Ain’t That A Kick In The Head?

by Mike O’Brien

Last month I took a trip that had a profound impact on me. Departing from a small staircase, my short flight had stopovers on the edge of a sofa and a magazine rack, before finally reaching my final destination on the floor. Being the overly intellectual sort that I am, I proceeded though most of the itinerary head-first. As soon as it was over, I questioned how best to process the experience, and how it might change me as a person, going forward. (Lord, how I despise that expression. As if freezing or going backwards were options, plutonium-powered Deloreans notwithstanding.) I didn’t seek medical attention, given that I was half-vaxed at the time and not disposed to sitting in hospital waiting rooms with the Delta variant coming into bloom.

I had taken a similar voyage to the floor years ago, and knew the protocols for returning. The last time, I adhered as closely as possible to a 10-14 day regimen of silence, darkness, sleep and dietary fat, with an absolute prohibition on screens, reading, physical activity and alcohol. This is a much more stringent regimen than those prescribed by most Canadian health guidelines regarding concussions, for the same reason that dairy-producing countries prescribe more cheese in a balanced diet. To whit, if Canadian health authorities took the long-term effects of concussions seriously, we would have to cancel North-American-style hockey and football (and boxing and MMA and Judo and racing and that competition where Russians slap each other really hard), and any professional league with money in its pockets would be sued into oblivion.

I do take the long-term effects of concussions seriously, having taken a heap of psychology classes at the very neurologically-inclined McGill University (Go Martlets!), and having done a fair bit of rather rough martial arts (safely). Concussions scare the living daylights out of me, and I’m struck by the tone of much public health information on the subject, which seem to be structured around the question of when Timmy can lace up his skates again. Read more »

Chocolate

by Carol A Westbrook

No chocolate chip cookies for you, Rover

Chocolate. The very word makes your mouth water; it conjures up images of childhood, of ice cream sundaes, of Valentine’s Day, of love. A small piece in your mouth makes you happy and improves your outlook—and makes you want more. chocolate is a stimulant, a mood elevator. And so many people reached for a piece of chocolate to help get through the dark days of the Covid-19 pandemic, as reflected in the increased chocolate sales during those months

Can chocolate really do all of these things? A surprising amount of research has been done to try to answer this question, with inconclusive results. Yes, there are pharmacoactive substances in chocolate, the most prominent of which is theobromine. This chemical which is named for the plant in which it was discovered, the cacao tree, (Theobroma cacao), the source of chocolate. Carl Linnaeus, the great Swedish botanist, gave the plant its name, perhaps in recognition of its importance to the natives that cultivated it. Theobroma contains the Greek words theo (god) and broma (food), meaning food of the gods—there is no bromine in the substance. Theobromine is a mild stimulant, similar to caffeine. It is also present in green tea and Yerba mate. A milk chocolate bar contains about 60 milligrams of theobromine, while dark chocolate has about 3 times as much. Consumption of an entire dark chocolate bar can have some pleasant mood effects, while three dark chocolate bars can cause sweating, trembling, and headaches. But keep your chocolate bars away from your dogs, because theobromine cannot be metabolized by animals, and it is toxic to them. Read more »

A Book Lover’s Defense of Colour-Coordinated Bookshelves 

by Nicola Sayers

To be clear: I was snooty, too. I first saw colour-coordinated bookshelves in my friend’s home, and I have to admit that, even then, I liked the look. Each neatly stacked shelf, bright and orderly. It reminded me of the new packets of felt-tipped pens I used to love getting as a kid. But in the same moment, a well-trained habit of literary condescension kicked in (I blame grad school at heart I’m more an enthusiast than a critic, but they beat that out of you pretty quickly) and I heard myself asking a series of cringey questions. Questions designed to belittle, to declare my own bookishness in some way superior to my friend’s. But how do you find the book you’re looking for? Isn’t it weird to separate books by the same author? How do they all look so clean? (Subtext: do you even read these books?) 

But several years and a mild-to-moderate Pinterest addiction later, I found myself one rainy morning, stuck at home with a baby whose sweet smile did not, on that day, quite make up for her conversational shortcomings, and in need of some cheer. And so it was that, a few frenzied hours later, my husband came home to find all of our books rearranged according to colour. (His shelves, he’d no doubt want me to point out, have since been returned to what he views as their rightful order yes, although we share children, a home and a bank account, our respective bookshelves are still clearly demarcated). 

My reasoning behind the reorder was admittedly entirely superficial, but the effect was surprising. I look at, engage with, and even re-read my books much more since the change. Before, I had a feeling that I knew what was there: the classics, my Frankfurt School lineup, my ever-expanding gang of contemporary female writers, and so on. Now, my book collection is both more and less familiar to me. The pops of colour draw my eyes in more frequently, but I find that the thematic disorder left in the wake of the coloured order is also strangely welcome. I not only look at the books more often, I also look at them anew.  Read more »

The Problem of Home in David Krippendorff’s “Nothing Escapes My Eyes”

by Andrea Scrima

Oh patria mia, mai più ti rivedrò!
Mai più! Mai più ti rivedrò!
O cieli azzurri o dolci aure native
Dove sereno il mio mattin brillò
O verdi colli o profumate rive
O patria mia, mai più ti rivedrò!

(Oh my homeland, I will never see you again!
No more! Never see you again!
Oh blue skies and gentle breezes of my village
Where the calm morning shone
O green hills and perfumed shores
O my homeland, I will never see you again!
)

Film still from Nothing Escapes My Eyes

Giuseppe Verdi’s opera Aida premiered at the Khedivial Opera House in Cairo on December 24, 1871. A century and a half later, David Krippendorff sets his film Nothing Escapes My Eyes, which won the Berlin Short Film Festival in 2016in a parking garage on Meidan el-Opera, or Opera Square, erected after the opera house was destroyed by fire. Verdi’s aria Padre, a costoro schiava non sono provides the soundtrack for a work that embodies nostalgia and absence in a precision of ambiguity that does not seek to reenact the opera, but present it as a metaphor within a metaphor, one uniquely suited to express the drama of identity with all the intensity it possesses in an individual’s life. Read more »

Quadriptych

by Rafiq Kathwari

You do not need to leave your room. Remain sitting at your table and listen. Do not even listen, simply wait, be quiet, still and solitary. The world will freely offer itself to you to be unmasked, it has no choice, it will roll in ecstasy at your feet. ―Franz Kafka

East Wall of My Living Room

From the top down is a magnificent square Jamawar shawl, circa 1870s, clipped to a dowel. I bought it about 40 years ago, when I still had petty cash, from a shop with a big sign board, “Shawl King, Lambert Lane, Srinagar, Kashmir” where I was born a Scorpio at Midnight. The shawl has the history of Kashmir woven into it, and more about that later.

Centered below the shawl is a large bright painting, oil on canvas. It’s titled “Vegetable Jewelry,” by Charles Hossein Zenderoudi, an Iranian living in Paris, the first Muslim or non-Western artist to achieve notoriety contemporizing the Arabic script, repeating just one alphabet across the width and breadth of the canvas. Imagine the prosperous belly of the English letter S but facing left, wearing a ~ (tilde) as a hat. That’s the Arabic letter ‘Hay or Hey:’ hay hey hay hey . . a sole hay playing its own solitary sonata.

Gracing “Vegetable Jewelry” on either side are small miniature paintings in the Mughal style, hand-painted on ivory, showing Mughal royalty in various romantic scenes inside a royal court, or on the rooftop reclined on serpentine-shaped divans upholstered with velvet, scented and shaded by blooms . . . Sigh!

There are family photos as well on this wall, all black and white. Here’s one of my younger brother Tariq, and myself, 4 and 7 years of age respectively, wearing white wool Pakols, a soft, round-topped Pashtun hat, in Murree, Pakistan in the 1950s. Chubby lads! I am beaming. Tariq has a faint smile. He was the youngest of six who, on his 63rd birthday, went for a swim in the Arabian sea off the coast in Goa. The sea, never known to give up her human bounty, washed his corpse ashore a day later. I miss him. Read more »

Charaiveti: Journey From India To The Two Cambridges And Berkeley And Beyond, Part 7

by Pranab Bardhan

All of the articles in this series can be found here.

In spite of my abiding interest in literature when I came to college I was vaguely inclined to major in History. In the long break between school and college I chanced upon two books of Marxist history which opened me to a new vista of looking at history. The first was Maurice Dobb’s Studies in the Development of Capitalism. This book showed me that there is a discernible pattern in the jumble of facts in history, which attracted me. Soon after, I read a lesser Marxist history book, A.L. Morton’s People’s History of England which showed me how recasting the old widely-known history of England from the people’s perspective gives you new insights. These books whetted my appetite to read more of Marxist history.

In Presidency College there was a thriving tradition of Marxist history; the doyen of the historians there was the Marxist historian Susobhan Sarkar, who had inspired generations of history students there. (I managed to attend a couple of his lectures as a sit-in student, but soon he was to leave Presidency after a long career there). Sarkar’s son, Sumit, also a famous historian now, was a contemporary of mine in College. All around me, in College and in the coffeehouse, the dominant intellectual current was that of Marxists.

In College Street, the main thoroughfare in front of the College, and the road which I walked everyday between my home and College, was a-throb with energetic leftist movements, the most important of which were the protracted agitations in the demand for adequate food at affordable prices for the poor. Loud processions, barricades, blocking of streets, tear gas, police chasing of students, and occasional police shooting became part of my daily excitement. Read more »

Proust’s Panmnemonicon

Justin E. H. Smith in his Substack Newsletter:

Marcel Proust represents many things. Chief among these perhaps, especially for non-French readers, is quantity, and therefore the marathon-like endurance of anyone who actually reads all seven volumes of In Search of Lost Time, and can prove it. A 2016 cartoon in the New Yorker features a middle-aged couple sitting up in bed when one of them realises he and his partner are exactly the age at which they must start the opus if they hope to finish it before death. In a classic Looney Tunes episode Bugs Bunny has sent Elmer Fudd into a dustcloud of St. Vitus-like commotion from which he cannot escape; the sheer temporal extension of Fudd’s state is marked by Bugs sitting down next to him and patiently opening the cover of Remembrance of Things Past (as it used to be called in English).

Corollary to the length and weight of Proust’s work is the idea that to take it on amounts to a form of world-renunciation, and potentially an abnegation of our “real” moral connections and political duties. I recall shortly after September 11, 2001, Christopher Hitchens wrote that he had recently been on the cusp of giving up on politics altogether and devoting himself to a sustained critical work on the French novelist, only to be awoken and drawn back into the world by “Islamofascism”, and to the calling of militant atheism that would occupy him for the rest of his life.

More here.

Reimagining Humanity’s Obligation to Wild Animals

Rachel Nuwer in Undark:

I was once challenged by a friend to explain why it matters if species go extinct. Flustered, I launched into a rambling monologue about the intrinsic value of life and the importance of biodiversity for creating functioning ecosystems that ultimately prop up human economies. I don’t remember what my friend said; he certainly didn’t declare himself a born-again conservationist on the spot. But I do remember feeling frustrated that, in my inability to articulate a specific reason, I had somehow let down not only myself, but the entire planet.

The conversation would have gone very differently had I already read environmental journalist Emma Marris’s “Wild Souls: Freedom and Flourishing in the Non-Human World,” a razor-sharp exploration of the worth of wild animals and the species they belong to, and the responsibility we have toward them. “I wanted to know whether the massive human impact on Earth changes our obligation to animals,” Marris writes. “Our emotions about animals have always been strong, but are our intuitions about how — and whether — to interact with them still correct?”

More here.

Why America needs a Department of the Future

Kim Heacox in The Guardian:

Shortly before he died in 2007, the celebrated American novelist, iconoclast and second world war veteran Kurt Vonnegut gave a final interview. “My country is in ruins,” he said. “I’m a fish in a poisoned fishbowl.” Vonnegut was 84, and sounded razor sharp as he spoke about inequality and political shortsightedness, adding that in the history of the United States “one thing that no cabinet has ever had is a Secretary of the Future, and there are no plans at all for my children and grandchildren.”

“Why should I care about future generations?” asked the comedian Groucho Marx. “What have they ever done for me?”

More here.

Prison Tech Comes Home

Erin McElroy, Meredith Whittaker, and Nicole E. Weber in Public Books:

Throughout the pandemic, new surveillance systems—used by landlords, educational institutions, and employers—have converged, capturing new forms of data and exerting new forms of control in domestic spaces. COVID-19 prompted bosses and schools to accelerate the deployment of surveillance and tracking systems. As the pandemic drags on, many are still monitoring and assessing remote learners and workers in their most intimate environments. Landlords, meanwhile, took the pandemic as a time to promise “touchless” convenience and increased control over the homes of their tenants, rushing to install tracking systems in renters’ homes. Whatever the marketing promises, ultimately landlords’, bosses’, and schools’ intrusion of surveillance technologies into the home extends the carceral state into domestic spaces. In doing so, it also reveals the mutability of surveillance and assessment technologies, and the way the same systems can play many roles, while ultimately serving the powerful.

Abolitionist organizers and scholars have long demonstrated the ways in which the carceral state exists well beyond prisons, jails, and police. As Michelle Alexander reminds us in her foreword to the excellent book Prison by Any Other Name, “‘Mass incarceration’ should be understood to encompass all versions of racial and social control wherever they can be found, including prisons, jails, schools, forced ‘treatment’ centers, and immigrant detention centers, as well as homes and neighborhoods converted to digital prisons.”

More here.

The Standup Who Doubles as a Digital Emily Post

Andrew Marantz in The New Yorker:

On a recent afternoon, the comedian Jaboukie Young-White walked into Syndicated, a bar and movie theatre in Bushwick. He had bleach-blond hair and the beginnings of a mustache, and he wore workout clothes. “I like to exercise, but ‘I want to look plump and juicy’ isn’t enough motivation,” he said. “I need more of a narrative.” He had reserved a spot in a Muay Thai class nearby, but the class had been cancelled because of a sudden rainstorm. The gym’s owner texted him a video, and Young-White held up his phone: floor mats covered in gushing water. “Life during climate change, I guess,” he said, sliding into a booth. Two movie projectors beamed images onto a wall—“Fitzcarraldo,” the Werner Herzog film, next to “Whenever, Wherever,” the Shakira video. “Every bar should have this,” Young-White said. “If you’re on a first date and things get super awkward, you can at least look up and comment on something together, instead of each disappearing into your phones.”

Young-White has thought a lot about cell phones, dating, and New York, in part because he stars in a movie called “Dating & New York,” out this month, a traditional rom-com refreshed for the swipe-right era. The writer and director, Jonah Feingold, was born in the nineties, as were most of the cast members, including Young-White, who is twenty-seven. “The Internet matured as we were maturing,” he said. “We did a lot of comparing notes, on set, about the little etiquettes and mores that you naturally learn when your whole life is mediated through a phone. The right way to punctuate a text, things like that.” Once, as a New Year’s resolution, Young-White turned on read receipts, which notify the people you’re texting with when you’ve seen their messages. “The idea was, this will make me more accountable, so I won’t keep forgetting to respond,” he said. Instead, he forgot that the setting was on: when he let a conversation lag, it seemed like a snub. He said, “It was actually Bo”—the comedian Bo Burnham, another connoisseur of the ways in which the Internet is warping human relationships—“who told me my read receipts were on. He went, ‘I assumed it was a power move.’ ”

More here.

Afghanistan Redux: Malala Yousafzai, White Feminism and Saving Afghan Women

Fawzia Afzal-Khan in Counterpunch:

The case at hand that prevents me from an unqualified rooting for the category of “experience,” is the exemplary case of Malala Yousafzai of Pakistan, who has traversed the distance from female “experience” to feminist “expertise”, and who, like others before (and since) that have made that journey from the “margins” to the “center” of imperial power, has now switched from being a “voice of the oppressed” to becoming an “expert” who can speak to us and teach us about those authentic “other” women in the global south—in this case, Afghan women– to whom her prior proximity (“experience”)– renders her an “expert” on today. From experience to expertise then, is a pretty straightforward line, following the predictable path forged also by white feminism in thrall and service to imperial designs past and present. This is the path that was announced with great fanfare shortly after 9/11 by First Lady Laura Bush and enthusiastically supported by the Feminist Majority Foundation, that would “save brown women from brown men” by going in to the “backward” country of Afghanistan overrun by crazy “Moslem” men, in the process unleashing a 20-year war on the population that had had nothing to do with 9/11. The initial military intervention was then followed up over the next two decades with countless “development” schemes that enriched a few at the expense of the many, and when the cost of this unending war became unpopular with the citizenry “back home” in the USA over time—we left the hapless “natives” that included those very women we had been so concerned with “saving,” at the mercy of anarchy and chaos.

It is against this backdrop of “expertise” (represented back then by policy feminists such as those at the helm of the Feminist Majority Foundation who supported the war in Afghanistan ostensibly to “save” those poor brown Muslim women from the Taliban)–that the “voice” of Malala Yousafzai of Pakistan who was shot at by the Pakistani branch of the Taliban for wanting to attend school—needs to be understood and assessed when she speaks today in the aftermath of that war. Obviously, the spill-over effects of the 20-year war into neighboring Pakistan negatively affected Malala herself (she almost died because of the Taliban attack upon her), but those same circumstances also helped her ascend to worldwide fame, leading her to being read/seen as the “voice of experience” (by western feminists and policy makers), whose “voice” could then be mobilized in service of several of the goals of the continuing War on Terror.

More here.

Sunday Poem

An Old Woman

An old woman grabs
hold of your sleeve
and tags along.

She wants a fifty paise coin.
She says she will take you
to the horseshoe shrine.

You’ve seen it already.
She hobbles along anyway
and tightens her grip on your shirt.

She won’t let you go.
You know how old women are.
They stick to you like a burr.

You turn around and face her
with an air of finality.
You want to end the farce.

When you hear her say,
“What else can an old woman do
on hills as wretched as these?”

You look right at the sky.
Clear through the bullet holes
she has for her eyes.

And as you look on
the cracks that begin around her eyes
spread beyond her skin.

And the hills crack.
And the temples crack.
And the sky falls.

with a plateglass clatter
around the shatter proof crone
who stands alone.

And you are reduced
to so much small change
in her hand.

by Arun Kolatkar
from
Jejuri
Publisher: New York Review of Books
Originally published in
Opinion Literary Quarterly, 1974

Legitimacy Gap

Aditi Sahasrabuddhe in Phenomenal World (Photo by Ibrahim Boran on Unsplash):

We live in the age of the central bank. The financial crisis of 2008 and the COVID-19 crash of 2020 have made visible the central role of the US Federal Reserve and its overseas counterparts in the international financial system. The tasks of central banks are dramatic—rescuing banks and preventing financial collapse—and have earned them applause for avoiding a second and third Great Depression, and have brought relief to the economy. But these actions bore a distributional impact. Most of the financial policies adopted in response to the crisis—quantitative easing, bond purchases, and low interest rates—have protected wealth without creating new opportunities for those who don’t possess it. As the “K-shaped” charts of the 2020 recovery made plain, a market rebound did not spell economic well-being for ordinary people.

The outsize role of central banks—especially the Fed—in the international financial system has led to some skepticism about central banks and their independence. Central bank independence (CBI) grants the Fed immunity from public accountability and political interference. The Fed’s position as an independent authority in an internationally integrated market has allowed it to play, outside national borders, lender of last resort: extending liquidity assistance to foreign central banks through currency swap lines without requiring Congressional approval. Since the 1970s, CBI has been justified using the language of credible commitment and the assumed apolitical nature of monetary policy. Protection from public pressure is thought to allow central bankers to act in accordance with the principles of economics to make policies which are “confidently expected to work.”

More here.

The Costs of Climate Tipping Points Add Up

Gernot Wagner in Bloomberg (Photo by Melissa Bradley on Unsplash):

Tell me if you’ve heard this one before: Climate change isn’t about what we know, it’s about what we don’t. What we know is bad enough, what we don’t is potentially much worse. Consider, also, the irreversible, large-scale events — tipping points, like the Amazon drying out, the West-Antarctic or the Greenland ice sheet disintegrating — and the costs start to add up.

It’s precisely these costs of major planetary tipping points that I set out to calculate with three stellar colleagues in a paper published this week in the Proceedings of the National Academy. The main finding, heavily caveated as is the wont of any such research: A conservative estimate raises the urgency of action today by around 25%. The metric to capture this urgency is the social cost of carbon, what each ton of CO₂ emitted today costs society — and, thus, should cost those doing the polluting.

That 25% alone represents a significant impact, but we cannot leave things there. For one, it represents what we call a “probable underestimate,” for all sorts of important reasons, not least the fact that both the science and perhaps especially the economics are indeed inherently conservative.

More here.