many myths, but one of them inarguably is purity: pristine forests, clear water, virginal women, God everywhere.

More here.

In the Room Where German Tycoons Agreed to Fund Hitler’s Rise To Power

David de Jong in Literary Hub:

The invitations, sent by telegram four days earlier, left no doubt. The capital was calling. On Monday, February 20, 1933, at 6 pm, about two dozen of Nazi Germany’s wealthiest and most influential businessmen arrived, on foot or by chauffeured car, to attend a meeting at the official residence of the Reichstag president, Hermann Göring, in the heart of Berlin’s government and business district.

The attendees included Günther Quandt, a textile producer turned arms-and-battery tycoon; Friedrich Flick, a steel magnate; Baron August von Finck, a Bavarian finance mogul; Kurt Schmitt, CEO of the insurance behemoth Allianz; executives from the chemicals conglomerate IG Farben and the potash giant Wintershall; and Gustav Krupp von Bohlen und Halbach, chairman-through-marriage of the Krupp steel empire.

Three weeks earlier, Adolf Hitler had seized power in Germany after concluding a backroom deal that led the Reich president, Paul von Hindenburg, to appoint Hitler as chancellor. Now the leader of the Nazi Party wanted to “explain his policies” to the group of industrialists, financiers, executives, and heirs, or at least that’s what he’d led them to believe.

More here.

Sunday Poem

From:

Five Villanelles

The crack is moving down the wall.
Defective plaster isn’t all the cause.
We must remain until the roof falls in.

It’s mildly cheering to recall
That every building has its little flaws.
The crack is moving down the wall.

Here in the kitchen, drinking gin,
We can accept the damndest laws.
We must remain until the roof falls in.

And though there’s no one here at all,
One searches every room because
The crack is moving down the wall.

Repairs? But how can one begin?
The lease has warnings buried in each clause.
We must remain until the roof falls in.

These nights one hears a creaking in the hall,
The kind of thing that gives one pause.
The crack is moving down the wall.
We must remain until the roof falls in.

by Weldon Kees
from
Strong Measures
Harper Collins, 1986

How to Inhabit the Word

Nina Li Coomes in Guernica:

Wet earth. Loam. Bitter ash, brine on the wind. The unfurling of cedar, a smell that takes me out of this place and back to bathtubs in Japan; a portal of a scent, sacred and red. These are the smells of the Pacific Northwest wood from where I write this. In the daytime, as light pours around the unfamiliar landscape, I think of it as a new smell, something to gulp. But last night, clambering up the half-hill toward the cottage where I am staying, I took another breath and was suddenly tearful. The damp soil transformed into the smell of my Jiji, wood-smoke mimicking cigarette-smoke lingering in the folds of his shirt.

To read In Sensorium is to be made as aware of the sensuousness of place, time, and body, as I am now aware of all the smells around me. When I tried to read your essays back in my Chicago apartment, I found myself frustrated and lost in the swirling meditations. I was distracted and fractured, couldn’t slow down to digest. But here, alone in the deep quiet with nothing to do but move my body through the day, your prose has opened up for me. Or rather, I have opened up to your prose.

More here.

Work is broken. Can we fix it?

The Team at Vox:

“We often begin to understand things only after they break down. This is why, in addition to being a worldwide catastrophe, the pandemic has been a large-scale philosophical experiment,” Jonathan Malesic, author of The End of Burnout: Why Work Drains Us and How to Build Better Liveswrites in this month’s issue of the Highlight.

What has broken down, of course, is work, and what American workers, policymakers, and employers now can see plainly are the countless truths the pandemic laid bare: that productivity does not actually require an air-polluting, hourlong daily drive to a soulless downtown office building; that a fair and just society ought not put the poorest, most vulnerable Americans in danger in the name of capitalism; that the entire economy might just be held together by a rapidly dwindling sea of people — child care workers — earning roughly $13 an hour, with no benefits.

In this month’s Future of Work issue, the Highlight and Recode teamed up to explore the precarity faced by those workers whom the Great Resignation did not offer much in the way of increased power or security. We look beyond simply what is broken about their working lives, asking policy experts and workers themselves: What could make work better?

More here.

Abolition Democracy’s Forgotten Founder

Robin D. G. Kelley in Boston Review:

Nearly every activist I encounter these days identifies as an abolitionist. To be sure, movements to abolish prisons and police have been around for decades, popularizing the idea that caging and terrorizing people makes us unsafe. However, the Black Spring rebellions revealed that the obscene costs of state violence can and should be reallocated for things that do keep us safe: housing, universal healthcare, living wage jobs, universal basic income, green energy, and a system of restorative justice. As abolition recently became the new watchword, everyone scrambled to understand its historical roots. Reading groups popped up everywhere to discuss W. E. B. Du Bois’s classic, Black Reconstruction in America (1935), since he was the one to coin the phrase “abolition democracy,” which Angela Y. Davis revived for her indispensable book of the same title.

Where is Fortune in the pantheon of radical Black intellectuals?

I happily participated in Black Reconstruction study groups and public forums meant to divine wisdom for our current movements. But I often wondered why no one was scrambling to resurrect T. Thomas Fortune’s Black and White: Land, Labor, and Politics in the South, published in 1884. After all, it was Fortune who wrote: “The South must spend less money on penitentiaries and more money on schools; she must use less powder and buckshot and more law and equity; she must pay less attention to politics and more attention to the development of her magnificent resources.”

More here.

The French Far Right Comes on Little Cat Feet

James McAuley in The New Yorker (Photograph by Rit Heize / Xinhua / Getty):

In the early spring of 2017, before France’s previous Presidential election, I took a taxi from my apartment in Paris to Saint-Cloud, a wealthy suburb to the west of the city. I remember the feeling of dread as the car crossed the Seine, the quaint church set into a hillside overlooking the urban sprawl below. I was a twenty-eight-year-old reporter, and Jewish, about to visit the home of Jean-Marie Le Pen, one of the country’s most notorious Holocaust deniers and far-right agitators.

Jean-Marie’s daughter, Marine, was running in the French Presidential election for the second time that year, and I was there to profile him for the Washington Post. On April 24th, she will again face off against Emmanuel Macron, in the final round of the vote. The two sparred in a lengthy debate on April 20th, during which Macron hammered Marine for her admiration of Vladimir Putin and reliance on a Russian bank, and she attacked him for ignoring the plight of ordinary citizens. The far right has not been this close to power in France since 1944. Marine has styled herself as a candidate of almost grandmotherly compassion, focussing on the rising cost of living and posing for photos with her cats. Although she is likely to lose, she has already won the battle for legitimacy: polls project her winning forty-four per cent of the vote, which would be her highest share in any of her three Presidential campaigns. She is increasingly popular with working-class and lower-middle-class voters, who say that she has listened to their economic concerns while Macron, preoccupied by the war in Ukraine, has barely bothered to campaign.

More here.

Economic War and the Commodity Shock

Alex Yablon , Nicholas Mulder, Javier Blas in Phenomenal World:

The war in Ukraine has unleashed both geopolitical and economic strife, and nowhere is the latter clearer than in the volatile commodities market. Commodities prices have fluctuated wildly since the Russian invasion began and the US-led coalition retaliated with extraordinary sanctions on Russia’s financial system and trade networks. Few outside the American intelligence community expected Russia to invade; even fewer expected Russia’s rivals to so forcefully and swiftly confront the belligerent power with such a sweeping raft of economic sanctions.

While diplomatic relations with Russia have been deteriorating for more than a decade, the Western attempt to sever all economic relations with the country may mark a historical turning point. For the first time in decades, the world finds itself in an economic crisis originating not with the financial sector, but in the real economy. The economic disruptions of war itself and the breakdown of financial and trade ties with Russia—a global commodities powerhouse—have had repercussions around the world. Rising fertilizer prices are threatening the viability of Peruvian rice farms. The loss of Ukrainian neon production is driving up costs for Taiwanese chip manufacturers, already squeezed for capacity in recent years. The blockade at the port of Odessa threatens a general food crisis for the Middle East and North Africa. And the metals exchanges are in disarray as pricing chaos pushes margin calls ever higher.

More here.

Louisa Lim’s “Indelible City”

Jennifer Szalia at the NYT:

In “Indelible City,” Louisa Lim charts how her own identity as a Hong Konger had never been so clear until China’s brutal attempts to crush pro-democracy protests in 2019. She had been feeling increasingly alienated from a densely populated place where extreme inequality, soaring costs and shrinking real estate made “the very act of living” — even for “still very privileged” people like her — completely exhausting. Lim’s experience as a reporter amid a swell of protesters changed that. She could feel her face flush and her throat well up — not from the tear gas, of which there was plenty, but from a surge of emotions: “I’d fallen in love with Hong Kong all over again.”

Needless to say, this is an unapologetically personal book. For Lim, who worked as a correspondent for the BBC and NPR, the turmoil in Hong Kong made it ever harder “to safeguard my professional neutrality.”

more here.

A Conversation With Nan Z. Da

Nan Z. Da and Jessica Swoboda at The Point:

JS: What do you see as the differences between academic writing and other forms of writing?

ND: There’s an oft-quoted line by Niklas Luhmann, an acute understanding of the endgame of social evolution in modernity. He posits that “humans cannot communicate; not even their brains can communicate; not even their conscious minds can communicate. Only communication can communicate.” You’re not supposed to think of this as writing advice. Nonetheless, things have to be primed for communication.

Academic writing has to look different than nonfiction writing, has to look different than journalism, and so forth, for much the same reason that interdisciplinarity means nothing if disciplines don’t have operational closure, don’t have integrity. You have to have categorical and systemic partitioning, even hard generic distinctions, in order to see curious crossings.

more here.