Celebrating the Women of Pakistan

Editor’s Note: My sister Azra has kindly given us permission to publish remarks that she delivered to The Citizen’s Foundation gala in Houston a few days ago. She will provide translations of the Urdu poetry soon.

by Azra Raza

ScreenHunter_2670 Apr. 17 11.09Thank you Dr. Abdullah Jafari, thank you TCF, thank you Houston for giving me this opportunity to speak tonight. I am greatly honored. This evening, we are going to celebrate the women of Pakistan.

In the 1930s of Aligarh, my mother was sent to Merath for a vacation. She was barely ten years old. In Meerath, she became homesick in the house of her relatives. A few weeks later, she learnt that her father would be visiting a nearby town so she wrote begging her mother that her father should take her home to Aligarh when he returned. This one simple act of letter writing caused a major upheaval in Aijaz Manzil because the first thing my Naana wanted to know was how Naani Amman found out about Ammi’s unhappiness. Naani Amman had to produce the letter which was examined carefully. My Naana was scandalized by the idea that his daughter had secretly learned to read and write, an activity considered subversive and dangerous. While a good head and a good heart in a woman was a desirable combination, adding a pen to that was tantamount to outright rebellion.

I remembered this story because when my own daughter Sheherzad was ten years old and I asked her one day what she would do if she won the lottery and had millions of dollars, her instantaneous and forceful response was, “Finish my education, of course!” What a contrast between two 10-year olds separated by one single generation. Sheherzad did not have to think twice about her education because of the sacrifices made by my mother and by the women of her generation in the pre-partition subcontinent. So if we are going to celebrate the women of Pakistan, let us begin with the pioneers. Ms. Fatima Jinnah and Begum Rana Liaqat Ali Khan, Lady Haroon and Begum Shaista Ikramullah. My mother became deeply involved in women’s education in Karachi and through her tireless efforts, managed to provide for both primary and higher education to hundreds of underprivileged students. When she died 15 years ago, my epitaph for her was the famous Faiz sher:

Karo kaj jabeen pay sar e kafan
Meray qaatiloun ko gumaan na ho
Kay ghuroor e ishq ka baankpan
Pas e marg ham nay bhula diya!

(Faiz)

(Keep the shroud tilted on my forehead as a sign of defiance and pride. Let not my assassins have the misapprehension that in death, they succeeded in crushing the honor and pride I took in my passions).

The first University open to women was in Bombay in 1882 while Harvard Medical School admitted women for the first time in 1945. As far as Pakistan is concerned, let us do a little math. The population is roughly 186 million. There are 296,832 students enrolled in degree level education which comes to 0.1% population. Despite these dire statistics, the good news is that 62% of them are women and the level of achievement of girls is consistently higher than that of the boys. Girls outclass boys in examination, and they are also higher achievers. And yet, when it comes to the work-force, their efforts are not rewarded equally. I was horrified to hear the goal announced at the International Women’s Conference last year: 50-50 by 2030 meaning equal pay by 2030. Why?

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The Fallacy Fork and the Limits of Logic

by Paul Braterman

Fallacy_saganR: Sagan warns us against fallacies. But is exposing fallacies enough to shield us from the demons?

I had been waiting for a quiet moment to write about this, but there isn't going to be a quiet moment, so now will have to do.

Debaters regularly accuse their opponents of using fallacies. These can be formal fallacies, such as simple errors of logic, or informal fallacies, such as appeal to authority, ad hominem and strawman arguments, among others. If a piece of reasoning depends on any of these fallacies, so it is claimed, the conclusion does not really follow from the premises, and while it might still be true we have not been given any good reason to believe it.[1] And so books that discuss logic, and science-promoting blogs (including one I follow), regularly include descriptions of informal fallacies, with stern instructions to avoid committing them.

In an article entitled The Fake, the Flimsy, and the Fallacious: Demarcating Arguments in Real Life, Maarten Boudry, Fabio Paglieri and Massimo Pigliucci (henceforth BPP) challenge this view. BPP is written for the perusal of trained philosophers, which I am not, but I use it here as a jumping off point, while mixing in further content of my own.

BPP apply what they call the fallacy fork test to accusations of informal fallacy; either the reasoning is obviously erroneous, in which case no one would really use it, or else it is not obviously erroneous in context, and we still have all the work to do. In the first case, formal analysis is redundant; in the second, the facts of the matter need further consideration. So naming and shaming the particular kind of fallacy is either unnecessary or uncalled for. I agree, and suggest that we drop the label "fallacy" for such informal arguments, since to make the label stick we have to show on other grounds that the argument as used really is fallacious. The discussion made me think of my own reflections on formally valid logical arguments, which only work because the conclusion has actually been accepted in advance, otherwise we would not have accepted the premises. In both cases, the formal or semi-formal reasoning, while seemingly at the heart of the argument, is an unnecessary elaboration, and we can cut out the middleman.

Going beyond this, it is becoming increasingly clear that the logical is only one aspect, and not usually the most important aspect, of an argument. More important are the heuristic and rhetorical aspects; will the reasoning point us towards a way of acquiring new knowledge, and how useful is it in the attempt to persuade our opponents to change their minds. (In passing, I suggest that if our objective is to persuade others to change their minds, we are not arguing in good faith, unless we are at least in principle open to the possibility that we too might change ours.)

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Terror on Trial 2: Counter Forensics

by Katrin Trüstedt

9-495x400While the murder series of the right-wing terror trio National Socialist Underground (NSU) has generally escaped major international attention (especially in comparison with Islamist terror attacks), one of the assassinations continues to come up. The murder of Halit Yozgat, the 9th assassination of the NSU, resists the fate of the others, because of one rather delicate detail: a secret service agent was present at the crime scene at the time of the murder. When Halit Yozgat was shot in the head by two members of the NSU on April 6, 2006, from a close distance with a silenced Česká CZ 83 pistol (the signature style of the NSU assassinations), Andreas Temme, an agent of the Hessian domestic intelligence service, was in the internet café in Kassel. When Halit Yozgat's father, İsmail Yozgat, found his son when he returned to the café a few minutes after the murder, Temme was gone.

The agent claimed first to have been at the café the day before, and then that he had left the place right before the murder. He later changed his statement when confronted with overwhelming evidence placing him at the scene when the murder happened. He then claimed he didn't see or hear Yozgat getting shot while he was chatting with his online affair; that he put coins on the reception desk and left, not noticing that Yozgat was dying on the ground behind the desk; and that he didn't report back to the police like all the other witnesses in the café because he didn't want his pregnant wife to find out what he was doing there. The police, the court and his employers at the State Office for the Protection of the Constitution accepted his testimony. But his presence continues to raise suspicions that government agencies might in some way be involved in the murders, fueling conspiracy theories in various directions. Much justified criticism of the authorities' handling of the case came from the left, pointing out the general trivialization of right-wing violence by state agencies combined with racist prejudices when it comes to the victims, when the various agencies investigating the murders had disregarded the possibility of right-wing terror and rather investigated the victim's families for possible criminal ties, thereby doubling the crimes they were supposed to prevent. Against this background, the fact that an agent of the domestic intelligence service was present at the scene raised the suspicion that government agencies might have actively protected or enabled the NSU. Meanwhile there are, on the other hand, many rumors in the right-wing scene itself claiming the NSU murders were orchestrated by the state authorities in order to hurt the scene.

Forensic Architecture, a research agency based at Goldsmiths around the architect Eyal Weizman, have launched an independent investigation into the case and recently presented preliminary results.

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Winner Take All

by Elise Hempel

I'm about to enter yet another poetry chapbook contest that I'll have little chance of winning. This one's cheap – only $10 to enter (compared to the usual $20 to $30), but that's because there's no monetary prize (most chapbook and full-length book contests award $1,000 to the winner), only publication and a contract for a certain percentage of the printed chapbook's sales.

Though we're now in the age of Trump, in the age of "winning," of loving winners and loving to win, I'm still the same person I was before November 8, 2016. Of course I'd love to win this chapbook contest, to have my 20 to 30 poems neatly packaged in a perfect-bound little book with a colorful glossy cover, to add one more publication to my résumé. But, like Anis Shivani, I also don't believe in poetry contests, and I resent the fact that this is what I, and other less-well-known poets, must do to even come close to getting just a chapbook published. And I continue to be baffled by the fact that most poetry contests (for both books and chapbooks, and for a single poem or group of poems) name only a single winner, awarding prize money and publication to the one "best" submission, though sometimes a few lucky finalists are also given publication and a lesser amount of cash.

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Baggage – Superpowers pt. 2

by Max Sirak

(Don't want to read? You don't have to. Listen instead.)

Last month I wrote about narrative bias and how it shapes our lives. (You can read it here. Be sure to watch the videos, especially the last one, This Is Water.)

As a quick refresher, narrative bias is our tendency to make up stories to explain our lives. These stories, explaining why things happened and what they mean, affect us deeply.

Our ability to shape our narratives, to consciously construct healthy stories about our lives, is our storytelling superpower. The words we use to make sense of our lives impact how we think and feel.

To a large extent, we are our stories. For better or for worse.

Take Me For Instance

Using myself as an example let's look at my life as it stands. Lake Dillon 3qd

– I'm 35.

– I'm single.

– I live alone in the mountains.

– I quit a lucrative job two years ago to pursue writing.

These are four objective facts about my life. Because we are humans, and narrative bias is real, each of us will weave a story to connect these dots. Again, this is an automatic response. It's how we navigate our complex world.

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The Wedding Singer: We Travel the Spaceways

by Christopher Bacas

ImageAfter any commercial job, I was a whirling particle; negatively charged. I wanted to appear simultaneously in a distant vector of the universe (preferably, garage level). Spooky action proved impossible. Quantum properties aren't conferred at loading docks. A single sound launched our universe, though. I wonder who was on that gig…

One band leader, obsessively germ-phobic, always brought food; peanut-butter and jelly sandwiches held tightly between layers of crinkled foil, fingers never touching bread. His musicianship so secure, he'd simultaneously walk impeccable left-hand bass, comp and go over details with the party planner. Preoccupied with himself, he never requested dinner service for sidemen, even when available. We usually got squashed sandwiches in clear folding trays. The potato chips inside, moistened by a pickle, bent a full 360 degrees without breaking. Once, a maitre'd bypassed him and asked the horn section if we wanted surf and turf. At break time, our boss fumed while staff uncovered our glistening plates and poured bubbly into elegant flutes.

We worked exclusively for a suburban Maryland office. They had high-end bar-mitzvah work sewn up. The chief drove a Porsche. He required us to make a new video at least once a year. The sound stage and audio/video team were part of his business; a club date version of the company store. Shoots dragged for needless hours as the "crew" struggled to properly mic and mix instruments and music they saw and heard weekly. While the smoke machine wafted saccharine clouds through skronking feedback and buzzing amps, grown-up high-school AV nerds, pocket protectors and cluttered tool belts included, scuttled around jabbering into wireless headsets.

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C.M. Naim in Conversation

Fahad Hashmi in Café Dissensus:

Cm-naimC.M. Naim is Professor Emeritus of Urdu studies at the University of Chicago. He taught Urdu language and literature in the department of South Asian Languages and Civilisation, University of Chicago. He co-founded Mahfil (The Journal of South Asian Literature) in 1963 and the Annual of Urdu Studies in 1981. Besides a good number of works to his credit, he has also translated Qurratulain Hyder’s Housing society, Patjhad ki Awaz, and Sitaharan which is A Season of Betrayals in its English version; Vibhuti Narayan Rai’s Shahar mein curfew as Curfew in the City; and Harishankar Parsai’s satirical sketches as Inspector Matadeen on the Moon: Selected Satires.

Fahad Hashmi: What sort of prose and poetry are being produced in the Urdu language in academies and government aided-centres, meant for the promotion of the language in India?

C.M. Naim: The state academies do not produce much on their own; they mostly facilitate publication of books written or edited by someone within the state. They also give awards. As for the major ‘Central’ organization, the National Council for the Promotion of Urdu Language (NCPUL), it has been doing fairly good work: publication of inexpensive editions of classical texts; keeping prices down of their own other publications; holding book exhibitions and sales in major cities across the country; subsidizing publication of research work done by scholars at various places, and probably much more. You may want to check their website to see their various projects. I have only listed the things that I have noted myself. It also publishes a magazine, but I don’t read it regularly.

More here.

As mountains grow, they drive the evolution of new species

Cici Zhang in Popular Science:

Photo_by_jian_huang_137074_webMountains aren't just beautiful: these locales also tend to host some of the richest diversity of species on the planet. We’ve known this for a long time—ever since Alexander von Humboldt, the Prussian geographer and naturalist, first climbed up the Andes in the 18th century. But nobody has really figured out why.

One popular hypothesis goes like this: the reason why mountains have so many different species is that, as mountains are uplifted by colliding tectonic plates, the process creates more environments, and therefore more opportunities for new species to adapt to them. However, this hypothesis never had any explicit quantitative testing until now, according to a recent study published in the Proceedings of the National Academy of Sciences.

Many other studies have looked at the diversity of one single plant group or another, and results seemed to support the popular hypothesis. “That claim is often made. The hypothesis often incorporates the narratives of these studies, but it's never been explicitly tested” across time and space, through quantitative comparison, says study co-author Richard Ree, Associate Curator of Botany at Chicago’s Field Museum.

More here.

Paradise Lost: three women’s lives on the fringes of paradise

Sonya Lalli in The f Word:

Here-Comes-The-Sun-small-_9781786071248-e1490894359304Despite its optimistic title and bright, bold cover, Here Comes the Sun is not the classic beach read it might appear at first glance. The cheerful package stands in stark contrast to the novel’s sobering depictions of women struggling to forge their own paths in a Jamaican village. Born and raised in Jamaica, debut novelist Nicole Dennis-Benn writes with incredible authenticity – whether it’s capturing the local dialect, or illustrating the shocking disparities in wealth between tourists at the island’s lavish resorts, and the Jamaicans who live on its edges. In Here Comes the Sun, it’s the impoverished fishing village of River Bank, on the outskirts of Montego Bay. Dennis-Benn’s novel focuses on sisters Margot and Thandi, and their mother Delores. Although they’re not always likeable – or their choices relatable – the moral complexities and individual burdens of these characters have us invested from the get-go.

Thirty-year-old Margot has a much-coveted job working at the front desk of a luxury resort in Montego Bay. Ambitious to a fault, she also sells sex to wealthy guests, balancing this secret life with her affairs with the resort’s married owner, Alfonso, and Verdane, the River Bank woman she has loved since she was a girl. She struggles to keep her blossoming relationship with Verdane in the shadows, having been brought up in a society where homosexuality is not just frowned upon, but downright dangerous. It’s not unusual for Verdane, who was outed to her community as a young age, to face physical threats or find dead dogs on her doorstep.

More here.

Be your selves: We behave differently on different social media

Derek Thompson in The Economist:

JackA friend who stumbled upon my Twitter account told me that my tweets made me sound like an unrecognisable jerk. “You’re much nicer than this in real life,” she said. This is a common refrain about social media: that they make people behave worse than they do in “real life”. On Twitter, I snark. On Facebook, I preen. On Instagram, I pose. On Snapchat, I goof. It is tempting to say, as my friend suggested, that these online identities are caricatures of the real me. It is certainly true that social media can unleash the cruellest side of human nature. For many women and minorities, the virtual world is a hellscape of bullying and taunting. But as face-to-face conversation becomes rarer it’s time to stop thinking that it is authentic and social media are artificial. Preener, snarker, poser, goof: they’re all real, and they’re all me.

The internet and social media don’t create new personalities; they allow people to express sides of themselves that social norms discourage in the “real world”. Some people want to lark around in the office but fear their boss will look dimly on their behaviour. Snapchat, however, provides them with an outlet for the natural impulse to caper without disturbing their colleagues. Facebook and Instagram encourage pride in one’s achievements that might appear unseemly in other circumstances. We may come to see face-to-face conversation as the social medium that most distorts our personalities. It requires us to speak even when we don’t know what to say and forces us to be pleasant or acquiescent when we would rather not.

But how does the internet manage to elicit such different sides of our personality? And why should social media reveal some aspect of our humanity that many centuries of chit-chat failed to unearth?

More here.

Sunday Poem

Easter, when doubt becomes hope,
because all hope is of doubt, I think.
……………. —Roshi Bob

my dream about the poet
.
a man
I think it is a man.
I think he’s holding wood.
he carves.
he is making a world
he says
as his fingers cut citizens
trees and things
which he perceives to be a world
but someone says that is
only a poem.
he laughs.
I think he is laughing.
.

by Lucille Clifton
from To Read a Poem
Edited by Donald Hall
Harcourt Brace, 1992

Zadie Smith Answers the Proust Questionnaire

From Vanity Fair:

Zadie-smith-proust-questionnaireWhat is your idea of perfect happiness? Reading quietly, in high grass, among loved ones (who are also quietly reading). Followed by a boozy lunch.

What is your greatest fear? Violent death. Death generally.

Which historical figure do you most identify with? Aspirationally speaking, Virginia Woolf and Zora Neale Hurston.

Which living person do you most admire? I feel almost certain I don't know them. It would be one of these types who dedicate their lives to the welfare of others, whereas the people I tend to know are people making stories out of the dramas of themselves.

What is the trait you most deplore in yourself? Narcissism, solipsism.

What is the trait you most deplore in others? The same.

What is your favorite journey? Any walk through Rome.

What do you consider the most overrated virtue? Patriotism. Ideological consistency.

More here. [Thanks to Amitava Kumar.]

Octopuses Do Something Really Strange to Their Genes and It might be connected to their extraordinary intelligence

Ed Yong in The Atlantic:

Lead_960Octopuses have three hearts, parrot-like beaks, venomous bites, and eight semi-autonomous arms that can taste the world. They squirt ink, contort through the tiniest of spaces, and melt into the world by changing both color and texture. They are incredibly intelligent, capable of wielding tools, solving problems, and sabotaging equipment. As Sy Montgomery once wrote, “no sci-fi alien is so startlingly strange” as an octopus. But their disarming otherness doesn’t end with their bodies. Their genes are also really weird.

A team of scientists led by Joshua Rosenthal at the Marine Biological Laboratory and Eli Eisenberg at Tel Aviv University have shown that octopuses and their relatives—the cephalopods—practice a type of genetic alteration called RNA editing that’s very rare in the rest of the animal kingdom. They use it to fine-tune the information encoded by their genes without altering the genes themselves. And they do so extensively, to a far greater degree than any other animal group.

“They presented this work at a recent conference, and it was a big surprise to everyone,” says Kazuko Nishikura from the Wistar Institute. “I study RNA editing in mice and humans, where it’s very restricted. The situation is very different here. I wonder if it has to do with their extremely developed brains.”

It certainly seems that way. Rosenthal and Eisenberg found that RNA editing is especially rife in the neurons of cephalopods.

More here.

Let’s get past the stupid Nobel debates: Dylan is not just a great poet, but a prophet whose genius can sustain us

Anis Shivani in Salon:

Trump-dylan-620x412Two weeks ago, Bob Dylan accepted the Nobel Prize in person; true to form, he did so not at the December ceremony (where Patti Smith performed in his stead), but during a previously scheduled tour of Stockholm. He has yet to deliver, on tape or in person, the acceptance speech that is a precondition for the prize money. When he won the prize it was just before the November election, and now we’re a few months into the unfolding disaster. Which makes you wonder: Does the Nobel Prize committee know more about us than we know about ourselves?

This may quite possibly be the best Nobel Prize choice ever for literature, right up there with the recognition of William Faulkner. It has been given to the right person at the right time, as the academy has made an urgent intervention into the vexing question of just what literature is, at a political moment when demagoguery is making a mockery of language.

Writers and critics know that nearly all the greatest writers of the past century — and we know who they are — failed to get the award. The Nobel for literature is most helpful when it brings someone deserving to the global audience’s attention. Such was the case with Turkish novelist Orhan Pamuk; he was already at a young age a world-class author, but the award gave him millions of new readers. And though Dylan has been a songwriter’s songwriter, or musician’s musician, for 55 years, there couldn’t be a better time than now for his poetry of prophecy to soak through to everyone’s consciousness.

More here.

Since 9/11, there has been a shift from catching terrorists to policing Muslims

Zaheer Kazmi in Prospect:

2.22058426Recent moves by the Trump administration to ban entry to the US of citizens of several Muslim-majority states seem to be a striking departure from western counter-extremism policies. These strategies have focused until now on the proscription of specific individuals and terrorist groups rather than on blanket bans on whole countries.

Meanwhile, the administration’s parallel desire to designate the Muslim Brotherhood a foreign terrorist organisation is also gaining steam. This has revived perennial tensions in western policy circles over how to deal with the apparently non-violent Islamist “movement,” which has been notoriously difficult to define as a unitary entity.

But while they may appear to augur a new era, Trump’s actions have deeper roots, which reveal the coming together of two distinct but related policy developments since 9/11: attempts by western governments at proscribing non-violent Islamist groups; and the direction of travel in definitions of extremism. The pattern has been to target violence, then non-violent extremism and now, it seems, followers of a particular faith.

The growing intimacy between these trends has been most apparent in the evolution of the UK’s counter-extremism policy, especially since 2014 and the subsequent period of Conservative ascendancy following their election victory in 2015. The problems associated with these recent policy developments point to three underlying issues the Trump administration now also faces: the need for clarity in defining “extremism” and “political Islam”; the limits of policing transnational movements by unilateral domestic means; and the efficacy of using proscription as a policy tool.

More here.