Somewheres and Anywheres

by Peter Wells

Well, I’ve looked at David Goodhart’s book (The Road to Somewhere – The New Tribes Shaping British Politics: 2017) and I’m obviously an Anywhere. [All quotes are from the Kindle edition]. “They tend to do well at school [Well, reasonably], then usually move from home to a residential university in their late teens [Yes] and on to a career in the professions [Teaching] that might take them to London or even abroad [Yes, indeed] for a year or two [or eighteen!]. Such people have portable ‘achieved’ identities, based on educational and career success which makes them generally comfortable and confident with new places and people [Generally!].”

My father was lifted out of the conservative background of his family by several years of residential higher education, had a job which caused us to move every three or four years, and wired the house to broadcast BBC Radio 4 (or its predecessor, the Home Service) to every room. My infant toys included female  as well as male dolls, and, what’s more, one of the females was a little black girl! (Don’t be condescending – we’re talking the late 40s!) The first black person I met was an African student on homestay with us, who shed light for me on the mysteries of Latin grammar (I returned the compliment by teaching Latin to Zimbabweans five years later!). (Sorry! I meant well!)

So I pass Goodhart’s worldview test: “This [sc. Anywhereism] is a worldview for more or less successful individuals [Check, though rather less than more!] who also care about society [Check]. It places a high value on autonomy, mobility and novelty [Check] and a much lower value on group identity, tradition and national social contracts (faith, flag and family) [Check]. Most Anywheres are comfortable with immigration, European integration and the spread of human rights legislation [Check]. They … see themselves as citizens of the world [Check 110%!].”

The privileges opened up to me by this certification were immense. Repeatedly during my career I was able to enter the ‘alien’ environments of foreign countries, in Africa, Asia and the Middle East – not as a tourist but as a resident, worker, colleague, neighbour and friend. Seeing how people of a different culture live, think, laugh, learn, befriend, commute, pay, greet, and grieve, enabled me to put  my own attitudes and presuppositions into perspective. I realised that what had looked to me like a central and obvious norm was just the point of view that I happened to have been brought up with. My wife and I were offered a glimpse of at least five very distinctive ways to live, instead of the sole option that most people are granted. More than anything else, this is what makes working abroad a joy and delight. The elusive quality of a national culture defies stereotyping. Like the flavour of a loved one’s cooking, it is itself. Africans, Arabs, Japanese are not reducible to epithets: they are what they are. A spouse who has had the same experience will know what you mean when you say, “That’s just like Oman / Malawi / Japan, isn’t it.” Our friends have no idea what we are talking about! You can, of course, obtain a similar experience by visiting a different part of your own country, or even someone else’s house, but for the full culture shock you need to change countries! Read more »

Look On My Works, Ye Mighty, And Despair

by Thomas O’Dwyer

The Parthenon Marbles. From 1801 to 1812 the 7th Earl of Elgin removed half of the surviving sculptures on the Parthenon in Athens and moved them to England.
The Parthenon Marbles. From 1801 to 1812 the 7th Earl of Elgin removed half of the surviving sculptures on the Parthenon in Athens and moved them to England.

A British government decision to build a road tunnel near the prehistoric site of Stonehenge in the south of England has stirred up a hornets’ nest of protest, certain to grow louder and noisier when construction work begins. Archaeologists and environmentalists are among those leading the growing resistance to the 3-km Stonehenge road tunnel. Public sentiment against any attempt by governments or commercial interests to threaten heritage sites can be visceral and powerful. Some people claimed in online posts to have felt physically ill when they heard reports that the Islamic State (ISIS) intended to destroy the magnificent ruins of Palmyra in Syria.  Each year before the pandemic, over one million tourists visited Stonehenge to see the huge rock formations erected by Neolithic builders around 5000 years ago. The ring of standing stones, each 4 metres high, 2 metres wide, and weighing 25 tonnes, is the centrepiece of the unique historic site but it also stands in a complex of Neolithic and Bronze Age monuments that include several hundred burial mounds.

That is why Druids, environmentalists and archaeologists have greeted the decision with anger and dismay. They predict that protesters will arrive from around the world to denounce the project. Remarkably, a minor local story about a road project in an obscure English county is making its way into headlines around the globe. This demonstrates that the British government is not the only one that must tread warily when it attempts to lay a grubby commercial hand on treasured items of national heritage. Public opinion may be fickle on many topics yet it seems universally united on the need to protect global cultural heritage – and this passion attracts curious attention from experts as diverse as psychoanalysts, sociologists, philosophers, and authors. Read more »

Next of Kin

by Tamuira Reid

Hold your tongue. When the voice on the phone tells you how much they all loved her. That her smile could light up a room. The only time you ever saw her smile was the day after your sixteenth birthday, when you left your childhood home to leave your childhood behind. The house on the hill, surrounded by citrus trees and dry, cracking oaks. The house where as a boy you grew, despite little to no maintenance, not unlike the tress themselves. The house with a defunct stepfather, too miserable to know he was miserable, and a half-sister who begged you not to go. Who held out her palms, full of pennies from her piggy bank, I’ll give you all my money if you stay. Her hair was white-blonde and looked like an atom bomb cloud when the sun hit it from behind. You loved her as much as you could love anyone, which wasn’t much. Your heart had stopped working years before. Your heart had closed shop.

You remember giving that little girl a short, shitty hug that you wish could have been better. You remember a hummingbird vibrating in the air. You remember whispering into the space between your dead but alive bodies, don’t let her ruin you, too.

 Hold your tongue. Don’t tell the voice on the phone how the smile on your mother’s ghastly face the day you left said it all. She had finally driven you out by cutting you off – from her love, from her touch, from the sound of her voice – a calculated, exacting erasure of the son she didn’t want in the first place. The one she tried to stop from growing inside her teenaged belly by drinking bleach and smoking peyote down at the river with her boyfriend, your father, egging her on. More, he’d say. Drink more. But the harder she tried to drive you out of her body, the harder you fought to stay. Until now. Read more »

The Monas Hieroglyphica, Feynman diagrams, and the Voynich manuscript

by Charlie Huenemann

One of the strangest books to come out of Europe in the sixteenth century – and that is saying a lot – is John Dee’s Monas Hieroglyphica (1564). Dee was an English mathematician, court astrologer, diplomat, and spy. He was also a wizard, or at least an aspirant to wizardry. Like many European intellectuals of the 16th century, Dee devoted himself to what we identify today as esoteric studies, which means an interdisciplinary effort to discern a primordial truth through the study of ancient texts, alchemy, astrology, philosophy, theology, and magical practices. Ancient texts such as the Corpus Hermeticum and the Emerald Tablet promised a brand of wisdom that had made the ancient ages more powerful and knowledgeable than any age since, and their introduction into western Europe during the Renaissance gave scholars a hope of recovering ancient wisdom and restoring human nature to the perfection it had once enjoyed in the Garden of Eden, before – well, that part of the story you probably know already.

Dee wrote the Monas Hieroglyphica in just twelve days, under divine inspiration. The central idea is that the creation of symbols is at the same time a revelation of the primal forces of creation. Begin with a point. Extend the point so as to form a line. Fix one end and rotate the other to create a circle. You have just, in a sense, duplicated the creation of the Sun. Follow Dee’s instructions further – well, try to, for it soon gets pretty confusing – and before long you will have created a very potent symbol.  Read more »

Like Love: A Conversation with Michele Morano

by Philip Graham

Michele Morano’s first collection of essays, Grammar Lessons: Translating a Life in Spain, is a classic of travel literature that I have taught several times, to the great pleasure of over a decade’s worth of students. Now she has bested the power of that excellent book with a new collection of essays, Like Love. This book too, in a way, is a travel book, but one that stays close to home as Morano discovers and examines in her life the surprisingly varied terrains of affection, infatuation, love and devotion. And in this travel, Morano embraces the side paths that require uncommon honesty and self-examination that often go unspoken or unwritten. Readers following Michele Morano on this journey will be rewarded with their own moments of revelation, which may breathe life into memories perhaps long neglected.

Philip Graham: I have long been an admirer of your writing, but your new book of nonfiction, Like Love, has taken my appreciation to new heights. Right from the start, the title tells a reader something special is afoot. Such a seemingly simple pairing of two single-syllable words, and yet, placed together, they resonate with many possible readings that only deepen as one proceeds through the book. What is the history of this title, was it an early, middle or late inspiration as you were writing the collection?

Michele Morano: Thank you, Philip, I appreciate your asking about the new book’s title, which came somewhat early in the process. I’d published a third of the essays as stand-alone pieces before recognizing the theme of odd romances, relationships that don’t follow the usual storylines, in my work—and in my life. I decided to make a book, and because I’ve always loved the title of Lorrie Moore’s short story collection, Like Life, I took inspiration from it for the title essay and the book as a whole. Like Love refers to all the unconsummated, shimmering infatuations, entanglements, relationships, and taboo attractions that happen throughout our lives. Read more »

Can You Answer this Cancer Question, Doc?

by Carol A Westbrook

As Thanksgiving approaches, we think about those things in our life for which we are thankful. I’m thankful for our healthcare system, and I’m doubly thankful for the opportunity to contribute to it.

I practiced hematology and oncology for over 30 years, diagnosing and treating blood disorders and cancer. During this time I wrote a little book, “Ask an Oncologist: Honest Answers to Your Cancer Questions,” and I put up a Facebook page with the same name to help promote it. Though I hadn’t planned to take questions, I shouldn’t have been surprised that questions began to come, given the title of the page.

At first, I avoided answering questions because I didn’t want to give out free medical advice as I was wary of liability and lawsuits. Then I got this:

You are truly a coat of many colors. Just wanted to thank you again for giving me my life back. It’s been 2 1/2 years cancer free. Truly a miracle when I read the transcripts from all the reports and tests from the past 3 years. Glad you’re doing well. Hope you have continued happiness. No questions. Just letting you know you are thought of often. —From one of your patients, a colorectal and liver cancer survivor

I was touched! This post made me see how much more a doctor provides than just treatment recommendations. And how much I missed seeing patients since retirement in 2017. Read more »

If You Go to Kashmir Today

by Rafiq Kathwari

If you go to Kashmir today this is what you will see. As you drive away from Srinagar’s Hum Hama airport, a large green billboard with white lettering proclaims, Welcome to Paradise.

You will whip your head from side to side absorbing the sights and sounds of heaven: men in khaki in single file, machine guns slung over their shoulders. This will not seem odd, for you have heard about armed men in khaki necessary to secure paradise where they are called—what else‑—Paratroopers. This was once a paradox, but the paradigm is prescriptive.

Honk, honk, beep, beep, the shrill blowing of horns are the first sounds you will hear as you become aware that there are no traffic laws in paradise. Wow! No rules, only a few bearded men in blue, displaying PP insignia on their shoulders, clenching long bamboo sticks, idling indifferently at roundabouts as pardesis —what else would you call those who live in paradise— rush on, everyone including your driver wants to be on the fast track, all at once. You cannot but marvel at the paradisiacal confusion that follows. Read more »

Yuval Noah Harari: When the World Seems Like One Big Conspiracy

Yuval Noah Harari in the New York Times:

Conspiracy theories come in all shapes and sizes, but perhaps the most common form is the Global Cabal theory. A recent survey of 26,000 people in 25 countries asked respondents whether they believe there is “a single group of people who secretly control events and rule the world together.”

Thirty seven percent of Americans replied that this is “definitely or probably true.” So did 45 percent of Italians, 55 percent of Spaniards and 78 percent of Nigerians.

Conspiracy theories, of course, weren’t invented by QAnon; they’ve been around for thousands of years. Some of them have even had a huge impact on history. Take Nazism, for example. We normally don’t think about Nazism as a conspiracy theory. Since it managed to take over an entire country and launch World War II, we usually consider Nazism an “ideology,” albeit an evil one.

But at its heart, Nazism was a Global Cabal theory based on this anti-Semitic lie: “A cabal of Jewish financiers secretly dominates the world and are plotting to destroy the Aryan race. They engineered the Bolshevik Revolution, run Western democracies, and control the media and the banks. Only Hitler has managed to see through all their nefarious tricks — and only he can stop them and save humanity.”

Understanding the common structure of such Global Cabal theories can explain both their attractiveness — and their inherent falsehood.

More here.

Scientists Uncover the Universal Geometry of Geology

Joshua Sokol in Quanta:

On a mild autumn day in 2016, the Hungarian mathematician Gábor Domokos arrived on the geophysicist Douglas Jerolmack’s doorstep in Philadelphia. Domokos carried with him his suitcases, a bad cold and a burning secret.

The two men walked across a gravel lot behind the house, where Jerolmack’s wife ran a taco cart. Their feet crunched over crushed limestone. Domokos pointed down.

“How many facets do each of these gravel pieces have?” he said. Then he grinned. “What if I told you that the number was always somewhere around six?” Then he asked a bigger question, one that he hoped would worm its way into his colleague’s brain. What if the world is made of cubes?

More here.

Can America still afford democracy?

Rana Dasgupta in Harper’s Magazine:

Concern about American democracy is often expressed as a parable of the Thirties: We must prevent another Hitler. The word “fascism” has appeared frequently in denunciations of Donald Trump; many have accused him of a führer-like contempt for the American system. But it is time to ask whether the system itself is not thereby too conveniently excused. Mass political participation has come only recently and reluctantly to America; voter suppression is the more traditional American way. And for reasons that have nothing to do with fascism, even that partial efflorescence may be coming to an end. Trump’s baleful theatrics have distracted us, in fact, from the broader disintegration of the twentieth-century interregnum, of which he is only a symptom. That process has much further to go, and will produce dangers greater than he.

More here.

Friday Poem

“A constitution’s only as good as those
who swear to honor it.”
—Roshi Bob

Home to Roost

The chickens
are circling and
blotting out the
day. The sun is
bright, but the
chickens are in
the way. Yes,
the sky is dark
with chickens,
dense with them.
They turn and
then they turn
again. These
are the chickens
you let loose
one at a time
and small—
various breeds.
Now they have
come home
to roost—all
the same kind
at the same speed.

by Kay Ryan
from
Niagara River
Grove Press, 2005

Trevor Noah Loses It Over Giuliani’s Hair Dye Mess

Ross Lincoln in The Wrap:

On Thursday’s episode of “The Daily Show,” Trevor Noah took a look at the absolutely appalling press conference the Trump campaign held earlier in the day. But Noah didn’t forget to give special attention to the most memorable moment: When Trump’s lawyer, Rudy Giuliani, humiliated himself by sweating so much he caused his badly done hair dye to leak down the sides of his face.

…Back to Trevor Noah: “Ok. I know that this could be the end of American democracy, ” Noah said after playing a clip of the excruciatingly cringe moment. “But guys, this s— is hilarious. I mean, Trump always said that he had leakers in his administration, but I didn’t know it was this bad.” Then Noah came at Giuliani with a flurry of really funny jokes. “What the hell was going on with Rudy? Honest question. Was his hair dye dripping? Was his brain s—ing itself? Honestly, I didn’t even know that sideburns got periods. You know your legal strategy is really f—ed up when your hair starts crying about it. It was going down both his cheeks! Dude was growing a chin strap beard in real time.”

“And look, I’m not gonna lie, part of me feels bad for Rudy,” Noah continued, while visibly starting to crack up while saying “feels bad for Rudy.” “‘Cause this was the biggest press conference of his life, his big chance to get Donald Trump another term as president. And his hair ruined the entire moment.”

More here.

The Poetry of Idea Vilariño

Esther Allen at Poetry Magazine:

Individual poems by Vilariño have occasionally appeared in anthologies of Latin American poetry in the United States, but not until now, more than a decade after her death and in the centennial year of her birth, has one of her books appeared in English translation. Unsurprisingly, it is her best-known work, Poemas de amor Love Poems (University of Pittsburgh Press, 2020), in a translation by the poet Jesse Lee Kercheval. The literary scholar Emir Rodríguez Monegal, a Yale professor who wrote influential treatises on Jorge Luis Borges and Pablo Neruda, also cofounded a magazine with Vilariño in his younger years and co-translated a number of works with her. “One day we’ll all be remembered as the contemporaries of Idea Vilariño,” Monegal is often quoted as having said. For the English-speaking world, that day begins now.

more here.

Aldo Tambellini

Tina Rivers Ryan at Artforum:

Similar to Tony Conrad—who reflected in one of his final interviews, “You don’t know who I am, but somehow, indirectly, you’ve been affected by things I did”—Tambellini has yet to receive the recognition he deserves for prognosticating the future we now inhabit. For example, in 1969, he made a modified television set called Black Spiral, which distorts live broadcasts into churning abstractions, highlighting the transformation of information into electronic flows. He then used this hacked appliance (made with the help of Bell Labs) to produce a single-channel tape and cameraless photographs he called “videograms,” presaging the infinite commutability of digital data. Notably, these related projects were included in the first major exhibitions of video art: “TV as a Creative Medium” at the Howard Wise Gallery in 1969, and “Vision and Television” at the Rose Art Museum in 1970. He also produced the multimedia happening Black for “The Medium Is the Medium,” the groundbreaking program of video art that aired on WGBH Boston in 1969. By that time, he and Otto Piene of Group Zero had already cofounded the Black Gate—a pioneering “electromedia” venue in Manhattan’s East Village that hosted future luminaries like Nam June Paik—and coproduced the first work of video art made for broadcast, 1968’s Black Gate Cologne. With these and other activities over just a few short years, Tambellini helped put the now-gridlocked “intersection of art and technology” on the map, defining its boundaries in ways that could not be more relevant to our contemporary moment.

more here.

Population matters: Biobanks accelerate geno–pheno discoveries

Illumina in Nature:

There are more than 120 biobanks worldwide, having evolved over the past 30 years. They range from small, predominantly university-based repositories, to large, government-supported resources. As well as collecting and storing samples, they also provide clinical, pathological, molecular and radiological information for research into personalized medicine. Biobanks allow researchers to explore the causes of disease by helping them link genotypes to phenotypes. This is a process that has been underway for years through genome-wide association studies (GWAS), but it has proved far from straightforward. “What we have learned from GWAS over the last 15 to 20 years is that there are many variants, they have small effect sizes and, even if you total most of the common variants throughout the genome, they account for only a small fraction of phenotypic variance,” says Judy Cho, a translational geneticist at Icahn School of Medicine at Mount Sinai, New York.

Biobanks are speeding up progress. They allow researchers to easily analyse increasing numbers of biological samples and associated clinical data to characterize disease mechanisms, find novel drug targets, and identify patients most likely to benefit from a particular treatment approach. “Embedding genomic information in electronic health-care records, so it can be used through the course of life, is an appealing vision,” says Dan Roden, a clinical pharmacologist and Director of the BioVU Biobank at Vanderbilt University Medical Center, Tennessee. “But it’s one that is hard to realise; there are lots of logistical problems in creating an infrastructure like that.” BioVU’s step towards achieving this vision is to store DNA extracted from discarded blood, collected during routine clinical testing, linked to de-identified medical records. Around 250,000 DNA samples are now available for Vanderbilt investigators.

But going big isn’t the only solution: insights into common diseases can also be found by analysing smaller disease- and/or ethnic-specific cohorts, which concentrate on important genomic signals. Advances in genetic technologies and increased efforts to capture genetic diversity in biobanks are helping researchers to make robust geno-pheno associations in a cost-effective manner (see ‘Biobanks and geno-pheno associations’).

More here.

On Ayad Akhtar’s “Homeland Elegies”

Jordan Elgrably in the Los Angeles Review of Books:

IF YOU’VE ALREADY READ Camus’s The Plague and have been searching for the perfect pre-apocalyptic fiction work to help you navigate our current affairs, this book may be just the provocation. I opened it knowing little about the author, other than having seen him act in the independent feature The War Within and perused his play Disgraced. Neither had prepared me for Homeland Elegies, which turns out to be masterful storytelling for these disturbing times.

Just as a playwright may be tempted to break the fourth wall and talk directly to you in the audience, a novelist wants you to believe that the tales s/he’s weaving are the honest-to-God’s truth — and maybe they are, even if they’re woven whole cloth, because as the ancient Greeks like to shout back at Socrates, “What is truth?” Thespians are first about the performance, always, but one hopes to glean nuggets of vérité, and in this first-person confession about a prize-winning playwright and sometime-actor named Ayad Akhtar, it’s the performance that counts.

More here.